Tug of War is the third solo studio album by the English musician Paul McCartney, released on 26 April 1982. It is his 11th album overall following the break up of the Beatles in 1970, his first album released after the dissolution of his band Wings the previous year, and his first album following the murder of his former songwriting partner John Lennon. The cover features an abstract oil painting by the artist Brian Clarke, a frequent McCartney collaborator, incorporating an overpainted transparency of a portrait of Paul taken by Linda McCartney. Tug of War was produced by former Beatles producer George Martin and was a number-one hit in many countries, selling over one million copies in the United States in the year of its release. Some critics hailed it as a 'return to form' for McCartney, with Far Out Magazine declaring it his strongest work in 2022.

Guitarist Marty Friedman surprised the metal and guitar community with the release of his fine new age-influenced Scenes. On that release, he proved that he wasn't just another shredder, but rather an intelligent and sensitive player with strong compositional skills. With Introduction, Friedman continues to build on this formula, but with more maturity and musical diversity. Themes are not just introduced and abandoned in favor of gratuitous technical noodling, rather the compositions are thoughtfully explored and brought to a natural conclusion.

Feedback is an EP by Canadian rock band Rush, released in 2004. The record features eight covers of songs that were influential for the band members during the 1960s. The outing marked the 30th anniversary of the release of Rush's debut album, which featured the original lineup of Geddy Lee, Alex Lifeson and John Rutsey. The tour in support of the Feedback album was called the R30: 30th Anniversary Tour. The record was remastered and reissued in 2013 as a part of the box set The Studio Albums 1989–2007. In 2016 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Lana Del Rey knows perfectly well her Lust for Life sounds sleepy in comparison to Iggy Pop's full-blooded roar, but that doesn't mean the title of her fourth album is ironic. Compared to her previous albums, especially its somnolent 2015 predecessor, Honeymoon, Lust for Life is positively ebullient in tone, if not in tempo. Lana Del Rey may sing about a "Summer Bummer" but the song isn't in sway to a narcotic undertow; it simmers, offering a cool bit of seduction for muggy August nights. LDR retains this delicate balance throughout the lengthy Lust for Life (at 71 minutes, this is an album as playlist, designed to be looped over and over as mood music), never quite succumbing to either despair or ecstasy but rather finding a place where there's no separation between the two emotions.

ABBA's self-titled third album was the one that really broke the group on a worldwide basis. The Eurovision Song Contest winner "Waterloo" had been a major international hit and "Honey, Honey" a more modest one, but ABBA was still an exotic novelty to most of those outside Scandinavia until the release of ABBA in the spring of 1975. "I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing pop/rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe.

McCartney II is the second solo studio album by English musician Paul McCartney, released on 16 May 1980. It was recorded mostly alone by McCartney at his home studio in 1979 shortly before the dissolution of his band Wings in 1981. The album is a significant departure for McCartney, as much of it relies heavily on synthesizers and studio experimentation, while its music style ranges from synth-pop and new wave to electronica. The album was initially released to mostly unfavourable reviews by critics, though reception has been more positive over the years and the album has become a cult favourite.

Filmed at London's Forum Theater in 2014, Live from London is electronic violinist, dancer, and YouTube sensation Lindsey Stirling's first concert DVD/CD. Filmed and recorded during her 2014 tour in support of her second studio album Shatter Me, which reached number two on the Billboard Top 200 album chart, the 16-track collection features dynamic performances of some of Stirling's most resonant classical-pop confections, including "All of Me," "Crystallize," "Beyond the Veil," and "Stars Align."

Human Wheels is the 12th album by American singer-songwriter and musician John Mellencamp. Released on Mercury Records in 1993, it peaked at No. 7 on the Billboard 200. The single "What If I Came Knocking" was Mellencamp's last No. 1 single on the Album Rock Tracks chart, staying atop for two weeks in the summer of 1993.

This compilation by Santana, reissue in Canada in 1994 as part of the Prime Cuts Rock Legends series.

