Soft Ffog is a Norwegian progressive jazz-rock band celebrated for its exceptional virtuosity and high musicianship levels. The band combines intricate jazz improvisation with rock elements, creating a dynamic and engaging listening experience that showcases precision and creativity. On their second album Focus, the band is more progrock than ever. The Soft is Ffoggier and the Ffog is softer. Highly influenced by 70s underground heroes like Camel and Focus, sprinkled with that old jazz dust, this new record should satisfy all you 70s nostalgics with a jazz tickle out there!

The Essential Michael Jackson is a greatest hits compilation album by American singer Michael Jackson. It was released on July 19, 2005, by Sony Music's catalog division Legacy Recordings as part of The Essential series. The two-disc compilation features thirty-eight hit songs by Michael Jackson, from his days at Motown Records with The Jackson 5 in the late 1960s and early 1970s to his 2001 hit "You Rock My World". On August 26, 2008, The Essential Michael Jackson 3.0 was released in the US as a limited edition containing an additional disc of seven songs performed by Jackson. A re-titled release in the UK was planned on July 6, 2009 as The Hits, but was cancelled upon Jackson's death. As of 2018, the album was certified 4× platinum in the US.

Liverpool is Frankie Goes to Hollywood's second and last studio album, released in October 1986. It would be the band's final album of all-new material, and lead singer Holly Johnson would leave the band following the corresponding world tour, followed by a flurry of lawsuits from ZTT. The album's production was handled by Trevor Horn's engineer Stephen Lipson, who urged the band to play their own instruments on this album (Horn having replaced many of the band's performances and arrangements with his session musicians or his own performances on Welcome to the Pleasuredome.) Liverpool therefore features a heavier rock sound than its predecessor. The album was a commercial disappointment compared to the band's previous effort, though it charted generally high at #5 in the United Kingdom and Germany, #7 on the Austrian and Swiss music charts and #8 in Norway.

Greatest Hits is the first greatest hits album by American rock band Boston. The album released on June 3, 1997 features songs originally released on both the Epic and MCA labels, as well as three previously unreleased recordings ("Higher Power", "Tell Me", and "The Star-Spangled Banner"). The album was certified double platinum on December 4, 2003 in the US.

After Simon & Garfunkel, one of the most successful duos in pop history, split up in 1970, Art Garfunkel became a solo artist, as well as pursuing an acting career. Garfunkel's pure, high tenor had been one of the most distinctive elements of the duo's music. Songs from a Parent to a Child is a charming collection of folky children's songs performed by Art Garfunkel and such guest musicians as Billy Preston and John Sebastian. The songs are light and sweet enough to appeal to children, yet there's also enough wit and musical substance to keep parents entertained, which is what makes Songs from a Parent to a Child a cut above most kids' records.

As in his previous solo album, The Thunderthief makes it very clear exactly what John Paul Jones brought to Led Zeppelin: driving bass, epic compositions, and impeccable musicianship. It's also very clear what he wasn't doing for Zeppelin: writing the lyrics. The tracks with words on the album are awkward and occasionally laughable, particularly the title track, which sounds suspiciously like a jab at Robert Plant, and "Angry Angry," a presumably mock punk song. Both detract from what is otherwise a very impressive album. Jones plays nearly every instrument on the record and mixes sounds from seemingly every continent and era he could think of.

If Everything Must Go found Manic Street Preachers coping with Richey James' sudden, unexplained disappearance, its follow-up, This Is My Truth Tell Me Yours, finds them putting the tragedy behind them and flourishing as a trio. Wisely, the group builds on the grand sound of Everything Must Go, creating a strangely effective fusion of string-drenched, sweeping arena rock and impassioned, brutally honest punk. Since the band never writes about anything less than major issues, whether it be political or personal, it's appropriate that their music sounds as majestic and overpowering as their pretensions.

Balance of Power is the eleventh studio album by the Electric Light Orchestra (ELO) released in 1986. It is the final album by the band to feature co-founder Bev Bevan on drums, as well as the last album to feature keyboardist Richard Tandy in an official capacity. Balance of Power was the last studio album by the Electric Light Orchestra before their disbanding (the band would later reform in 2000). By this time Kelly Groucutt had departed and the group was pared down to a trio of Jeff Lynne, Richard Tandy, and Bev Bevan. Recording for the album began in 1984, with a planned release in spring 1985. The addition of several synthesizer tracks to the album caused its release to be pushed back to early 1986. ELO played some live concerts in the UK and Europe (their last for fifteen years), and for one UK show George Harrison performed as guest guitarist. The remastered version of the album was released on 26 February (UK) and 20 March (US) 2007 as part of the Sony/BMG Music Epic/Legacy series.

The 2003 Japanese collection Ballads offers exactly what the title promises: 13 ballads from Clapton, most dating from the '70s, '80s and '90s, and most of them hits like "Tears in Heaven," "Change the World," "Wonderful Tonight," and the acoustic "Layla." Of these 13 tracks, only one doesn't quite seem to fit – the psychedelia of "Badge" sticks out like a sore thumb – but the whole disc maintains a nice mellow vibe and it's worthwhile for casual Clapton fans looking for some nice mood music.

Pyramid is the third album by progressive rock band The Alan Parsons Project, released in 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.

With a career that spans nearly 25 years, IQ remains one of the biggest names in the world of Progressive Rock. Getting their start in Southhampton England back in 1981, IQ was often compared to two other great Prog bands from the UK, Marillion and Genesis. For years the band struggled to create their own identity. And they did so by outlasting the glory days of Fish’s Marillion and Gabriel’s Genesis. Here again is IQ with their classic line-up of Peter Nicholls, Martin Orford, Mike Holmes, John Jowitt and Paul Cook. Originally released in 1989, Are You Sitting Comfortably? features Paul Menel on vocals, coalescing in Britain's foremost prog rock groups since the '80s. There is not a bad track on this album; lush soundscapes, thought provoking lyrics, brilliant musicianship, it's all here. Take a chance on this one, it is a classic and well worth investing in!

Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harkened back to that album with the inclusion of a 17-minute extended piece ("Baker Street Muse"). Although English folk elements abound, this is really a hard rock showcase on a par with – and perhaps even more aggressive than – anything on Aqualung. The title track is a superb showcase for the group, freely mixing folk melodies, lilting flute passages, and archaic, pre-Elizabethan feel, and the fiercest electric rock in the group's history – parts of it do recall phrases from A Passion Play, but all of it is more successful than anything on War Child.

Clapton is Eric Clapton’s first solo album in five years, but he hardly spent the back half of the 2000s in seclusion. After 2005’s Back Home, he went on a journey through the past, writing a 2007 autobiography – also titled Clapton, although that’s the only connection they shared – mending fences with Jack Bruce and Ginger Baker for a brief Cream reunion, establishing a lasting connection with his old Blind Faith bandmate Steve Winwood, and recording a duet album with his ‘70s inspiration JJ Cale. This embrace of history isn’t directly heard on Clapton but it’s certainly felt, extending to how EC relies on old tunes – blues and country, but also pop and R&B – for the bulk of this 14-track album.

Hooking up with regular Madonna collaborator Patrick Leonard as the co-producer of this album proved to be just the trick for Ferry. Bete Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up. Five out of the nine songs are Ferry/Leonard collaborations; all succeed, from "Limbo"'s opening punch and flow to the cinematic (and unsurprisingly French-tinged) feeling of the title track.

If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems – the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" – which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself).