Cheap Trick may no longer be playing the stadiums that the group's monumental talent surely warrants, but they do have one of the most loyal cult followings in all rock & roll. Thus, when Epic Records decided to release a four-disc box set celebrating the quartet's 20th anniversary with the label, someone there was smart enough to let the band put together a collection for the collectors. Which means 32 of the 64 tracks here are previously unreleased, including many live cover tunes (Beatles, Velvet Underground), demo takes, and a few things only a fan would want. Some hits are here (including "Surrender"), but, as a good example, there's no "He's a Whore," which Cheap Trick probably figured their fans should already own.

A two-CD, 53-track set that includes for the first time ever the A and B side of every single the group released, all in their impossible-to-find-on-CD original U.S. mono single mixes. But this one-of-a-kind collection—which is remastered by Aaron Kannowski, the engineer responsible for our other acclaimed collections of singles by fellow Dunhill label acts The Grass Roots and Steppenwolf—doesn’t stop with The Mamas and the Papas’ singles. It also includes the solo single sides that group members Mama Cass Elliot, Denny Doherty and John Phillips cut for the Dunhill and ABC labels, again in their rare, original single mixes. Many of the solo singles and B-sides have never been on CD, let alone in their single mixes; plus, over the course of listening to this set (which clocks in at over 150 minutes), you’ll hear such legendary songs as “Monday, Monday,” “California Dreamin’,” “Creeque Alley,” “I Saw Her Again,” “Words of Love,” “Dream a Little Dream of Me,” “Glad to Be Unhappy,” “Dedicated to the One I Love,” and “It’s Getting Better” exactly as folks heard them over the radio back in those halcyon days.

1991 The Gun Hits is a diverse various artists compilation released by Festival Records, capturing the energetic and constantly evolving sound of popular music during the transition from the late 1980s into the early 1990s. The album combines major international hits with alternative rock, synth-pop, soul, punk-influenced rock, and emotional ballads, offering a strong snapshot of radio and chart favorites from the era. Featuring well-known artists such as Faith No More, Duran Duran, Icehouse, Bananarama, Vanilla Ice, and Jimmy Barnes, the compilation balances mainstream pop appeal with edgier rock performances and memorable crossover singles. Tracks like “Ice Ice Baby,” “King Of Wishful Thinking,” and “Falling To Pieces” reflect the broad musical landscape of the time, while classic inclusions such as “Unchained Melody” add a timeless touch to the collection. With its mixture of energetic rock tracks, melodic pop songs, and soulful ballads, 1991 The Gun Hits serves as both a nostalgic retrospective and an entertaining compilation for fans of late 80s and early 90s music culture.

Released only ten months after their debut album, Stay With the Hollies, their second album was a huge leap forward in every respect. Their famous airtight harmonies were now in place, and the sloppiness of the instrumental attack gone. Most important, the group developed enormously as songwriters. Eight of the 12 tracks were Hollies originals and quite skillful in their mastery of the British Invasion essentials of driving, catchy melodies and shining harmonies. A couple of the covers are duds, but the "Nitty Gritty/Something's Got a Hold of Me" medley is first-rate, and the version of "It's in His Kiss" (retitled "It's in Her Kiss") respectable. The Hollies weren't from Liverpool (though Manchester is fairly close), but this nonetheless ranks of one of the very best Merseybeat albums not released by the Beatles themselves…

Following their massive 1986 European stadium tour for the A Kind of Magic album, Queen took an extended break. Rumors swirled about an impending breakup, but it turned out the break was brought on by a painful marital divorce for guitarist Brian May (who subsequently battled depression and contemplated suicide), and Freddie Mercury being diagnosed with AIDS. Instead of sinking further into misery, the band regrouped, worked on each other's mental state, and recorded one of their most inspired albums, 1989's The Miracle. Lyrically, the songs tend to reflect on the band's past accomplishments ("Khashoggi's Ship," "Was It All Worth It") as well as the state of the world in the late '80s (the title track, "I Want It All"). Produced by the band and David Richards, The Miracle packs quite a sonic punch, recalling the rich sounds of their past classics (1976's A Day at the Races, etc.)…

With 1984's Discovery, Mike Oldfield seems to be back on track, utilizing the vocal power of Maggie Reilly and the drum playing of Simon Phillips to create some rather appealing selections. "The Lake" is a simply gorgeous instrumental inspired by Switzerland's Lake Geneva, the location in which the album was recorded, while "To France" is a powerful pop/rock tune based on the life of Mary, Queen of Scots. Both Reilly and Barry Palmer share the vocal duties throughout the tracks, signifying Oldfield's subtle emergence into a more pop-infused atmosphere. "Tricks of the Light" is a wonderful instrumental that relies on the keyboard to give it energy, while even so-so efforts like the title track and "Poison Arrows" come off as upbeat and inspired. Discovery peaked at number 15 in the U.K., and even though it didn't garner much attention elsewhere, it serves as one of Mike Oldfield's most entertaining releases from the decade.

The Lovin' Spoonful's fourth album, Everything Playing, was made under trying circumstances. Musically, the Sgt. Pepper/Summer of Love era had made the Spoonful's good-time, jugband approach obsolete, and chief songwriter John Sebastian had to try to keep up. Personally, the group had suffered the disaster of a drug bust that resulted in the departure of lead guitarist Zal Yanovsky, who was replaced in August 1967 by Jerry Yester. Despite these problems, Sebastian was able to turn out a good album paced by its three Top 40 hits, "Six O'Clock," "She Is Still a Mystery," and the deceptively comic "Money," in which he castigated financial aspects of the music industry. Also excellent were "Boredom" and "Younger Generation," which Sebastian later would sing at Woodstock…

Tales From The Crypt Presents: Bordello Of Blood (Original Motion Picture Soundtrack) is a compilation-style soundtrack that captures the energetic and irreverent tone of the 1996 horror-comedy film. The album assembles a selection of hard rock, heavy metal, and classic rock tracks that emphasize both attitude and mainstream accessibility, reflecting the film’s blend of humor, violence, and supernatural themes. Featuring well-known acts such as Anthrax, Scorpions, Thin Lizzy, Sweet, and Humble Pie, alongside alternative and glam-influenced artists, the soundtrack delivers a broad cross-section of rock styles spanning multiple decades. The inclusion of iconic songs like “All Right Now,” “Still Loving You,” and “Ballroom Blitz” reinforces the compilation’s focus on recognizable anthems with strong guitar-driven energy. The result is a dynamic and varied listening experience that mirrors the film’s chaotic and tongue-in-cheek narrative style, while also functioning as a standalone rock compilation representative of both classic and modern rock influences of its time.

The Style Council were an English pop band formed in Woking in 1982 by Paul Weller, the former lead vocalist, principal songwriter and guitarist with the rock band the Jam, and keyboardist Mick Talbot. Weller started the project to escape the restrictions of the Jam, and to explore a more arty, European, jazzier direction, which encompassed pop, hip hop, and soul. The permanent line-up grew to include drummer Steve White and Weller's then-girlfriend, vocalist Dee C. Lee. Other artists such as Tracie Young, Tracey Thorn (Everything but the Girl) and drummer/percussionist Steve Sidelnyk also performed and collaborated with the group. As with Weller's previous band, most of the London-based group's hits were in their homeland, where they scored seven top 10 hits. The band also had hit singles and albums in Australia and New Zealand during the 1980s.