"La Cosmologie de la Poire" takes us into its fantastic, enchanting and magical universe. In few second you find yourself in the forest of Brocéliande surrounded by fairies and goblins. Their universe is inspired by old, traditional and improvised music. Their sound is simply unique. The debut album of this fantastic quartet is an indefinable masterpiece of fantasy and musical prowess. Starting from ancient and popular music and using techniques of improvisation mixed with traditional composition Nicolas Cambon, Anna Fusek, Karsten Hochapfel and Gabi Levasseur offer to the listener something really unique and unmissable in the musical world.

Gifts–recorded with the Weavers quartet–serves as a deeply personal musical memoir.

We know that key influences on Flamenco date back to Islamic Iberia or the Al- Andalusian era of Spain between the 8th-15th centuries. Yet the first mention of Flamenco by name is not until 1774, where it appears in an epistolary novel, Cartas Marruecas, by the playwright and soldier, Jose de Cadalso y Vazquez.

With several top 40 hits to his name and a remarkably diverse oeuvre spanning several different styles, Livingston Taylor is widely regarded for his creation of beautiful, introspective, and original songs and sparkling interpretations of the classic songbook. Pair his compositional talents and natural performance ability with the might, musicality, and precision of the BBC Concert Orchestra, and a spellbinding program of melodies old and new come to life.

Before the advent of recordings, playing duets was a popular social activity. This disc contains what an afternoon of music making between two string players in the 1790s might have included.

Saxophonist Adam Estes and pianist Adrienne Park share transcriptions of master works by Beethoven, Chaminade, Burhans, and Saint-Saëns on their LYRICAL BARITONE, VOL. 1. Borrowed from the flute, bassoon, and cello repertoires, this album celebrates this captivating music reimagined for baritone saxophone and piano duo. While the lowest note of the cello and the baritone saxophone is the same, the common playing range isn’t: the cello’s stretches an entire octave further, rendering literal transcriptions fiendishly difficult to play. This considerable challenge seems to pose no difficulty to Estes and Park at all: with great lightness and delicacy, they navigate calmly and confidently through even the most treacherous musical waters. A virtuosic feat and feast.

We know that key influences on Flamenco date back to Islamic Iberia or the Al- Andalusian era of Spain between the 8th-15th centuries. Yet the first mention of Flamenco by name is not until 1774, where it appears in an epistolary novel, Cartas Marruecas, by the playwright and soldier, Jose de Cadalso y Vazquez.

Before the advent of recordings, playing duets was a popular social activity. This disc contains what an afternoon of music making between two string players in the 1790s might have included.

Gifts–recorded with the Weavers quartet–serves as a deeply personal musical memoir.

With several top 40 hits to his name and a remarkably diverse oeuvre spanning several different styles, Livingston Taylor is widely regarded for his creation of beautiful, introspective, and original songs and sparkling interpretations of the classic songbook. Pair his compositional talents and natural performance ability with the might, musicality, and precision of the BBC Concert Orchestra, and a spellbinding program of melodies old and new come to life.

Saxophonist Adam Estes and pianist Adrienne Park share transcriptions of master works by Beethoven, Chaminade, Burhans, and Saint-Saëns on their LYRICAL BARITONE, VOL. 1. Borrowed from the flute, bassoon, and cello repertoires, this album celebrates this captivating music reimagined for baritone saxophone and piano duo. While the lowest note of the cello and the baritone saxophone is the same, the common playing range isn’t: the cello’s stretches an entire octave further, rendering literal transcriptions fiendishly difficult to play. This considerable challenge seems to pose no difficulty to Estes and Park at all: with great lightness and delicacy, they navigate calmly and confidently through even the most treacherous musical waters. A virtuosic feat and feast.

For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968.

For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968.

A collection of 66 tracks and approximately 4 hours and 6 minutes of masterpieces by the famous pianist Richter. Schumann: Piano Sonata No. 2-3rd Movement, "Butterfly" from "The Clown at the Vienna Carnival", Handel: Keyboard Suite No. 2, Mozart: Violin Sonata No. 31-2nd Movement (Oleg Kagan), Mozart/Grieg: Piano Sonata No. 16 (2 Pianos) (Leonskaya), Beethoven: Violin Sonata "Spring"-2nd and 3rd Movements, and more.

Total of 42 tracks, approximately 3 hours and 42 minutes. Sarah Chang is known as one of the most fascinating and talented performers of her generation, with astonishing musical insight, technical virtuosity, and emotional range. She recorded exclusively for EMI Classics from the beginning of her career, from 1992 to 2009. This is a collection of her best performances. Vivaldi: Winter, Autumn, Spring, Summer, Violin Concerto in G minor, Op. 12 No. 1, Sarasate: Carmen Fantasy, Massenet: Meditation from Thais, Dvorak: Piano Quintet, Franck: Violin Sonata, Ravel: Violin Sonata No. 2 - 2nd & 3rd Movements, Bruch: Violin Concerto No. 1 - 3rd Movements, etc.