Winterreise, the Winter Journey, brings both the performer and the listener to the fundamental questions of humanity and existence. The human and social levels of the work remain pertinent and current. A prize winner of several competitions including the International Mozart Competition in Salzburg, Finnish baritone Arttu Kataja graduated from Sibelius Academy in Helsinki and became a member of the Berlin State Opera in 2006 performing such parts as Conte, Figaro, Guglielmo, Papageno, Marcello, Belcore, Musiklehrer and Besenbinder, to name but a few. Guest engagements have led him to Theater an der Wien, Théâtre du Capitole Toulouse, Teatro Municipal in Santiago de Chile, Staatsoper Hamburg, Deutsche Oper am Rhein, Finnish National Opera and Savonlinna Opera Festival aswell as to Tokyo, Shanghai and Seoul. He is a versatile recitalist and concert singer with repertoire ranging from baroque to contemporary music.

On her new album Freewheelin’ Woman, Jewel presents her boldest and most unbridled body of work to date, revealing entirely new dimensions of her breathtaking voice. In giving life to such a powerful selection of songs, the four-time Grammy Award-nominated artist immersed herself in a process she refers to as a spiritual rewilding—a reawakening of the raw creative energy that first set her on her path as an ever-evolving singer/songwriter.

Cinema celebrates Ludovico Einaudi's greatest music from the world of film and television in one collection. The composer behind the soundtracks for Nomadland and The Father, Einaudi—the “classical superstar” (The Guardian) and “the most syncable modern composer” (SynchTank)—is one the most streamed classical composers of all time. Cinema features “Experience,” “Nuvole Bianche,” “Fly,” “Una Mattina,” and more.

The typical DMB concert during the Summer of 2014 was a little experimental. The band played two sets, the first featuring a cast of rotating acoustic performances of songs both old and new. The second set was a full fledged electric rock show. This set from the band’s stop in Tampa features unique versions of favorites from Snow Outside to I’ll Back You Up. We also get to hear some bowed bass in #27 and great percussion from Carter in the song Sweet. The second set features all bangers with the soaring vocals of So Right and the jazz explorations of Seek Up among the highlights. The evening ends with a great version of Good Good Time followed by You and Me.

External Combustion – the second album and first as band leader of the Dirty Knobs – is proof that lightning can strike twice. His first record, Wreckless Abandon, was released in November 2020 to a great reception, gaining attention from Broken Record, Vulture, WTF with Marc Maron podcast, LA Times, Rolling Stone, American Songwriter, Billboard and many more. The Dirty Knobs made External Combustion in three weeks over the summer of 2021, and "The band became this spontaneous type of combustion”, Campbell recalled, recounting how the band became more intuitive the longer they played. Campbell claims he was never offered a solo deal in his four decades with Tom Petty and the Heartbreakers, despite also writing and producing for artists like Roy Orbison and Don Henley. "I wouldn't have known what to do with it," he adds quickly. "I was Tom's partner. Lyrics and singing – he could always do it much better. But I was writing and recording more music than Tom could deal with. That's when I got the Dirty Knobs, which gave me a chance to try singing. So I started woodshedding. And then when my life changed (with Petty's death in October 2017) it was, 'Time to do this now.'"