The Daily Telegraph describes Nikolaj Znaider as "the most stimulating young musician playing today, drawing on musical intelligence, perception and dynamism to give performances of rare intensity." This release presents one of the world's foremost violinists playing two landmark concertos, accompanied by the Leipzig Gewandhausorchester "one of Europe's finest orchestras" (The Guardian) under the baton of its music director Riccardo Chailly.

2009 ten CD collection from the '80s Rockabilly/Pop superstar containing digitally remastered and expanded editions of all nine of his original Epic Records albums plus a bonus disc containing twelve inch single remixes of eight tracks. Each individual album is packaged in a mini LP sleeve and all 10 titles come housed in an attractive flip-top box. The studio albums included on this set all contain bonus tracks including non album singles. Contains the albums Take One!, This Ole House, Shaky, Give Me Your Heart Tonight, The Bop Won't Stop, Lipstick Powder & Paint, Let's Boogie, A Whole Lotta Shaky and There Are Two Kinds of Music…Rock'n'Roll.

The sonatas of 1763 presented here show not only the composer's ability to express personal feelings, but are direct precursors of the great creations of Mozart and Beethoven in the field of instrumental sonatas with obligato piano accompaniment. These passionate works anticipate developments that would appear later in the Romantic era. That alone should be enough to want to listen to them. Period instrument experts Piet Kuijken and Albrecht Breuninger bring this music to life with spontanety and a dash of improvisation - just right for these Sturm und Drang works of original genius.

From the ashes of Swedish hard rockers The Gypsy Sons Of Magic, Black Bonzo rose again as an art prog band by adding depth to their sound through the use of mellotron, piano and Hammond organ. The intense drumming, the intricate guitar work, the firm but steady bass lines, the complex song structures, the overall pomp and their vocalist (who sounds like David Byron resurrected) all spell Uriah Heep, big time. From the very first moment Black Bonzo takes you on a trip to the wonderful sound of the late Sixties and early Seventies with strong hints from early Uriah Heep (Hammond, vocal harmonies) but also echoes from The Moody Blues (Mellotron) and Argent ('heavy progressive' with Hammond organ and harder-edged guitar). The ten compositions sound warm, harmonic and varied featuring pleasant vocals and lots of majestic Mellotron waves and powerful Hammond organ runs along some fiery electric guitar. A great album in its own right that will grab your attention from start to finish. Powerful stuff and excellent production.

Felix Mendelssohn-Bartholdy (1809–1845) was a genius of quite extraordinary dimensions. He had reached full maturity as a composer by the age of sixteen (1825, the year of the String Octet), by which time he had also proved himself a double prodigy on both piano and violin, an exceptional athlete (and a particularly strong swimmer), a talented poet (Goethe was a childhood friend and confidante), multi-linguist, water-colourist, and philosopher. He excelled at virtually anything which could hold his attention for long enough, although it was music which above all activated his creative imagination.

David Leisner is on extraordinarily versatile musician with a multifaceted career as electrifying performing artist, a distinguished composer, and a master teacher. Regarded as one of America’s leading classical guitarists, his superb musicianship and provocative programming have been applauded by critics and audiences around the world.

The Rhythm and the Blues is the fifteenth solo studio album by Australian rock musician Jimmy Barnes, released through Liberation Music on 28 August 2009. The album was produced by Don Gehman in Los Angeles and peaked at number one on the Australian Albums Chart for two weeks. The Rhythm and the Blues was Barnes' ninth solo album (thirteenth including his Cold Chisel records) to reach number one on the ARIA Charts, an all-time record for an Australian artist. The album was touted as a sequel to Barnes' previous works Soul Deep and Soul Deeper… Songs From the Deep South. It features cover versions of tracks from throughout the late 1940s to the 1960s, with songs by the likes of Ray Charles, Little Richard, Ike & Tina Turner, Bo Diddley, Stevie Wonder and Nina Simone.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

It has been 8 long years since the last record, and Hypocrisy fans can feel the itch. Worship is 11 tracks of precise, ferocious musicianship. Commonly inspired by the fusion of the modern and the ancient, Hypocrisy has once more found a way to combine innovative ideas with classic sound in order to deliver something metalheads can enjoyably consume with awe and brutal vigor. Hypocrisy is Peter Tägtgren (Lead Guitar & Vocals), Mikael Hedlund (Bass Guitar), and Reidar “Horgh” Horghagen (Drums)…