Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp of progressive rock and heavy metal, as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, creating a huge, mock-operatic sound with layered guitars and overdubbed vocals. Queen's music was a bizarre yet highly accessible fusion of the macho and the fey. For years, their albums boasted the motto "no synthesizers were used on this record," signaling their allegiance with the legions of post-Led Zeppelin hard rock bands. In The Many Faces of Queen we will delve into the inner world of the legendary British foursome including their early recordings, collaborations and their fantastic repertoire. With remastered sound and fantastic artwork, The Many Faces Of Queen is an essential addition to your rock music collection. Also, remember that the album is not available on any streaming platform.

This two-disc, 32-track compilation brings together highlights from Mayall's output for ABC Records in the 1970s, pulling from the albums New Year, New Band, New Company; Notice to Appear; Lots of People; A Banquet of Blues; A Hard Core Package; and Last of the British Blues. These cherry-picked tracks do a nice job of highlighting Mayall's estimable writing skills as well. Highlights include "Seven Days Too Long," "Old Time Blues," "You Can't Put Me Down," "Sitting on the Outside," "My Train Time," and the title track. As a special bonus, there's the second-disc inclusion of four live tracks from a 1982 Bluesbreaker reunion gig, featuring John McVie back at his original post on bass and Mick Taylor on lead guitar providing the fireworks.

Philly Joe Jones (1923-1985) carried his birthplace as part of his name throughout most of his jazz career in order to avoid confusion with the former Basie drummer star, Jo Jones, who was his first influence.

In March of 1908, 27-year-old Johanna Senfter went “on a pilgrimage” to visit Max Reger in Leipzig. Having studied piano and violin at the Hoch Conservatory in Frankfurt am Main, she now wanted to learn composition. Reger, only six years her elder, had been in charge of a masterclass for musical composition at Leipzig Royal Conservatory for only a year.

After Haydn, Beethoven and Schubert, Jordi Savall continues his journey into the 19th century with the Italian Symphony of Felix Mendelssohn, a composer he records for the first time. He delivers 2 versions of the work: the one which was performed at the wolrdwide premiere in 1833 and the revised one from 1834. The most conspicuous changes are to be found in the last tree movements. The comparison of the two scores and the performance on period instruments take us as close to Mendelssohn's work and original intention as we will ever get. Thanks to Jordi Savall's insightful conducting, there is still something to discover in Mendelssohn's most famous symphony.

Frédéric Chopin is a composer who constantly fascinates. Despite the passing of time and a changing world, his music is still relevant. Janusz Wawrowski and Mischa Kozlowski reach for the works of Grieg, Paderewski, Noskowski and Sarasate to go back in time and show how Chopin, beloved by all of us, inspired in the 19th and 20th centuries.

Idris Ackamoor & The Pyramids are back with their first major new studio album in over 3 years, an epic, sprawling new work exploring the future, the past and the urgent reality of the present, ‘Afro Futuristic Dreams’.