Heady work from Paul Butterfield's second great group – his mighty Better Days ensemble, heard here in a nicely unbridled live set from the early 70s! Paul himself is mighty great on vocals and harmonica - but the group's a very cohesive unit, too - with additional vocals and guitar from Amos Garrett and Geoff Muldaur, organ and piano from Ronnie Barron, and some mighty heavy drums from Billy Rich! The music seems to have even more punch than on some of Butterfield's studio sessions - blues rock, but with a little something extra, too.

Herman's Hermits four UK albums for EMI's Columbia label, dating between 1965 and 1968. All albums were produced by Mickie Most and feature UK and US hits such as 'I'm Henry The Eighth I Am', Mrs Brown You've Got A Lovely Daughter', 'Listen People', 'No Milk Today', 'There's A Kind Of Hush', 'Dandy' and 'You Won't Be Leaving' Digitally remastered and slipcased. New notes.
Herman's Hermits were one of those odd 1960s groups who accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees, and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music…

Recorded in 1969, this deluxe 2CD set comprises 3 albums by the critically acclaimed free jazz exponets.
Includes a photo-laden booklet with informative notes.
Originally comprised of saxophonists Roscoe Mitchell and Joseph Jarman, trumpeter Lester Bowie, bassist Malachi Favors, and later, drummer Famoudou Don Moye, the Art Ensemble of Chicago enjoy a critical reputation as the most influential avant-garde jazz ensemble of the 1970s and '80s. During the late '60s and early '70s, the Art Ensemble helped pioneer the fusion of jazz with European art music and indigenous African folk styles. They also combined music from sanctified church services, minstrel shows, and bawdy houses of late 19th and early 20th century America - with a modernist spirit and lively stage show that involved face paint and costumes as well as hundreds of musical instruments…

Secret Garden is Norwegian composer Rolf Loveland (piano, keyboards) and Irish violinist Fionnula Sherry. The album, however, offers much more than this duo; it is awash in orchestral strings (real ones), a choir (real one), and as many percussionists, harps, fiddles, keyboards, and whistles as are needed. Songs from a Secret Garden, a chart-topper in Europe, is unabashedly romantic, absolutely gorgeous. "Sigma," featuring boy soprano Rhonan Sugrue and the Irish National Choir, is very pensive, like dried flowers left, an expected return disappointed. The lyrics begin, "I search for the sign that will set my soul free." Although Celtic music fans will find many moments of bittersweet nostalgia between the violin, pipes, and pennywhistles, the album's closest musical relation might just be the intimate works of Maurice Ravel, particularly his "Pavanne for a Dead Princess"…

Super deluxe edition of "News Of The World" from Queen consists of 3 CDs, a DVD, and a LP. Disc 1 (original album) includes "All Dead, All Dead" featuring Freddie Mercury on vocal. *The original album version features Brian May. Disc 2 (raw sessions) consists of alternate takes, demo ones, and rough mix versions, including "We Are The Champions" with entirely different rendition and vocal from the previous recordings. Disc 3 includes 19 rare tracks, featuring live, BBC session, and instrumental. The package comes with a hardcover booklet, press kit, posters and more.

Roberto Colombo is a keyboard player, artistic producer and arranger and has worked with bands such as Le Orme, PFM, Finisterre and many other prominent Italian musicians. He's often considered one of the underrated gems in Italy. His solo albums from the 70's have a lot of Frank Zappa influences. In 1976 his first solo album, "Sfogatevi Bestie," was released. 1977 saw the release of "Botte da Orbi." This work verges on progressive and jazz-rock, but is marked by light-hearted ironic tones. He gathers together an all-star band of more than thirty musicians, featuring essentially the cream of the Italian music scene: from Mauro Pagani (PFM) to Walter Calloni (PFM), Ronnie Jackson to Lucio Violin Fabbri (PFM), Stefano Cerri (considered one of the best bass player of those days) to Tullio De Piscopo (another legendary drummer who have been playing with New Trolls on Tempi Dispari), and Ivan Cattaneo (a songwriter who was backed on one album by PFM).

The Mindbenders in their post-Wayne Fontana configuration were a hot little British pub trio specializing in a kind of jazzy rock similar in a lot of ways to the Zombies or Traffic, and they amount to one of the great lost groups of the 1960s. Although they had two strong songwriters in Eric Stewart and Graham Gouldman (together they would go on to form one half of 10cc), the Mindbenders were also one hell of a cover band, and their recorded legacy is surprisingly diverse because of it. This two-disc, 37-track set, which collects the two LPs, six EPs, and ten singles the group released between 1966 and 1968, is a revelation in that regard - it includes imaginatively done garage soul covers of “Shotgun,” “Mystery Train,” and “The Seventh Son” alongside the pipe dream psychedelia of “Yellow Brick Road” and the hazy sunshine pop of “A Groovy Kind of Love”…

The dedicated fans of the legendary but also problematic Prog/Power Metallers Crimson Glory who made a sensation in the late 80’s and early 90’s, will remember that in 1999 they released their controversial fourth and last album, “Astronomica” after several back and forth. On that album, Wade Black, a tireless heavy metal worker was their frontman. Wade Black’s latest project is Astronomica, with a name (and artwork) obviously influenced by his participation in that Crimson Glory album. But this is where the similarities on every level stop. Black doesn’t revisit his prog/power past with Crimson Glory but sticks to what he knows better, namely a heavy metal approach of a clear old school aesthetic. In almost an hour, Astronomica offer us a heavy metal creation, without much inspiration and originality, that is nevertheless well crafted and what really stands out are some excellent guitar solos by Rich Marks (War of Thrones).

