Fronted by the explosive, glitter-blasting talents of Siân Greenway, Bobbie Dazzle released their debut 45 (Back To The City/Flowers On Mars) on Rise Above Records earlier this year. It sold out almost instantly, putting them on the map to rock n roll oblivion, from which there is no turning back. Inspired by the seminal likes of Bowie, T. Rex, Suzi Quatro and The Sweet, West Midlands based Bobbie Dazzle’s debut album Fandabidozi is an invigorating rush of massive tunes, infectious riffs and bright-eyed pop-rock bombast. As an antidote to the enervating negativity that surrounds us at this moment in history, it could hardly be more perfect.

Limited Edition. Special Edition. 3 CDs packaged in a cardboard box. Disc 1 (SP 70 - original album with restored version of track 1-1) packaged in blister pack. 2 discs of additional unreleased material (SP 50 and SP 60) presented in a paper folder. Discs are black. Includes "Patient Product Information" leaflet with credits - presented in the style of medicinal packaging. SP 50 and SP 60 mastered at Metropolis.

Ultra-rare 1969 album (only 10 copies are known to exist today) from California hard rock band (they sound like a mix between the Who & Big Brother & the Holding Co.) was recorded in the same studios where Cream & Jimi Hendrix were putting down their final tracks, inc. 12 pg. booklet w. photos, interviews & posters.

Luck and Strange is David Gilmour's fifth solo record and only his third of the 21st century. The Pink Floyd guitarist clearly understands his life's privilege; he has made some of rock's most memorable music, toured its biggest stages, and been named a Commander of the Order of the British Empire. He could easily coast along for the duration of his career. Instead, he has continued to tour, collaborated widely, advocated for numerous just causes, and donated the money from selling his home and guitars to charity. If he wants to make just one album per decade, he's earned the right.

Cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. Contains "Just A Song Before I Go" & "Shadow Captain".

This 5 Disc Set set covers the years Kevin Ayers was signed to the legendary Harvest label, 1969-1974.

Moody alternative rockers of the 1990s, feted by the British press, held to cult status in US. Collection includes: 'Attack Of The Grey Lantern' (1997); 'Six' (1998) Japanese Edition; 'Little Kix' (2000) Japanese Release.

For many Hollies enthusiasts, Evolution (1967) is considered the band's most accessible blend of pop and psychedelia. The quintet were headed into musical territories beyond simply "moon-June-bloom" and boy-meets-girl lyrics coupled with the tightly constructed vocal harmonies that had become their calling card. Nowhere is this more evident than in the tripped-out cover art from Dutch multimedia artists Seemon Kooer, Marijke Kooer, Josje Leeger, and Barry Finch – known collectively as Fool. Although "Carrie-Anne" could be considered an extension of the trite, somewhat predictable Brit pop, there are clear indications of new horizons on cuts such as the modish "You Need Love," the arguably passé distorted electric guitar on "Have You Ever Loved Somebody," and the wailing fretwork on the driving freakbeat rocker "Then the Heartaches Begin."

High Moon Records' deluxe reissue of the final studio album from one of rock musics most gifted and enigmatic legends - on CD for the first time in a deluxe Digipak with a full-color, 32-page booklet, and expanded with 12 bonus tracks. Reel To Real captures Arthur Lee and Love at the peak of their rock/funk/soul powers. Originally released in 1974 on RSO Records, this beautifully packaged, deluxe reissue features vibrant, remastered audio from the original tapes, a 28-page, 9x12-inch LP booklet with an illuminating essay by Rolling Stone s David Fricke, and a trove of candid, unpublished photos.

With her hauntingly beautiful album, "Parallelograms," Linda Perhacs offers each listener a stunning gift: a magical journey into the world of psychedelic folk music as the gods meant it to be. Her lyrics and music mirror a love of nature, along with the personal and most intimate parts of her soul. Listening to her, one is continually struck by the perfection of Linda's voice; you cannot help being emotionally moved. This wonderful CD personifies perfection…with taste, warmth, sensitivity, feeling, perception, and all the womanly virtues…

Arriving between the implosion of the Style Council and the commercial comeback of Wild Wood, Paul Weller’s eponymous 1992 debut is sometimes overlooked, but it’s one of his finest records, a smooth, soulful excursion pitched precisely between the sophisticated swing of the Style Council and the rustic rock of Wild Wood. In the wake of the disastrous unreleased house album from Style Council, Weller chose to dig into his roots, relying heavily on Curtis Mayfield records and a dash of Traffic’s jazz lilt, creating a cool groove of an album, one that warmed well to light elements of acid house, whether it’s the extended coda of “Kosmos” or the many remixes of the album’s singles (all collected on Universal’s 2009 double-disc deluxe edition). As pure sound, Paul Weller is seductive – it’s supple and relaxed, easing into its vamps and rhythms, maintaining its tone through shifts of tempos – but it sticks because its Weller’s best set of songs in years, anchored by the tight opening rocker “Uh-Huh Oh Yeh,” the soulful lament “I Didn’t Mean to Hurt You,” the insistent pulse of “Bull Rush,” the gorgeous shimmer of “Bitterness Rising,” and the revitalizing rush of “Into Tomorrow.”

Recorded at Abbey Road Studios, London between June 1972 and January 1973. Limited edition crystal clear 2-LP, 180g. Featuring UV artwork printing on the non-groove side.

There was no shortage of good psychedelic albums emerging from England in 1967-1968, but Ogdens' Nut Gone Flake is special even within their ranks. The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogdens' Nut Gone Flake pretty much ripped the envelope. British bands had an unusual approach to psychedelia from the get-go, often preferring to assume different musical "personae" on their albums, either feigning actual "roles" in the context of a variety show (as on the Beatles' Sgt. Pepper's Lonely Hearts Club Band album), or simply as storytellers in the manner of the Pretty Things on S.F. Sorrow, or actor/performers as on the Who's Tommy…

David Bowie One of the greatest stars of the rock & roll era, David Bowie evaded easy categorization throughout his career, operating as the artiest rocker within the mainstream and the most accessible musician on the fringe. Bowie may have trafficked in ideas cultivated in the underground, but he was never quite an outsider as far as rock & roll was concerned. From the outset of his career in the 1960s, he attempted to break into the Top 40, playing British blues, mod rock & roll, and ornate pop before finally hitting paydirt as a hippie singer/songwriter. "Space Oddity" gave Bowie his breakthrough in the U.K., reaching the Top Ten in the summer of 1969 – the summer of Apollo 11 – and it belatedly performed a similar feat in America, giving him his first Top 20 hit early in 1973. By that point, Bowie had traded his folkie persona for the glam-rock alien Ziggy Stardust, one of the many shifts of sound and image that came to define his career.

This excellent heavy prog album was released after Sir Lord Baltimore disbanded & involved the members of Sir Lord Baltimore & produced by Vinny Testa. The Bloody Mary album is in the same vein of Sir Lord Baltimore - perfect heavy progressive rock from USA. Fantastic vocals, swirling organ, fuzzy guitar and pounding drums.