2009 CD/DVD live release from the veteran Synth Pop band fronted by Terri Nunn includes a bonus DVD. Berlin's Electro-Pop sound features the enduring and assertive voice of Nunn, which is why All The Way In is the most preferable place to hear this Los Angeles-based group's music. Berlin made its first national impression with the provocative single 'Sex (I'm A…)' from the gold-selling debut EP Pleasure Victim in 1982. The Synth-soaked punch of 'No More Words' from 1984's Love Life album and the number one ballad 'Take My Breath Away' from the film Top Gun are the album's high points. Berlin's '80s poignancy provided some rather palatable music, even if the charts didn't say so. Songs like 'Dancing In Berlin' and 'Scream' could compete with anything Depeche Mode or Duran spouted at the time, and the range of Nunn's vocals elevated most of Berlin's efforts above the norm of the run-of-the-mill synthesizer glitz. All The Way In captures Berlin at their best in front of a hometown Los Angeles crowd.

The first-ever single-disc anthology of Queen drummer Roger Taylor's solo material, 2014's Best brings together tracks off all five of his studio albums. The collection follows-up the more exhaustive 2013 box-set, The Lot, and features cuts from 1981's Fun in Space, 1984's Strange Frontier, 1994's Happiness?, 1998's Electric Fire, and 2013's Fun on Earth. While primarily known for his commanding drum presence with Queen, Taylor is also a strong rock singer and talented songwriter, responsible for penning such Queen hits as "Radio Ga Ga," "Breakthru," "These Are the Days of Our Lives," and others. Vocally, Taylor has a throatier, more gravelly presence on the microphone than Queen's highly resonant, operatic frontman Freddie Mercury. In that sense, he often brings to mind the sound of such similarly inclined contemporaries as the Who's Roger Daltrey, Mott the Hoople's Ian Hunter, and Deep Purple's Ian Gillan. Perhaps not surprisingly, many of the cuts here sound like they could easily have ended up on a Queen album, and tracks like "Let’s Get Crazy," "Man on Fire," and "Strange Frontier" showcase the same synth-driven, pop/rock approach Queen was championing in the '80s.

Collection includes: 'Talking Heads 77' (1977); 'More Songs About Buildings And Food' (1978); 'Fear Of Music' (1979); 'Remain In Light' (1980); 'Speaking In Tongues' (1983); 'Stop Making Sense' (1984); 'True Stories' (1986).

To celebrate the 21st anniversary of their debut release, Blur s eponymous fifth album has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. Continuing the trend, Blur went straight in at No 1 on its release in February 1997, as had Parklife and The Great Escape before it. Representing a musical evolution for the band, the album is home to two of Blur s biggest hits in Beetlebum and Song 2. B-sides taken from all formats of these two singles are included in the accompanying Blur Special Edition bonus disc, along with b-sides from the album s fourth single M.O.R. Also included on the bonus disc is a 7 mix of Death Of A Party by Adrian Sherwood, the Dust Brothers produced Cowboy Song (which featured on the Dead Man On Campus soundtrack), four acoustic live tracks recorded at Viva Niteclub (previously only released on the German-only version of the M.O.R. single) and three live tracks recorded at MC Vredenburg, Utrecht, Netherlands, which were only previously released on the Netherlands-only version of the album.

An infectious update of the classic synth-pop most famous earlier in the decade, Information Society's self-titled debut sounds most similar to British groups like ABC and Pet Shop Boys, though hits like "What's on Your Mind," "Walking Away," and the cover of "Lay All Your Love on Me" manage to inject the affair with elements of industrial dance and hip-hop. All in all, it's a much better album than expected from the group many dismissed as mere one-hit wonders.

To celebrate the 21st anniversary of their debut release, Blur s classic follow-up album Modern Life Is Rubbish has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. The Modern Life Is Rubbish Special Edition finally unites the non-album single Popscene (which was recorded whilst tracks from the album were being demo ed) with a Blur studio album. Also included in the accompanying bonus disc are all the Popscene, For Tomorrow and Chemical World b-sides (amongst which are nestled the Visit To Primrose Hill Extended Version of For Tomorrow, a reworked version of Chemical World and a cover of the Rod Stewart classic Maggie May. Completing the bonus disc are the b-sides to The Sunday Sunday Popular Community Song CD, (the official title of the main Sunday Sunday single release), the music-hall style covers of Daisy Bell and Let s All Go Down The Strand.

