During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.

Evil Nerd Menlo wants to get revenge on some surfers by selling a bad batch of soda called Buzz Cola which turns people into mutant zombies. Its up to Jocko, Chuck, Bob and their surfer buddies to save the day.

The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.

Jade is a waitress who leaves the greasy-diner business for the excitement of the carnival. She quickly discovers that she despises freaks and human oddities.

A former football hero cannot accept his career is over. He loses himself in alcohol and women.

Like many eponymous albums, Shakira's self-titled 2014 set marks a new beginning: a new album for a new label after she got a new job. The new job was as a co-host on the hit American televised musical contest The Voice, the new label was RCA, and the new album was her first full-fledged pop album since She Wolf, the rather brilliant, hard electronic dance record that stiffed in 2009. She bounced back in 2010 with Sale el Sol, but that album wasn't made with the U.S. market in mind, something that certainly can't be said of Shakira. Opening up with a duet with Rihanna, and later finding space for her Voice co-host Blake Shelton, Shakira is determined to appeal to all audiences here: don't like the relentless dance of "Dare (La La La)"? Stick around for the reggae collaboration with Magic! on "Cut Me Deep," or maybe the appealing faux-folk of "23" or the full-bore adult-pop assault of "The One Thing," which may be the best cut here.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

Tsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

Last time around, Shakira touched upon so many styles she couldn’t be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who’s as cuckoo as she is carnal. And for as sexy as Shakira is – crucially, her music is sexy too – what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon’s not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn’t flush. “Darling, it is no joke, this is lycanthropy,” she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats – often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven’t in a long time, but also John Hill and Wyclef Jean – is giddily addicting, a celebration of all the strange sensuality that comes out at night.

Professor David Ash exposes false spiritulists and mediums. He is invited to Edbrook to resolve the fears and torments within its secretive family. Soon after arriving Ash begins to doubt his own senses, and watching the strange behaviour of its residents does not make his task any easier. In time, he finds there's more to Edbrook than even he can debunk.

After their prison ship sinks in the Caribbean, a group of prisoners and a doctor wash ashore on a seemingly deserted island. They soon discover a strange couple, who invite them to stay at their house. While the prisoners plan an escape, the doctor does some investigating, and soon finds out just what the pair are really doing, and why the prisoners keep disappearing mysteriously.

Credit to Train for capturing a specific seasonal vibe on their 2015 holiday album Christmas in Tahoe and, furthermore, for making it plain right in the record's title. Where most Christmas albums focus on afternoons filled with snow and evenings by the fire, Train zero in on a Californian Christmas, one with plenty of sun and margaritas to share. Appropriately, the band isn't big on carols – only one makes the cut and that's "O Holy Night," its presence vaguely bringing to mind the Letterman tradition of Paul Shaffer singing it as Cher every holiday – choosing to cover popular favorites from the '50s through the 21st century, throwing in a couple of peppy (and pretty good) originals along the way.

New York concierge Doug Ireland wants to go into business for himself and refurbish a hotel on Roosevelt Island, N.Y., but he needs an investor. With a few weeks left before his option on the site runs out, Doug agrees to help wealthy Christian Hanover conceal his affair with salesgirl Andy Hart from his wife. Despite his own attraction to Andy, Doug tries to stay focused on getting Christian to invest $3 million in his project.