The bulk of the critical acclaim that surrounds U.K. post-punk band Warmduscher unsurprisingly has to do with their particularly wild and memorable live show. Bottling that unhinged energy on record has felt like an untenable task but their fifth album, Too Cold to Hold, gets us closer. A psychedelic monologue by writer Irvine Welsh (Trainspotting, Filth) precedes the first song, "Fashion Week," a Mark E. Smith-style vocal-forward track propelled by punk-funk drum fills and vibes. It's sort of Magazine meets Roy Ayers, continuing at a frenzied pace until dramatically swinging into a noise-laden third act where the Warmduscher display their DEVO-weirdness.

Butcher Holler is named for the little Kentucky town where Loretta Lynn was raised. On the tribute album of the same name, acclaimed singer-songwriter Eilen Jewell pays homage to Lynn’s humble roots and timeless, hard-hitting writing and performance style. For the first time, Butcher Holler is now available on vinyl, remastered and expanded with three brand new tracks. Jewell writes, “And so, a toast: to the woman with more banned songs than anyone can count; to that voice that reaches the very grain of the theater walls around her; to our national treasure. Gratitude is not enough, so I sing these songs for any who will listen.” The Boston Globe praised, “There's an irresistible snap to these songs- they're tight, deliciously twangy and rendered without orchestrated frills… [a] deft tribute."

Lisa Gerrard, the renowned Australian vocalist and composer, presents the compilation 'Come Tenderness'. With the inspiration of the healing power of water at its core, the album has been personally curated by Lisa and features ten of her most exceptional works newly mastered alongside a brand-new song "Whispers". The hand-picked playlist forms a cohesive album showcasing each track in a new light alongside striking artwork by Nigel Grierson. In keeping with her collaborative nature, the album includes iconic pieces Lisa has created over the years with Daniel Johns, Astrid Williamson and Patrick Cassidy. At the forefront of every track is Lisa's ethereal and iconic vocals which, combined with her expressive and profound compositions, come together to form a truly emotional listening experience.

Robbie Robertson, of The Band, is set to release his autobiography November 15, titled Testimony. This companion piece highlights some of the career highs from Robbie's career that he writes about in the book, including playing with The Hawks, The Band, Bob Dylan and his own solo work.

Like an Old Fashioned Waltz is the third solo album by English folk rock singer Sandy Denny, released in June 1974. The album featured a more pop and jazz influenced production style, a marked change from Denny's previous folk rock albums as lead vocalist for Fairport Convention, Fotheringay, The Strawbs and as a solo artist.

Deluxe two CD + Blu-ray edition. Recorded in 1971, the album was Hawkwind's first true masterwork and saw them fully realize their unique brand of Space Rock and was greeted with acclaim upon it's release in October 1971 and was the band's first Top 20 hit. The record was subsequently and deservedly hailed as one of the Greatest Hundred British Rock albums of all time by Classic Rock magazine. This limited edition deluxe box set comprises 2CDs of a new remaster of the original album, along with new stereo mixes by Stephen W Tayler, including the session out-takes of 'Hog Farm' and 'Kiss of the Velvet Whip'. Also included are new mixes of the legendary singles 'Silver Machine' and 'Seven by Seven'. The set also includes a region free Blu ray disc which features Stephen W Tayler's stunning new 5. 1 Surround Sound mixes of the album and bonus tracks including 'Silver Machine' and 'Seven by Seven'. The set is completed with a 68-page illustrated book with new essay and a reproduction of the rare Hawkwind Log Book making this box set the definitive release and this legendary album.

SONGS OF A LOST WORLD’ is the long awaited new album from The Cure, their 14th studio release and their first in 16 years.
'SONGS OF A LOST WORLD' was written and arranged by Robert Smith, produced and mixed by Robert Smith & Paul Corkett and performed by The Cure - Robert Smith: Voice / guitar / 6string bass / keyboard, Simon Gallup: Bass, Jason Cooper: Drums / percussion, Roger O'Donnell: Keyboard, Reeves Gabrels: Guitar. The album was recorded at Rockfield Studios in Wales. Robert Smith created the sleeve concept, and Andy Vella, a long-time Cure collaborator, handled the album's art and design. The cover art features 'Bagatelle', a 1975 sculpture by Janez Pirnat. Exclusive Miles Showell Abbey Road half-speed master on double 180g heavyweight black bio vinyl.

Safe at Home, Gram Parsons' first full-length album (and the only LP he would record with the International Submarine Band), today sounds like a dry run for the country-rock he would later perfect with the Byrds and the Flying Burrito Brothers; it's also a major changeup from the psychedelically shaded pop/rock of the ISB's hard to find debut singles. In many ways, the album sounds more purely "country" than Parsons' best-known work; the Burritos' crucially important R&B edge had yet to make its presence felt in Gram's music, and on these sessions the rock influence is often more felt than heard (probably due in part to the presence of Nashville session veterans who pitched in on piano and pedal steel).

