Joy documents the inspired collaborations saxophonist/composer Benjamin Boone experienced while living in Ghana for a year as a U.S. Fulbright Scholar. He performed frequently with Accra-based tenor saxophonist Bernard Ayisa, pianist Victor Dey, Jr., bassist Bright Osei, drummer Frank Kissi and vocalist Sandra Huson, with this set recorded in Boone's final week in country. Bathed in joy, exuberance and dance, the band tackles four Boone originals, Herbie Hancock's "Maiden Voyage," "Curtain of Light" by Ethiopia-based saxophonist Jonovan Cooper, and the title track by the late saxophonist, Gerry Niewood. Following Boone's two previous recordings - critically acclaimed collaborations with U.S. Poet Laureate Philip Levine - Joy offers a "complete body experience," exploding with movement and fire.

On this, Charlie Daniels' second release, there are obvious signs of a bright future for the guitar- and fiddle-playing hillbilly rocker. Along for the ride is Joel "Taz" DiGregoria, Charlie's longtime bandmate and keyboard wizard. Taz even takes lead vocal duties on one song, "Billy Joe Young," and his ivory tickling is a highlight of this historical Southern rock document. Daniels rocks with the intensity of a downbound train on "Great Big Bunches of Love," and on his cover of the Jerry Lee Lewis chestnut "Drinkin' Wine, Spo-Dee-O-Dee." A true Southern poet, Charlie Daniels is seen here in the infancy of his artistic development, but even at this early stage, the poet is alive and well.

Originally released in 1983 as an EP, this is the soundtrack to the live video of Ultravox, from their 1983 tour (hence the subtitle, "The Soundtrack"). This is Ultravox at their live best, and thankfully the reissued CD is expanded, containing all of the songs from the video (but still not the entire concert). "Reap the Wild Wind" is brilliant live and comes screaming at the listener with an extreme amount of energy and emotion. The same can be said for "The Voice." Midge Ure gives his all throughout, but here he is the voice. "Vienna" sounds wonderful and is certainly a crowd-pleaser. Fans will enjoy this live collection.

Dark Matter (completed in 2003) is a large-scale composition for voices, ensemble and electronics that features great contrasts of color, of different kinds of polyphony, of serenity versus violent music bordering on chaos, of slowly evolving music versus fast sound snippets. The form of the work is rather open and does not fall into a particular category.

Mélusine features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyol.

A first listen to the music of Gloria Coates is a breath of fresh air. Here is a genuinely contemporary sound, one that emerges naturally from our time and culture. Here are sounds to express our sense of time, space, movement and activity. There is no sense of is referentiallism. What a relief! There is no rehashing of someone else's style , whether from 10 or 500 years ago. There is no wilful difficulty to this music or the collaging of disparate influences.

Dutch musicians are different. They are absolutely objective, but deeply passionate; completely faithful to the letter of the score, but totally in touch with the spirit behind the score; wholly dedicated to their ensemble, but profoundly individualistic in their expression. In these ways, the Storioni Trio is the epitome of Dutch music-making. On this disc, the Storioni Trio fully inhabits not only the late eighteenth century world of Beethoven's early E flat major Trio Op. 1/2, but also the early nineteenth century world of Beethoven's later D major Trio, Op. 70/1, nicknamed the "Ghost."

Vocalist Arooj Aftab, the first Pakistani to win a Grammy, wows audiences worldwide with her mesmerizing live shows; MacArthur genius and Grammy nominee Vijay Iyer is one of today’s most influential pianists; multi-instrumentalist Shahzad Ismaily’s sensitivity and technical acumen has made him a legend among musicians like the late Lou Reed for whom he was a session player. Together the three players merge to create a singular, gorgeous sound. Their new collaborative album Love In Exile asks you to step inside its sense of time, to stretch out alongside these delightful and unhurriedly unfolding songs. Profound impact is achieved with minimal instrumentation: Vijay Iyer on pianos and electronics, Shahzad Ismaily on bass and Moog synth, and Arooj Aftab’s exquisite Urdu vocals. Subtle musical interrelationships build into moments of deeply felt drama. Shimmering keyboard melodies and stirring vocals, earthy basslines, and hypnotic drones: together they create an album of stunning gravitas and beauty.

Specially selected 15 track compilation / Introduction note from Eliza Carthy / Features Jon Boden, John Spiers, Ben Ivitsky, Lucy Farrell and Sam Sweeney / Track by track information. Describing herself simply as a ‘modern English musician’ Eliza Carthy, has been touring on and off since the age of fourteen and first appeared on record in 1990 as a member of The Mrs Ackroyd Band alongside such notables as Les Barker, June Tabor and her father Martin Carthy. After two collaborative recordings with Nancy Kerr, she released her first solo album Heat, Light & Sound, for Topic Records in 1996, a selection of traditional songs, two of which open this new selection of her work which is drawn entirely from her solo recordings for the label and closing with a track from 2017’s Big Machine album.