Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty.

Sneak Me In is the seventh album by Lucifer's Friend, an album in which Mike Starrs, formerly of Colosseum II, replaced John Lawton on vocals for a second time. This album and the previous Good Time Warrior (1978) were an attempt at a more commercial, accessible style which met with limited success. Starrs was replaced by the returning Lawton, for 1981's Mean Machine.

Santana, which was renowned for its concert work dating back to Woodstock, did not release a live album in the U.S. until this one, and it's only partially live, with studio tracks added, notably a cover of the Zombies' "She's Not There" (number 27) that became Santana's first Top 40 hit in five years. The usual comings and goings in band membership had taken place since last time; the track listing was a good mixture of the old – "Black Magic Woman," "Soul Sacrifice" – and the recent, and with the added radio play of a hit single, Moonflower went Top Ten and sold a million copies, the first new Santana album to do that since 1972 and the last until Supernatural in 1999.

Crash is the fifth studio album by English singer-songwriter Charli XCX, released on 18 March 2022. It is her last album to be released under her current record contract with Atlantic Records. Charli announced the album title, release date, and artwork on 4 November 2021. Her website was also updated with information about the album's 2022 tour. The album was preceded by the four singles "Good Ones", "New Shapes" featuring Christine and the Queens and Caroline Polachek, "Beg for You" featuring Rina Sawayama, "Baby" and two promotional singles, "Every Rule" and "Used to Know Me".

With just a couple of cursory listens to the few tracks that popped up all over the Internet through 2007, comparisons were made between Adele, the much-hyped brassy British songstress, and Amy Winehouse, the…much-hyped brassy British songstress. However, after a solid listen to 19, the first full sampling by the up-and-coming Adele, listeners are forced to throw all comparisons to the wind; Adele is simply too magical to compare her to anyone. Bluesy like it's no one's business yet voluptuously funky in a contemporary way, Adele rocks out 19 with a unique voice and gritty sound that dazzle endlessly. Synthesizing blues, jazz, folk, soul, and even electric pop, Adele mystifies through her mature songwriting skills and jaw-dropping arrangements.

Foghat is the second album, and the second self-titled album, by the English rock band Foghat, released in March 1973. It is generally known by fans as Rock 'n' Roll, because of its cover picture depicting a rock and bread roll. Foghat specialized in a simple, hard-rocking blues-rock, releasing a series of best-selling albums in the mid-'70s. While never deviating from their basic boogie, they retained a large audience until 1978, selling out concerts across America and earning several gold or platinum albums.

With the future of the original Alice Cooper band in doubt by mid-1974 (they would soon break up for good with Alice going solo), Warner Bros. decided to issue a best-of compilation entitled Greatest Hits. If you're a newcomer to Alice, this 12-track compilation is a must-hear – all the selections are exceptional. While many have chosen to focus primarily on Cooper's theatrics over the years, the original bandmembers were indeed supreme rock songwriters; such anthems as "I'm Eighteen," "Under My Wheels," "School's Out," and "No More Mr. Nice Guy" are unquestionably among the finest hard rock tracks of all time.

The impressive Downwind is the first release from the band under its new moniker, Pierre Moerlen's Gong, as Moerlen assumes creative control and dominance. The release marks a return to vocals/lyrics, which proves only partially successful. Moerlen's voice is a hit on the opener, the rocking "Aeroplane," and the collective vocals on the fast-paced, percussive "Jin-Go-Lo-Ba" (popularized by Santana) are right on target. His singing is weak, though, on "What You Know" and detracts from the song's quality. Mick Taylor makes his only appearance here with an exceptional guitar solo. Downwind is also a return to compositions dominated by rock structures and styles, the jazz element minimal this time around.

Volume 2 of Connoisseur Collection's 2 part series on Ritchie Blackmore's overall career. Where Volume 1 focused largely on Blackmore's '60s sessions and his Purple work from 1968 to 1974, Volume 2 is more of a grab bag which has a lot of variety. Originally intended mostly to cover the period from 1975 (Rainbow's formation) onwards, it actually covers from 1965 to 1984 with several memorable pit-stops in between. This great CD is bolstered by great liner notes and great pictures, including some magazine covers quite rare to find anywhere else. Anyone remotely interested in the heights to which Blackmore can reach will be rewarded here.

It's a long way from the simple and rather forgotten days of guitarist Ritchie Blackmore's early dabbling in English skiffle to belting out some of the most memorable leads and riffs in hard rock. This well-researched collection traces the roots of a young "Man In Black" fingering the fretboard to nothing sounding that spectacularly different from his peers in the beginning to smoking the rest of the pack while fronting the multi-million-selling Deep Purple. Unearthed are four previously unreleased Deep Purple tracks, lost treasures that are worth the price alone, particularly the earliest recorded live version of "Highway Star," still in its infancy before being solidified in the studio on Machine Head.

A companion album of sorts to 2019's My Songs, Duets collects 17 duets Sting has recorded over the years. Some of these tracks appeared on soundtracks, some were included on albums by his duet partners, others – including "September," a song recorded with Zucchero that makes its debut here – trickled out on compilations. Collectively, these duets showcase Sting The Polymath, a cultured and worldly individual with an ability to synthesize his diverse interests into smooth, jazzy, mature pop. What's striking about the compilation is how a roster as diverse as Eric Clapton, Shaggy, Mary J. Blige, Annie Lennox, Herbie Hancock, Sam Moore, and Julio Iglesias doesn't sound especially eclectic; when the common denominator is Sting, all the guests adapt to his particular ways.

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

This ambitious video and musical project was co-ordinated by Tom Galley (brother of former Whitesnake guitarist Mel Galley) - the albums are concept affairs, centred on the theme of supernatural phenomena. However, utilizing an impressive list of guest musicians has not always guaranteed a good result, and Phenomena went some way towards proving this truism. With Neil Murray (bass), Cozy Powell (drums), Mel Galley (guitar) and Glenn Hughes (vocals) among the initial line-up, great things were evidently expected for Phenomena. However, the songs were often overtly complex and lacked a central melody line. Dream Runner, released two years later, suffered from similar problems, but the music was less of a disappointment.

Encountering this material in a fresh setting, stripped of the familiar configurations of the original albums, we can reassess this important music in contemporary terms. Right off the bat, As Good As It Gets receives a demerit for omitting "Mary Had a Little Lamb," easily Guy's best known … waxing. Otherwise, the CD provides a reasonable overview of the mercurial guitarist's output. Best of all, the set uncovers three previously unreleased items from the '67 sessions.

Feels Like Home is the ninth studio album by American singer-songwriter Sheryl Crow and was released September 10, 2013. The album is Crow’s debut country music record and also is her first release through Warner Bros. Records. The album was recorded in Nashville, Tennessee and was produced by Crow and Justin Niebank. The album was ranked by Billboard as one of the ten best country albums of 2013.