Safe at Home, Gram Parsons' first full-length album (and the only LP he would record with the International Submarine Band), today sounds like a dry run for the country-rock he would later perfect with the Byrds and the Flying Burrito Brothers; it's also a major changeup from the psychedelically shaded pop/rock of the ISB's hard to find debut singles. In many ways, the album sounds more purely "country" than Parsons' best-known work; the Burritos' crucially important R&B edge had yet to make its presence felt in Gram's music, and on these sessions the rock influence is often more felt than heard (probably due in part to the presence of Nashville session veterans who pitched in on piano and pedal steel).

Ornette Coleman was an American jazz saxophonist, violinist, trumpeter, and composer. He was one of the major innovators of the free jazz movement of the 1960s, which disregarded harmonic patterns a term he invented with the name of his 1961 album. He was awarded a MacArthur Fellowship in 1994. His album Sound Grammar received the 2007 Pulitzer Prize for music. This 2CD set features 26 tracks. This 2 cd set features many of his most popular songs and will make a fine addition to any jazz music fans collection.

'I’ve Always Kept A Unicorn is the best album that Sandy Denny never made. This 40-Track / 2CD set captures Sandy at her most intimate as she runs through stripped down arrangements of songs with Strawbs, Fairport Convention, Fotheringay, The Bunch and from her 4 solo albums. Exclusive to this set are 3 demos from the original recording sessions for the 1972 Bunch album, “Rock On” including a beautiful duet with Linda Thompson on Phil Everly’s “When Will I Be Loved” and Buddy Holly’s “Love Made A Fool Of You” and “Learning The Game”.

In 2023, under the artistic direction of Daniel Yvinec and the arrangements by pianist Laurent Courthaliac, Pierrick Pédron ventured into a memorable project alongside the renowned Cuban pianist Gonzalo Rubalcaba. Building on the success of that collaboration, Yvinec and Courthaliac have now embarked on an even more ambitious and challenging project, inviting Pédron to reinterpret one of the most iconic albums of free jazz: Ornette Coleman’s The Shape of Jazz to Come, originally recorded in 1959.
Leading his established quartet—which includes bassist Thomas Bramerie, and two of France’s most promising young jazz talents, pianist Carl-Henri Morisset and drummer Elie Martin-Charrière—Pédron skillfully navigates the intricate demands of this historical piece. Guided by the insightful and scholarly framework set by his two “producers,” he deftly avoids the pitfalls of overly reverent or purely formalistic approaches, instead bringing an organic, poetic depth to the project.

In 2023, under the artistic direction of Daniel Yvinec and the arrangements by pianist Laurent Courthaliac, Pierrick Pédron ventured into a memorable project alongside the renowned Cuban pianist Gonzalo Rubalcaba. Building on the success of that collaboration, Yvinec and Courthaliac have now embarked on an even more ambitious and challenging project, inviting Pédron to reinterpret one of the most iconic albums of free jazz: Ornette Coleman’s The Shape of Jazz to Come, originally recorded in 1959.
Leading his established quartet—which includes bassist Thomas Bramerie, and two of France’s most promising young jazz talents, pianist Carl-Henri Morisset and drummer Elie Martin-Charrière—Pédron skillfully navigates the intricate demands of this historical piece. Guided by the insightful and scholarly framework set by his two “producers,” he deftly avoids the pitfalls of overly reverent or purely formalistic approaches, instead bringing an organic, poetic depth to the project.

Originally released in 2004, TV on the Radio’s debut album consists of nine songs that explore themes like discordant living, misrepresentation, the nature of existence, life, afterlife, love, and love "after hours." These are pop songs. These are rock songs. These are art songs. "Desperate Youth, Blood Thirsty Babes" picks up right where TVOTR’s 2003 debut EP "Young Liars" left off, venturing into uncharted sonic territory. The album features undeniably catchy songs with incredible production, arrangements, and exceptional crooning, including stunning a cappella performances. It’s a seriously solid album. This limited edition 20th-anniversary release adds five bonus tracks to the album, including two previously unreleased tracks—neither available in physical format nor on digital service providers: "Dry Drunk Emperor" (a 2005 studio track) and "Final Fantasy" (a 2004 album outtake).

One of the most revered, reviled and talked about records in all Australian music history (I'm) Stranded by The Saints finally gets the vinyl box set treatment. A joint collaboration between In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I'm) Stranded will feature four vinyl long players covering all the band's studio and live recordings from 1976 thru 1977 and includes: - The iconic debut album remastered for vinyl for the first time in over forty years. - A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time. - A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time. - All three tracks from the 1977 This Perfect Day 12-inch single and all four tracks from the 1977 1-2-3-4 double 7-inch single. - The previously unreleased 1976 demo mix of the full (I'm) Stranded album. - In addition to all that vinyl, (I'm) Stranded - Deluxe Box Set will also features a twenty-eight page 12" x 12" photo essay of the band covering their origins from 1973 through the end of of '77, an authorised band history, an 8" x 10" 1976 promo photo and a (I'm) Stranded sticker. "It's been an exhausting yet thrilling process being involved in the creation of this box set. It's been fifty-one years in the making and has possibly turned out even better than I anticipated. It's by far the most extensive appraisal of the band, both aurally and visually, that has ever been made available and hopefully reveals some things people may not have known about the band." -Ed Kuepper