Everybody Scream (Chamber Version), THE 6TH STUDIO ALBUM BY FLORENCE + THE MACHINE, 12 NEW SONGS + 4 EXCLUSIVE CHAMBER VERSIONS. Florence Welch has always walked the line between the celestial and the chaotic, but with her latest title track, she dives headfirst into the storm. The singer’s new title track opens with an ethereal vocal harmony which slowly descends into upheaval. As the bass takes over beautiful vocals turn into melodic screams in a poetic exploration of the parasocial pressure between artist and audience. It’s compelling, haunting, and acutely honest. The lyrics weave a theatrical tapestry with many different threads to unravel.

This superb jazz compilation from Finnish label LOVE RECORDS. features Olli Ahvenlahti-GranDMA's Rocking Chair, who also released a 12-inch remix by Kenny Dope ! A1 is a thrilling jazz-funk track, combining horns, organ, electric piano, and rolling percussion . A3 begins with a jazz-funk beat and transitions into a beautiful jazz waltz midway through. A4 is jazz-funk with horns and piano, reminiscent of GROOVE MERCHANT's work. A5 is hippie-folk, hypnotic jazz vocals, with cutting guitar and electric piano driving through. And the highlight is Juhani Aaltonen & Otto Donner, featuring beautiful strings over a track featuring Sabu Martinez's percussion .

Intrada announces the premiere release of James Newton Howard's 1990 score to Columbia Pictures' Flatliners. It's a score that has deserved a release for the past 35 years and one of the last major Howard scores to have never been released in any format. It's a massive work, composed for large orchestra and chorus. Befitting the hyperreal style of the film, the composer tackles big ideas like spirituality and religion head on, with a score as grand as the themes suggest. As Howard recalls, “Some memories I have were having a 90-piece orchestra for the first time to do whatever I wanted and bringing in all kinds of different electronics and sampled stuff, including a specific ‘monkey chant’ from Bali. The main idea for me was trying to musically express redemption—a theme that blooms into its big version heard in 'Flatliners End Titles.'" It was also Howard's first time writing for large choir.

.This next volume in the award-winning Bootleg Series tells the story of Dylan’s emergence and maturation as a songwriter and performer, from Minnesota to the Greenwich Village bohemia in the early 1960s. It includes rare Columbia Records outtakes, recordings made at club dates, in tiny informal gatherings, in friends’ apartments, and at jam sessions in long-gone musicians’ hangouts. The 8CD Deluxe set features 139 tracks – 48 never-before released performances, as well as 38 super-rare cuts plus a hardcover book with extensive liner notes by Sean Wilentz and over 100 rare photographs. The last two discs of the set consist of the unreleased complete recording of Dylan’s 1963 landmark show at Carnegie Hall, mixed from original tapes.

With Run-DMC's Raising Hell, the band tore down the walls of the mainstream for hip hop and anchored it there forever. The crossover hit Walk This Way, recorded with the rockers from Aerosmith, still sounds like a revolution today. It has everything: hard rock riffs, scratches, gripping rhythms and, of course, the raps and energy of Run, Jam Master Jay and DMC. The New Yorkers' third album was the first in the genre to go platinum - three times over. It was the right stories in the right style and rhythm at the right time. The remastering for Mobile Fidelity Sound Lab was carried out by Rob LoVerde and Shawn R. Britton. Compared to previous editions, it reveals a much stormier dynamic that emphasizes Rick Rubin's crisp production in great detail. The hybrid SACD in a mini-LP cover is released in a limited edition of 2,000 copies with consecutive serial numbers.

Previously prepared but unreleased 1975 quadraphonic mix. Atlantic Crossing is the sixth solo album by Rod Stewart. Released on 15 August 1975, and recorded in five American studios including Muscle Shoals, Alabama, between April and June 1975, it was produced by Tom Dowd, and peaked at number one in the UK (his fourth solo album to do so), and number nine on the Billboard Top Pop Albums chart. The album was divided into a fast side and a slow side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland.

Previously prepared but unreleased 1975 quadraphonic mix. Atlantic Crossing is the sixth solo album by Rod Stewart. Released on 15 August 1975, and recorded in five American studios including Muscle Shoals, Alabama, between April and June 1975, it was produced by Tom Dowd, and peaked at number one in the UK (his fourth solo album to do so), and number nine on the Billboard Top Pop Albums chart. The album was divided into a fast side and a slow side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland.

SWEET FUNK AND BEAT-HEAVY BALLADS 1968-1975 This anthology follows Now-Again's Loving On The Flipside, issued more than a decade ago. And that anthology itself got its start in a different time, a decade even earlier - the era in which Now-Again's Egon and his friends chased down funk 45s and the odd LP for their testosterone riddled, aggressive sound. Often times the funk song on one of their chosen is would be the throw-away b-side, the hasty afterthought the band cobbled together the night before hitting - or while in - the studio because they'd put all of their energies into writing the amazing ballad that would ensure their entry in soul's history books.

Scintillating pianism in music from Mozart to Messiaen: the complete Argo and Decca recordings of John Ogdon. John Ogdon began to study at the Royal Northern College of Music in 1953, at the age of 16. Fellow students such as Alexander Goehr and Harrison Birtwistle were astonished by the speed of Ogdon's mind, matched by his facility at the keyboard. He could perform and make sense of the most complex scores, old and new, as though they were child's play. Further study elsewhere led to his triumph at the Moscow Tchaikovsky Competition in 1962, when he shared the gold medal with Vladimir Ashkenazy. He began to record for Decca six years later, in December 1968, with the piano cycle by Olivier Messiaen, Vingt Regards sur l'enfant-Jesus, which renewed the Lisztian tradition of pianism for a new postwar age. Over the next three years he made four further albums for Decca, three of them with his wife Brenda Lucas. The diversity of repertoire testifies to the range of Ogdon's musical talent and intellectual curiosity. More elevated but virtuosic Messiaen (the Visions de l'Amen) sits alongside freewheeling youthful concertos by Mendelssohn and Shostakovich.

