10 is the fifth studio album by the Scottish pop-rock quartet Wet Wet Wet. Released on 31 March 1997, the album marked a decade since the release of the band's debut album, Popped in Souled Out. Notably, 10 was the last studio album to be released by the band before their initial split in 1997. The album spawned three singles: "If I Never See You Again", "Strange", and the double A-side "Yesterday/Maybe I'm in Love", of which "Yesterday" only appeared on the 10 Again and 1998 re-issues of the album. The album reached #2 on the UK Albums Chart.

Produced over a period of two years by Stu Cook (Creedence Clearwater Revival), The Evil One was released in 1981 and is a masterful collection of songs about zombies, demons, vampires and, yes, even the ‘Creature With The Atom Brain’. These tracks, inspired by schlock sci-fi and horror movies and colored by Roky’s distinctive, high-pitched vocal and squealing guitar, are among the maverick performer’s best.

It all starts with the voice. At turns heavy and hulkingly powerful, yet agile and pointedly precise, Nusrat Fateh Ali Khan’s vocal not only embodies the tradition of the Sufi qawwali but it is the emotive essence of singing itself.

The soundtrack feature the score by Trent Reznor and Atticus Ross, the music of Jon Batiste and features a duet performance of the 1960's Soul classic "It's All Right" (originally by The Impressions) by Celeste and Batiste. Disney and Pixar’s feature film “Soul” introduces Joe Gardner, a middle-school band teacher with a serious passion for jazz music. The story is particularly relatable to the artists behind it. For Jamie Foxx, who lends his voice to Joe, it begins with jazz. “Like Joe, I hear music in everything,” said Foxx. “When you’re a jazz artist, man, you talk a little different: ‘Hey, cat!’ I got a chance to go to a few jazz fests and meet Herbie Hancock, Chick Correa—hang out with those guys. They have a way of talking, a way of dressing—everything funnels toward their music, toward the jazz."

Quartet Records and GDM are proud to present a mammoth 3-CD set with the complete, remastered edition of scores by the great Bruno Nicolai from three of the most renowned and lovely mid-sixties Eurospy movies.

This retrospective of Abdullah Ibrahim's life in music is not only a great introdcution to the music of a giant of jazz but a fantastic album in itself. Drawing on recordings from 1979 to 1997, it covers a period of exile in Ibrahim's life - residing in America to escape the apartheid regime in his native South Africa - and his eventual return home.

Taken from his summer 2023 sold-out headline date at London's Barbican Centre, the new album "3" follows suit and is spread across two performances - the first is recorded without an audience recorded ahead of the concert straight to analogue on a 1" Scully tape machine, which had previously been used by Elvis at the famous Memphis-based Sun Studios. The second recording is taken from the evening's performance itself with Ibrahim performing in a unique trio which includes Cleave Guyton (flute, piccolo, saxophone) who has performed alongside the likes of Aretha Franklin, Dizzy Gillespie, and Joe Henderson, as well as lauded bassist and cellist Noah Jackson, both of which are members of Ekaya and featured on Ibrahim's top 3 Billboard Jazz album "The Balance".

Movie Music with the Mancini Sound, a prime package of film themes complimented by the musical touch of Henry Mamcini.

Mancini’s first long play in its entirety, the 1957 "Driftwood and Dreams" (Liberty LRP-3049), later reissued as The Versatile Henry Mancini (Liberty LST-7121). It features Mancini’s outstanding music, plus the wonderful guitar of Laurindo Almeida and vocals by the soprano Loulie “Lulu” Jean Norman, who would later achieve fame with her singing on the theme for Star Trek.