Lest the momentum of Moroccan Roll and its relative chart success go to waste, Brand X released a stopgap solution with Livestock, featuring three recent live tracks and two stockpiled studio tracks that actually predate the Moroccan Roll sessions by two months. As might be expected, it's not their most enduring work, although the inclusion of three new originals and the clean recording obtained from the Hammersmith Odeon and Marquee Club performances produce respectable results. Two of the three live tracks feature drummer Kenwood Dennard, who lends his superlative skins to the smooth fusion of "Nightmare Patrol" and a frenzied reading of the popular "Malaga Virgen." (Genesis had finished their tour that same year, so you can't begrudge Phil Collins the holiday.) Collins' lone live appearance occurs on the two-part "Isis Mourning," which begins as an atmospheric piece punctuated by Pert's percussion and Percy's popping bass before stabilizing in the second part under Collins' steady rhythm.

Unplugged is an acoustic live album by Canadian musician Bryan Adams. The album was recorded completely on September 26, 1997, at the Hammerstein Ballroom in New York City. Recorded by David Hewitt and Bob Clearmountain on the Remote Recording Silver Truck. Adams was joined by Irish piper Davy Spillane and Michael Kamen who wrote orchestrations for many of the songs and brought students from the Juilliard School to play them. Three new songs were included; "Back To You", "When You Love Someone", and "A Little Love". The song "If Ya Wanna Be Bad - Ya Gotta Be Good" makes its debut on an album, originally appearing on the B-side of "Let's Make a Night to Remember" - to which it is paired on the Unplugged album.

Off the Wall is the fifth studio album by the American singer Michael Jackson, released on August 10, 1979, by Epic Records. It was Jackson's first album released through Epic Records, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from disco, pop, funk, R&B, soft rock and Broadway ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance. The album features songwriting contributions from Stevie Wonder, Paul McCartney, Rod Temperton, Tom Bahler, and David Foster, alongside three tracks penned by Jackson himself. Off the Wall became Jackson's highest charting album on the Billboard Top LPs & Tapes chart and was number one on the Top Black Albums chart, staying at number one on the latter for 16 weeks. The album was an enormous critical success, with it being credited as a significant departure from Jackson's previous work for Motown and hailed as a major breakthrough for him. Off the Wall has sold over 20 million copies worldwide, making it one of the best-selling albums of all time.

Chad & Jeremy were a British musical duo consisting of Chad Stuart and Jeremy Clyde, who began working in 1962 and had their first hit song in the UK with "Yesterday's Gone" (1963). That song became a hit in the United States in the following year as part of the British Invasion. Unlike the rock-music sounds of their peers, Chad & Jeremy performed in a soft, folk-inflected style characterized by hushed and whispered vocals. The duo had a string of hits in the United States, including "Willow Weep for Me", "Before and After", and their biggest hit, "A Summer Song". After some commercial failures and divergent personal ambitions, Chad & Jeremy disbanded in 1968.

In August 1981, Garfunkel released his fifth solo album Scissors Cut (US No. 113, UK No. 51). This album included the Gallagher & Lyle hit "A Heart in New York" (US No. 61). The UK version contains the track "The Romance" rather than "Bright Eyes". The album was co-produced by Roy Halee, who also co-produced the Simon & Garfunkel albums, including Bridge over Troubled Water. Paul Simon makes a brief appearance on "In Cars" performing background vocals. Near the end of the song, Garfunkel sings lines from "Scarborough Fair" – an old English ballad covered by Simon and Garfunkel on the album Parsley, Sage, Rosemary and Thyme). The album is dedicated to his late partner, Laurie Bird, and includes a partial photograph of her on the rear cover.

The other side of Bob Dylan referred to in the title is presumably his romantic, absurdist, and whimsical one – anything that wasn't featured on the staunchly folky, protest-heavy Times They Are a-Changin', really. Because of this, Another Side of Bob Dylan is a more varied record and it's more successful, too, since it captures Dylan expanding his music, turning in imaginative, poetic performances on love songs and protest tunes alike. This has an equal number of classics to its predecessor, actually, with "All I Really Want to Do," "Chimes of Freedom," "My Back Pages," "I Don't' Believe You," and "It Ain't Me Babe" standing among his standards, but the key to the record's success is the album tracks, which are graceful, poetic, and layered.

What I Did on My Vacation is an official compilation album from Ian Gillan, released in 1986 in UK by 10 Records. The album covers Gillan's recordings between 1977 and 1982 and was released in three formats (2LP, CD, MC). All songs from the album had been previously released. Although not credited on the cover, "Scarabus" is preceded by an instrumental piece by Colin Towns, which was used as the intro to "On The Rocks" (from the Glory Road album).