All That You Can't Leave Behind is the tenth studio album by rock band U2. Following the mixed reception to their 1997 album, Pop, All That You Can't Leave Behind represented a return to a more conventional sound for the band after they experimented with alternative rock and dance music in the 1990s. U2 brought back producers Brian Eno and Daniel Lanois who had produced a number of the band's previous albums.

Ultravox are a British new wave band, formed in London in 1974 as Tiger Lily. Between 1980–86, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna". The band has been led by two different frontmen who never played together in the band at the same time. From 1974 until 1979, singer John Foxx was frontman and the main driving force behind Ultravox. Foxx left the band to embark on a solo career and, following his departure, with the three remaining members in hiatus, Midge Ure took over as lead singer, guitarist and frontman in 1980 after he and keyboardist Billy Currie worked in the studio project Visage.

To celebrate the 21st anniversary of their debut release, Blur s sixth album 13 has now been expanded across 2CDs, with an entire disc of bonus material added to the original album. Originally released in March 1999, 13 saw a departure from long-time collaborator Stephen Street with William Orbit taking over production duties, what followed was Blur s fourth consecutive No 1 album and a further, more introspective, development of their music. Accompanying the remastered album in the 13 Special Edition is a whole disc of bonus material, including b-sides to the hit singles Tender, Coffee & TV and No Distance Left To Run. Featured in this extensive collection of b-sides are each band member s own remix of the album track Bugman, the track Beagle 2 (which was sent aboard Mars landing spacecraft of the same name) and the epic Cornelius Remix of Tender. Completing the bonus disc are a demo version of I Got The Law (previously only released on the Japanese version of 13) and the Music Is My Radar single (and its b-side) released on the 2003 Blur: The Best Of.

Collection includes twelve studio albums, one EP, and also tree compilations: "Please" (1986); "Actually" (1987); "Introspective" (1988); "In Depth" EP (1988); "Behaviour" (1990); "Discography" (1991); "Very" (1993); "Bilingual" (1997); "Essential" (1998); "Nightlife" (1999); "Release" (2002); "PopArt" (2003); "Fundamental" (2006); "Yes" (2009); "Elysium" (2012); and "Electric" (2013).

Q: Are We Not Men? A: We Are Devo! is the debut studio album by the American new wave band Devo. It was originally released in August 1978 on the Warner Bros. label. Produced by Brian Eno, the album was recorded between October 1977 and February 1978, primarily in Cologne, West Germany. Q: Are We Not Men? A: We Are Devo! has scored on several "best of" lists, including Spin's list of the "50 Most Essential Punk Records" and Pitchfork's list of the 100 best albums of the 1970s. It was ranked number 447 in Rolling Stone's 2003 list of The 500 Greatest Albums of All Time, climbing to number 442 in the 2012 update and shooting up to number 252 in the 2020 reboot of the list. It is also listed in the book 1001 Albums You Must Hear Before You Die.

Disco Not Disco 2 is a compilation album from the Disco Not Disco series released by Strut Records in 2002. As with the first compilation, this album is a probe to experimental side of disco and punk genres and underground music scene in general. The second volume is more electro and dance oriented and features electro pioneer Alexander Robotnick ("Problèmes D'Amour"), post-punk and dance-rock music groups like Laid Back, Material and The Clash, Can, and Arthur Russell.

Good News from the Next World is the tenth studio album of original material by Scottish rock band Simple Minds, released in February 1995 by record label Virgin. The album garnered moderate commercial success; in the UK, it reached No. 2 and produced the two Top 20 hit singles "She's a River" (No. 9) and "Hypnotised" (No. 18).

Real Life is the ninth studio album by Scottish rock band Simple Minds, released in April 1991. This was the first Simple Minds album recorded without keyboardist and original bandmember Mick MacNeil, who left the band after the previous tour in 1990. The core band on this album comprise only Jim Kerr, Charlie Burchill, and Mel Gaynor (who all appear on the rear cover), with the remaining personnel being session musicians.

Blondie 4(0) Ever is a double album by American rock band Blondie. It was released on May 12, 2014, by Noble ID in celebration of the band's 40th anniversary. The two-disc package consists of Greatest Hits Deluxe Redux, a collection of re-recordings of Blondie's past singles, and the band's tenth studio album, Ghosts of Download. The latter spawned three singles: "A Rose by Any Name", "Sugar on the Side", and "I Want to Drag You Around". Blondie 4(0) Ever entered the US Billboard 200 at number 109. The album debuted at number 16 on the UK Albums Chart. On occasion of Blondie's co-headlining Australia and New Zealand tour with Cyndi Lauper in April 2017, the album reached number six on the New Zealand Heatseeker Albums chart.