Chromatica is the sixth studio album by American singer Lady Gaga. It was released on May 29, 2020, by Streamline and Interscope Records. Originally scheduled for April 10, 2020, the album's release was delayed for several weeks, due to the COVID-19 pandemic. Chromatica marks a departure from Gaga's fifth studio album, Joanne (2016), with the singer intending the album to be a reminder of her "absolute love for electronic music". Incorporating elements of dance-pop, EDM and other pop-focused genres, many commentators compared it favorably to earlier works. Gaga collaborated with various producers on the record, including BloodPop, BURNS, Axwell and Tchami. Lyrically, the themes of the album revolve around mental health, healing, and finding happiness and love through hardship. It also features guest vocals from Ariana Grande, Blackpink and Elton John.

Mean is the fifth and final album by the California-based hard rock band Montrose and released in 1987. It has much more of a glam metal sound than previous Montrose albums. It was the lowest-charting release on Montrose's career, reaching No. 165 on the Billboard 200 in June 1987. According to Ronnie Montrose, singer Johnny Edwards and drummer James Kottak were still officially in the band Buster Brown at the time of the recording of Mean. They later played together in the first line-up of the band Wild Horses.

After 35 years and the release of over 2800 contemporary blues tracks, it's safe to say that Bruce Iglauer's Alligator Records is the world's premier blues label, particularly if sheer numbers are factored in, and while the label's releases tend to sound mind-numbingly similar sometimes, this two-disc overview of Alligator's history shows how much raw vitality the blues still has in its tank. Alligator Records 35X35, arranged chronologically and featuring a selection drawn from each of the artist's debut albums with Alligator, gets rolling right where it all began, with Hound Dog Taylor's "She's Gone" from 1971, and marches through to 2004, closing the second disc with a stunning version of "See That My Grave Is Kept Clean" (here called "A Dying Man's Plea") by the great Mavis Staples, who makes clear the deep affinity of gospel to the blues, or vice versa, since the two forms philosophically complete each other, the way Saturday marches straight into Sunday.

The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was released in 1969 by record label Mercury. The album was originally intended as a solo album by the band's lead singer and main songwriter, Peter Hammill. When the band signed with Charisma Records, a deal was worked out whereby The Aerosol Grey Machine would be released under the Van der Graaf Generator name, in return for Mercury Records releasing Hammill from his earlier contract with it. The initial edition contained the song "Giant Squid", later pressings removed this track and replaced it with the single b-side "Necromancer". The album was reissued on CD in 1997 by the German company Repertoire Records, using the second-edition running order of the album and featuring the first single as bonus tracks.

Fans of guitar master Joe Bonamassa will be delighted that 2011 was such a prolific year in his career. First came the fine, rootsy Dust Bowl, then 2, the second chapter in his Black Country Communion project's catalog. Don't Explain, a collection of soul, blues, and jazz-oriented covers in collaboration with vocal firebrand Beth Hart marks his third entry this year. The ten-song set of blues and soul is a logical extension of her vocal contribution to "No Love on the Street" from Dust Bowl. Opening is a thoroughly raucous contemporary blues reading of Ray Charles' "Sinner's Prayer," followed by a quirky version of Tom Waits' "Chocolate Jesus," and an unusual cover of contemporary jazz-pop singer/songwriter Melody Gardot's "You Heart Is as Black as Night."

Ocean to Ocean is the sixteenth studio album by American singer-songwriter Tori Amos, released on October 29, 2021. Amos wrote and recorded the album while in lockdown in Cornwall, where she lives, with her writing inspired by her fascination with "the county's landscapes and ancient myths". Part of her writing was also explained to be in reaction to the US Capitol riots in January 2021. In a press release, Amos described the album as "a record about your losses, and how you cope with them". She elaborated that she realized she had to "write" to "shift" her perception of herself, saying: "I was in my own private hell, so I told myself, then that's where you write from—you've done it before." Amos also explained that the album is intended to "sit" with listeners, particularly if they are "in a place of loss. When somebody is actually at that place, thinking 'I'm done,' how do you reach that person? It's about sitting in the muck together."