With his barbed-wire guitar work and hearty vocal on a marathon rendition of "Catfish Blues," Johnson hauls the time-honored Delta tradition into contemporary blues. The entire album is an eminently solid, doggedly down-home affair, though nothing else quite measures up to the powerhouse attack of that one vicious workout.

Best Shots is a Platinum-certified greatest hits album released by the American rock singer Pat Benatar in 1987 in Europe and in an updated version in 1989 in North America. It peaked at No. 67 on the U.S. Billboard 200 album chart, two years after the album peaked at No. 6 in the UK.

Since Almoraima (1976) Paco had not recorded an album which we could call authentically Flamenco. Not like his early recordings, which centred on classic guitar toques as played in concert. On Siroco, he abandons for the moment the sound of The Sextet to mark out in eight pieces the new vanguard of Flamenco creation. A record for lovers of good music, a mature and worthy work.

It would be a sad day if Haydn and Mozart symphonies were only to be heard on period instruments, but with Sir Georg Solti and Sir Colin Davis jointly perpetuating the tradition of Haydn performances which Beecham created in the 78rpm era, with its combination of elegance and warm humanity, we need have no fears on this score.

1987 German 18-track compilation CD album featuring his greatest songs includes three lives tracks plus two bonus tracks. Fold-out picture sleeve including family tree.

The second solo album from the former Nazareth frontman is a good follow up to his first. Filled with great songs and sung with power and passion, this album is a must have for any McCafferty fan. This gritty vocalist gained early experience as a member of the Shadettes, a mid-60s beat group based in Dunfermline, Scotland. By 1968, the act had evolved into Nazareth, which grew from provincial origins into a leading international attraction. McCafferty’s throaty rasp was an integral part of the unit’s best-known hits, notably ‘Broken Down Angel’ and ‘This Flight Tonight’ (both 1973), but he undertook a concurrent solo project in 1975. Dan McCafferty comprised several of the artist’s favourite songs, including ‘Out Of Time’, which broached the UK Top 50 as a single. The singer then resumed his commitment to the parent group, but re-embarked on an independent career in 1987 with Into The Ring.

Cendres de Lune is the debut album by the French singer/songwriter Mylene Farmer, released on April 1, 1986. The album was precedeed by the hit single "Libertine", and the album was rereleased in 1987 preceded by the song "Tristana". This album, which was Farmer's sole one written and composed by Laurent Boutonnat, achieved a moderate success in France in comparison with the next albums of the singer, but helped launch the career of this one.

Like his teacher Yehudi Menuhin before him, the artist formerly known as "Nige" proves to be an uncommonly dab performer on the viola. He certainly has the full measure of the 26-year-old Walton's astonishingly mature concerto (unquestionably the finest of the composer's three), penetrating to its bitter-sweet core with devastating emotional candour. Similarly, Kennedy's bitingly intense reading of the yearningly lyrical Violin Concerto earns the warmest plaudits in its characterful involvement and edge-of-seat spontaneity.

The Grateful Dead's eponymously titled debut long-player was issued in mid-March of 1967. This gave rise to one immediate impediment – the difficulty in attempting to encapsulate/recreate the Dead's often improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting the Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug-band music on vinyl.

This disc, particularly well recorded in 1986, brings one of the best versions of the symphony coupled with an equally fine delivery of one of the finest for the late symphonic poems. Symphonic is the key word here as this symphony is the most non-nationalist symphony in the Dvorak canon and is without much doubt the most purely symphonic creation as well as being the most tautly argued and dramatic of the nine symphonies. Jarvi's style of conducting these symphonies is to take a straight view and play them very much as Dvorak wrote them. There are therefore no undue changes of tempi, either slowing down to underline climaxes or speeding up to create artificial excitement.

The Scottish National Orchestra with Neeme Jarvi has traversed the entire Dvorak symphonic oeuvre with wonderful success. Jarvi brings a sense of live and vitality to each symphony and the orchestra responds wonderfully. Jarvi's rendition of the 5th is, at least in my opinion, the most convincing in the series. The playing is spectacular; the Scottish National Orchestra brings a beauty of phrasing that complements this symphony well. Of equal power and beauty is the Water Goblin, which Jarvi undoubtedly champions. This is a wonderful CD. S