2010 four CD anthology from the British Blues legend. John Mayall's band, The Bluesbreakers, were undoubtedly a hot-house for the British Blues scene in the late '60s and early `70s and it's quite staggering when you examine the roll call of floating members who served their apprenticeship with John Mayall including Jack Bruce, Eric Clapton, Mick Fleetwood, Peter Green, Keef Hartley, John McVie, Mick Taylor and Steve Winwood. This lavish box set contains 74 tracks, all newly remastered from the original master tapes, including five tracks released in Europe on CD for the first time. The 40-page booklet features sleevenotes by Mark Powell with rare and previously unseen photographs.

Cheap Trick may no longer be playing the stadiums that the group's monumental talent surely warrants, but they do have one of the most loyal cult followings in all rock & roll. Thus, when Epic Records decided to release a four-disc box set celebrating the quartet's 20th anniversary with the label, someone there was smart enough to let the band put together a collection for the collectors. Which means 32 of the 64 tracks here are previously unreleased, including many live cover tunes (Beatles, Velvet Underground), demo takes, and a few things only a fan would want. Some hits are here (including "Surrender"), but, as a good example, there's no "He's a Whore," which Cheap Trick probably figured their fans should already own.

This time around we have four complete classic albums presenting Ray as a jazz performer, R&B performer and as an exciting live performer with 'The Great Ray Charles', 'At Newport', 'The Genius of Ray Charles' and 'Ray Charles in Person'.
These is nothing new to be said about the inimitable Ray Charles that hasn't been said many times before, so simply sit back and listen to the genius in person.

The organ can often take a back seat in the pecking order of great Jazz instruments but underappreciate it at your peril. The likes of Jimmy Smith, Jack McDuff, Booker T and Ray Charles, to name but a few, made the instrument their own while crafting jazz cuts of dazzling brilliance.

Rarely has the primal excitement of the electric blues guitar been so voraciously and expertly illustrated on one compilation than on Screaming And Crying, renowned British blues buff Neil Slaven s monumental homage to the music which shaped both his life and a whole generation. Over three discs and 75 tracks, the set straddles the spectrum of the electrified blues which fuelled the British R&B boom of the 1960s and beyond, mixing much-feted names such as Chuck Berry and Bo Diddley with more deliciously obscure outings by the likes of Doctor Ross and Guitar Shorty. Slaven s liner notes outline the story behind the roughshod classics which bust out of the set, whether screaming with the joy of musical release, or crying in a pool of despair, both amplified through jacked-up guitar strings.

The Spanish-American soprano, Vanessa Goikoetxea, studied at the Conservatory of Bilbao and then moved to Madrid's Conservatory. She continued her studies with Edith Wiens at the Hochschule für Musik und Theater in München where she obtained her Master’s Degree in Opera. She is a winner of the Deborah Voigt/ Vero Beach Opera Foundation Prize at Marcello Giordani Competition in the USA.Vanessa Goikoetxea has emerged as one of the most sought after sopranos of her generation. She appeared in some among the most important international venues, working with such conductors as Fabio Luisi, Matteo Beltrami, Pier Giorgio Morandi, Carlo Montanaro, Patrick Fournillier, Diego Fasolis, Massimo Zanetti and Sir Andrew Davis.

Er kann’s ja selbst kaum fassen. Im zarten Alter von fast 66 Jahren erlebt Udo Lindenberg seinen, sagen wir: vierten Frühling und die kommerziell erfolgreichste Phase einer Ausnahmekarriere. Mit Stark Wie Zwei und MTV Unplugged konnte der große deutsche Pop-Pionier noch einmal an ein junges Publikum andocken, das nun bestimmt auch ältere Schmuckstücke des Meisters kennenlernen möchte. Wie sie der zweite Fünfer-Pack der Original Album Serie mit einem kompakten Blick in die späten 1970er-Jahre offeriert. Am Anfang steht freilich mit „Panik-Udo / No Panic On The Titanic“ der Beweis, dass die Perlen des ganz frühen Andrea Doria-Lindenberg auch in englischer Sprache glänzen. Genau andersherum funktionieren dann die Alben Lindenbergs Rock Revue und „Der Detektiv“. Hier gelingt es ihm immer noch erstaunlich gut,

Long-standing, Dutch rock band, founded in 1961 as 'The Tornados'. They changed their name to 'The Golden Earrings' in 1963, then shortened it to 'Golden Earring' in 1969. Known amongst their fans as just 'The Earring'. Their first single, 'Please Go', was released in September 1965.

Bruce Springsteen Among rock music's most iconic figures, Bruce Springsteen often feels like the one who loves and believes in rock & roll the most, eager to re-create the breathless emotions it brings out in him. Embracing the pleasures of the sounds of AM radio in the 1950s and '60s (garage rock, British Invasion, R&B, blue-eyed soul, emotional teen pop) with the literacy of the singer/songwriter movement and a fierce desire to document the lives of the blue-collar world in which he grew up, Springsteen's music was always a grand, ambitious amalgam. (He once said he dreamed of making an album with words like Bob Dylan, sounding like Phil Spector, and with vocals like Roy Orbison.) His sound found full flower on 1973's eclectic The Wild, The Innocent & The E Street Shuffle (which introduced his most important backing group, the E Street Band), and he rose to stardom with 1975's streetwise, sweeping Born to Run. 1978's Darkness on the Edge of Town and 1980's The River marked a thematic shift, as his songs addressed the malaise of the working class, whose dreams had begun slipping out of reach.

This luxury bounded box (13x13x2″) contain 12 CD for a total of 236 tracks, almost all the live tracks recorded by Billie Holiday along her career. It’s an essential item for those who want to explore this side of her discography. It contains almost all the tracks mentioned below in this live discography.

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

An outstanding nine CD collection of rare jazz, blues, country, pop, cowboy, march, ragtime, vaudeville and gospel recordings that form our musical legacy, compiled by jazz historian Allen Lowe. More than10 hours of music in a presentation slipcase with a 127 page booklet containing many photos and a wealth of interesting information about the music. Space here only permits artist and song title listings of the first 4 CD's in the 9 CD set.

Premiata Forneria Marconi's Live History 1971-1981 (also known as 10 Anni Live 1971-1981) is a comprehensive 4-CD anthology capturing the evolution of Italy's premier prog band, showcasing high-energy performances from their symphonic peak through their late-70s jazz-fusion shift. It is praised for its historical breadth, though hindered by inconsistent bootleg-quality sound and repetitive tracks.

With his beautiful, Lester Young-inspired tone, his grace with a melody, and his willingness to gently push boundaries, tenor saxophonist Stan Getz was known as "The Sound" for good reason. Coming to fame with the Woody Herman band in the '40s, he held his own through both the swing and bebop eras, then found renewed commercial success in the early '60s when a João Gilberto collaboration, "The Girl from Ipanema," was a big hit and ushered in a bossa nova boom. Getz loved playing with bold young players like Chick Corea and Stanley Clarke, and he didn't shy away from new technology, championing the Echoplex for a time. This wonderful set includes the albums he recorded for Columbia Records between 1972 and 1979 (most of which he produced himself), as well as the soundtrack LP to a Dutch film called Forest Eyes from 1979, and a bonus disc of Getz at Carnegie Hall for the 40th anniversary of the Woody Herman band…

NOW Music presents the next instalment in our ongoing series of 12” 80s releases: NOW 12” 80s: 1986 – Part One, a 4CD collection packed with 46 extended, full-length, and remixed 12” versions, capturing the sound of 1986’s clubs, charts, and pop culture.