The Korgis, formed in 1978 by James Warren and Andy Davis after their time in Stackridge, broke through with hits like "If I Had You" and the worldwide smash "Everybody's Got to Learn Sometime," followed by South American success with Trevor Horn's "Don't Look Back." Mismanagement and lineup changes stalled their momentum, but after a brief '90s comeback attempt, they re-emerged in 2017 with a fresh lineup, new energy, and eventually Kartoon World (2021), hailed as a career high. Collaborations with writer and guitarist Joe Matera brought strong new songs, while 2023's Orchestrations reimagined classics with lush arrangements. In 2024, they released their most ambitious project yet, the double concept album UN-United Nations, tackling global issues while honoring their roots, with additional material later expanded by Al Steele on Alienated Nations. With reworked classics like "Coffee in New York" and a brand-new orchestral take on "Everybody's Got to Learn Sometime," The Korgis continue to prove their knack for reinvention while staying true to the sound that first put them on the map.

Hype sticker: Chess Records 75th Anniversary Series. Audiophile Vinyl Reissues From The Legendary Chess Records Catalog Mastered from original analog tapes. Manufactured at Quality Record Pressings (QRP) on 180 gram vinyl. Tip-On gatefold sleeves printed on high grade board. STDCHESS75. The man born Chester Arthur Bennett idolized folk and country singers, but his unmistakable delivery was too powerful for a blue yodel. "I couldn't do no yodelin'," he said, "so I turned to howlin'." Howlin' Wolf's voice, combined with his blistering guitar and harmonica, helped put Chess Records and Chicago blues on everyone's radar. Moanin' in the Moonlight, Wolf's first long-playing album from 1958 collected a dozen singles he had recorded over the preceding decade, including the favorites "Smokestack Lightnin'," "Evil" and "How Many More Years." Bring home the sound of America's greatest blues label in high fidelity with the Chess Records 75th Anniversary Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180g vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.

Hype sticker: Chess Records 75th Anniversary Series. Audiophile Vinyl Reissues From The Legendary Chess Records Catalog Mastered from original analog tapes. Manufactured at Quality Record Pressings (QRP) on 180 gram vinyl. Tip-On gatefold sleeves printed on high grade board. STDCHESS75. The man born Chester Arthur Bennett idolized folk and country singers, but his unmistakable delivery was too powerful for a blue yodel. "I couldn't do no yodelin'," he said, "so I turned to howlin'." Howlin' Wolf's voice, combined with his blistering guitar and harmonica, helped put Chess Records and Chicago blues on everyone's radar. Moanin' in the Moonlight, Wolf's first long-playing album from 1958 collected a dozen singles he had recorded over the preceding decade, including the favorites "Smokestack Lightnin'," "Evil" and "How Many More Years." Bring home the sound of America's greatest blues label in high fidelity with the Chess Records 75th Anniversary Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180g vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.

Limited six CD set. Colosseum came together in 1968, the brainchild of virtuoso drummer Jon Hiseman and saxophonist Dick Heckstall-Smith (who had played together in the Graham Bond Organisation and John Mayall's Bluesbreakers). Teaming with bass guitarist Tony Reeves and keyboard player Dave Greenslade, the line-up of the band was completed with the recruitment of guitarist and vocalist James Litherland. Their debut album, 'Those About to Die Salute You' was was one of the first successful attempts to fuse jazz, blues and rock reaching number 15 on the UK album chart. Their second album, 'Valentyne Suite', was the first release on the Progressive Vertigo imprint and spent nine weeks on the UK album chart, peaking at number 15. The album's focal point was the three part 'Valentyne Suite' which earned the band critical praise and is now regarded as a milestone in early Progressive Rock. In the USA and Canada the album appeared in different form in 1970 as 'The Grass is Greener' remixed and featuring new member Dave "Clem" Clempson (guitar, vocals), who replaced James Litherland in the group. The album also featured a series of songs unreleased in the UK. Released on the Vertigo in December 1970, 'Daughter of Time' heralded another line-up change within the group, featuring new recruits Mark Clarke (bass) and the distinctive lead vocalist Chris Farlowe. The album spent five weeks in UK Top 30.

Reissue of the 2020 mix CD, with track markers and five bonus tracks.

This is the 6th limited edition box set in the chronological series of re-issues of Neil Young's official album releases. This volume covers the years 1992 - 1995 and includes the albums Harvest Moon (1992), Unplugged (1993), Sleeps With Angels (1994) and the album Neil recorded with Pearl Jam, Mirror Ball (1995). Harvest Moon's title track is a hugely popular song, and the album also includes "Unknown Legend" and "From Hank To Hendrix". Sleeps With Angels is a favorite of the core fan base, featuring "Western Hero", "Prime of Life ", and the epic, 14 minute, "Change Your Mind". Unplugged features 14 live performances, including some of Neil's most popular tracks from his career up to 1993. Mirror Ball is an analog recording and has been remastered, and 4 songs have been remixed. The album includes two songs that have recently featured prominently in Neil's live sets: "Throw Your Hatred Down" and "I'm The Ocean". Each album in the vinyl box is 2 LP (and pressed on 180 gram vinyl); the CD box contains 1 CD per album. Both the Vinyl & CD boxes are numbered limited editions.