Beautiful work from French pianist Michel Sardaby - a wonderfully lyrical talent with a sweeping and soulful flair! The set's got a stripped-down approach that has Sardaby working with bassist Gilbert Rovere and drummer Philippe Combelle - sometimes hitting the keys in a harder style that has touches of Les McCann, but mostly gliding magically in that warm and soulful mode that's made more than a few of his albums jazz dance classics! Includes the great groover "Come From No Where", plus other wonderful originals like "Lament For Billy", "Wendy", "Empty Room", and "Always Room For One More". Plus, the CD also features a full bonus album by Sardaby - the Con Alma set recorded in Paris in 1964! That album's in a similar trio mode, and features backing by bassist Michel Finet and Philippe Combelle - on tracks that include the wonderfully-titled "Volcanic", plus "Brother Bill", "Con Alma", "Little Sister", and "Blues For Mae".

Christophe Goze creates music that combines world, jazz, and electronic music. His soothing and melodic tunes elevate emotions and inspire relaxation.
My Kind of Blue marks the beginning of a new period reflecting a more contemplative, personal journey and going back to his Lounge experimental sound he is most known for where the “Blue” raw emotion meets the relaxed ambiance of Lounge, and the sleek rhythms of Smooth Jazz give it a modern, refined edge. It’s a period of embracing mood and emotion, where the music invites the listener to experience a spectrum of “blue” feelings from calm reflection to profound introspection.

Brainbox is usually remembered as Dutch heavy progressive band with guitarist Jan Akkerman and drummer Pierre van der Linden - just before they have founded fame in Focus. Many fans still even remember the vocalist Kaz Lux, but nobody ever mentions ‘Parts’ - an official 2nd album recorded by completely revamped line-up (with the exception of drummer Frank Smit) and released by EMI Harvest in 1972. This unjustly forgotten, but great record (now on CD for the first time!) was completely ignored at the time of release, which surely was a big mistake! LP featured very eclectic, mostly progressive and sometimes truly experimental tracks characterized by changing moods and clever arrangements - in many ways similar in style to Wishbone Ash, Livin’ Blues, Fleetwood Mac and Crosby, Stills, Nash & Young.

Smokin' Joe Kubek is pure Texas blues - he's a forceful guitarist and his band rocks with a loose, greasy vibe. What makes the album so much fun is the combination of solid material and piledriving performances - it may follow a tradition, but it manages to be unpredictable.

Having both cut his teeth and come into his own with Dizzy Gillespie, Freddie Hubbard, and Yusef Lateef, among others, pianist Kenny Barron began to carve out what has proven to be a lengthy and fruitful solo career by 1973. This fine duo outing, which has Ron Carter and Michael Moore trading off on bass, certainly shows Barron was in full control of his vigorous and tuneful style by the mid-'80s. Cut for the independent BlackHawk label before Barron would eventually find more exposure via such high-profile companies as Enja and Verve, 1 + 1 + 1 features a tasty program of numbers by Monk, Ellington, Coltrane, Dave Brubeck, and others. Of particular note are Barron and Carter's treatments of the Gershwin opener, "The Man I Love," and Brubeck's "In Your Own Sweet Way"…

New Musik's near-total lack of commercial acceptance is one of the great mysteries of early-'80s pop. Their music, rooted in classic pop songwriting but with a forward-looking interest in shiny electronics, is both instantly accessible and coolly forbidding. This dichotomy is most clearly expressed in the split between group leader Tony Mansfield's melodies, which are hummable, welcoming, and often quite bouncy, and his lyrics, which even Joy Division's Ian Curtis might have sometimes found a little too alienated.
Having released their debut album in 1980 and seeing modest success with the single 'Straight Lines', New Musik's sophomore album, released in early March of 1981, marked a maturing in the band's sound; one where the synthesizer would play a more predominant role in creating an atmosphere which lasts the duration of the album…

The double album, written for the 40th anniversary of The Martian Chronicles, consists of 3 large musical pieces (suites). Each of the three is related to an A.I. story. The stories are also the band's creations, projecting the future imagined with A.I. (Artificial Intelligence) from different perspectives.
The Hungarian formation Solaris was originally founded by some school friends in 1980. The band's name was derived from the title of book by SF writer Stanislaw Lem. After they made impression on a talent contest at The Budai Park for a massive crowd (mainly youth) the band was offered an opportunity to make a record.