Slade Alive, Vol. 2, like all live Slade, is searing. Unfortunately, it was released into a void in 1978. Now well past having a U.S. record deal, and with no one in England really interested, Vol. 2 came out on Barn, not exactly a major player in the record business. The album is excellent, both in terms of performance and sound quality. They also did a great job of selecting material for this disc. A nice balance of classics (all Top Three singles in their day) and newer material that hadn't really been heard before. The album kicks off with a devastating version of "Get on Up" from Nobody's Fools. This version not only smokes its predecessor, it is the epitome of the Serious Heaviness. Slade has by this point developed into a full-fledged heavy metal band while retaining everything that made them great in the first place.

Survival is Grand Funk Railroad's fourth studio album and was released in April 1971 by Capitol Records. It was produced by Terry Knight. The bonus tracks on the 2002 reissue labeled "Original Version" have extended sections and extra lyrics compared to the tracks as released on the original LP. "Feelin' Alright" is a different take of the song, as heard by the different inflections in the lead vocal, placement of the instruments in the stereo mix, and musical differences in the playing. Additionally, a third verse is included that is not in the LP version.

This disc brings together Marcus Garvey, Burning Spear's debut album, with its dub counterpart, entitled Garvey's Ghost. The resulting package is one of the pillars of roots reggae, an album packed with thick, heavy grooves and uncompromising religious and political messages. Although this Mango reissue has been criticized as sonically weaker than the Jamaican original, it will sound plenty dread to all but the most critical ears. Songs like the title track, "Slavery Days" and "Give Me" (with its remarkably well-integrated flute part) all tremble with the intensity of Winston Rodney's dark voice, and some of the dub versions (in particular "Black Wa-Da-Da," based on "The Invasion") number among the most frightening ever created.

Perhaps realizing that The Juliet Letters was one step too far, especially after the willfully eclectic pair of Spike and Mighty Like a Rose, Elvis Costello set out to make a straight-ahead rock & roll record with Brutal Youth, reuniting with the Attractions (though Bruce Thomas appears on only five tracks) and Nick Lowe (who plays bass on most of the rest). Unfortunately, all this nostalgia and good intentions are cancelled by the retention of producer Mitchell Froom, whose junkyard, hazily cerebral productions stand in direct contrast to the Attractions' best work. Likely, Froom's self-conscious production appealed to Costello, since it makes Brutal Youth look less like a retreat, but it severely undercuts the effectiveness of the music, since it lacks guts, no matter how smugly secure it is in its tempered "experimentation."

Some forty years into one of music’s most impactful, sometimes tense and yet curiously enduring partnerships, Tears For Fears have finally arrived together at The Tipping Point – the group’s ambitious, accomplished and surprising first new studio album in nearly two decades. And now, at very long last, Tears For Fears find themselves back in peak form at The Tipping Point, an inspired song cycle that speaks powerfully and artfully to our present tense here in 2021. This is an album that vividly recalls the depth and emotional force of the group’s earliest triumphs. Imagine a far more outward-looking take on TFF’s famously introspective 1983 debut album The Hurting set in an even more mad world, or 1985’s Songs From The Big Chair bravely confronting even bigger issues in our increasingly unruly world. Or even 1989’s The Seeds Of Love that sows a mix of love and other emotions. The Tipping Point is the bold, beautiful and powerful sound of Tears For Fears finding themselves together all over again.

Over the past couple of years, the Alternative Singles vinyl issues have become highly popular amongst fans with different recordings of each single and sometimes tracks that weren't actually singles at the time being issued as such. Most of the recordings are taken from overseas broadcast, rehearsal sessions, discarded mixes and unused demos versions but all of them fascinating. Here we have gathered together all the A & B sides plus some extra bonus tracks.

Something's Going On is the third solo album by Swedish singer Anni-Frid Lyngstad (Frida), one of the founding members of the Swedish pop group ABBA, and her first album recorded entirely in English. Recorded in early 1982 during the final months of ABBA, the album was released in September of that same year. Produced by Phil Collins with Hugh Padgham, the album featured a harder-edged and more rock-oriented sound than the music she had previously recorded with ABBA, and it included Collins' distinctive gated reverb drum sound. The album was met with a positive reception by both critics and the public, with sales in excess of 1.5 million copies, making it the best-selling solo record of any of the ABBA members to date. Something's Going on reached number one on the album charts in Sweden, Norway and Belgium, the Top Ten in Australia and several European countries, and the Top 20 in Germany, Italy and Great Britain.

Kitaro is one of the most popular and influential new age artists of all time, having sold millions of records and toured across the world numerous times, in addition to winning Grammy and Golden Globe awards. His style fuses contemplative, highly melodic synthesizer work with acoustic instrumentation, drawing from Eastern musical traditions as well as folk, classical, and rock influences. Interestingly enough, the famous Japanese composer taught himself to play electric guitar in high school – inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds…