The giants of German industrial metal, Rammstein, get their due recognition as one of the most influential industrial bands on the planet with this album of vicious cover versions! New school industrial acts such as Priest, Manntra, and Julien-K meet the vanguard veterans Frontline Assembly, Laibach, Burton C. Bell (Fear Factory) and Paul Ferguson (Killing Joke), Skold and more on a true clash of the industrial titans! Includes unqiue interpretations of Rammstein favorites from throughout the band’s career such as “Du Hast,” “Sonne,” “Deutschland,” “Engel” and more!

Original Single Kollektion is the first compilation by Rammstein. The collection was released on 22 June 1998.
The collection came in just one format: a red book-like box containing all then released, six singles (Du riechst so gut, Seemann, Engel, Engel (Fan-Edition), Du hast and Das Modell) in their respective standard jewelcase edition. The box is stylized after the DDR Parteibuch (the book of the GDR national party).
Germany's biggest rock export, Neue Deutsche Härte band Rammstein burst onto the international radar in the late '90s with their breakthrough sophomore set, 1997's Sehnsucht, and its accompanying hit single "Du Hast." With their aggressive blend of heavy metal riffs, dramatic orchestration, and synth-forward electronic production, the band quickly evolved from a sonic novelty into a reliably hard-hitting machine that never shied away from controversy…

Primarily recorded during Rammstein's 2005 world tour, Völkerball presents the outlandish German industrial-metal band charging through a scorching live set. In addition to successful European singles such as the pummeling "Mein Teil" and the surprisingly melodic, U.S.-skewering "Amerika," the group also performs its sole American hit, "Du Hast," making for a concert document that is sure to please Rammstein's devoted international following.

Recorded over two nights at the Wuhleide Venue, Live Aus Berlin demonstrates that Rammstein actually benefits from being heard in a live setting - it recovers the immediacy and raw metallic bite that were somewhat toned down in the studio. Thus, the group sounds even more vicious, and the guttural German chanting that's one of the cornerstones of their sound takes on a more threatening aura. Even if fans are already familiar with this material, Live Aus Berlin still prove a necessary purchase.

With a title that sums up their admirable refusal to pander to English-speaking audiences, Made in Germany: 1995-2011 celebrates the 16-year career of Neue Deutsche Härte outfit Rammstein, one of the few European rock bands to make any impression in both the U.K. and U.S. Spanning their six studio albums, from the synth-heavy theatrics of "Du Riechst So Gut" (from 1995 debut Herzeleid) to the glam-tinged vaudeville of "Haifisch" (from 2009's Liebe ist für alle da), alongside a brand new recording ("Mein Land"), the 16-track collection certainly justifies their rather provocative reputation. "Links 2-3-4" is an aggressive statement of defiance against the allegations of fascism and Nazism that had followed them around ever since they burst onto the scene, the brooding symphonics of "Mutter" soundtracks a dark tale of a neglected son murdering his mother…

In addition to Mein Land, this single includes the as yet unreleased song Vergiss Uns Nicht, as well as remixes by BossHoss and Mogwai.
Germany's biggest rock export, Neue Deutsche Härte band Rammstein burst onto the international radar in the late '90s with their breakthrough sophomore set, 1997's Sehnsucht, and its accompanying hit single "Du Hast." With their aggressive blend of heavy metal riffs, dramatic orchestration, and synth-forward electronic production, the band quickly evolved from a sonic novelty into a reliably hard-hitting machine that never shied away from controversy…

Ausländer is the third single of the 2019 album by Rammstein.
Germany's biggest rock export, Neue Deutsche Härte band Rammstein burst onto the international radar in the late '90s with their breakthrough sophomore set, 1997's Sehnsucht, and its accompanying hit single "Du Hast." With their aggressive blend of heavy metal riffs, dramatic orchestration, and synth-forward electronic production, the band quickly evolved from a sonic novelty into a reliably hard-hitting machine that never shied away from controversy. Following the chart-topping success of 2001's Mutter, Rammstein became a fixture at the top of the German charts in a decades-long career that secured a devoted international fan base, multiple platinum-certified albums, and no less than a dozen number one singles…

Taking three years to release their follow-up to Mutter is a good idea since Reise, Reise is more of the same - the same grit, the same growl, and the same dramatic, orchestra choruses. There's a bit more ingenuity in the production and a little more focus in the songs but not enough for the nonfaithful to pick up on. Unfortunately the lead single, "Mein Teil," is no "Du Hast," but the damning "Amerika" almost equals their breakthrough track. Whether or not Rammstein's label has the guts to release the band's acerbic "Coca-Cola/Sometimes War" view of the States as a single is another question, but it's the key track to the album, an album that has a couple more, minor surprises. The loose, bluesy guitar on "Los" adds some quirk to the band's stern, Teutonic palette, while the sinister "Stein Um Stein" creeps more than stomps in parts…

Rammstein's first album was about what was to be expected from a bunch of Germans who happily grew up on everything from Skinny Puppy to Depeche Mode to Laibach and back again, not to mention plenty of skull-crushing metal straight up. Precisely brutal and often brilliantly arranged - the band aren't per se inventive, but they bring everything together to make something astonishingly radio-friendly out of something that isn't necessarily - Herzeleid in particular is the logical conclusion of KMFDM's self-referential electro-metal. The band freely invokes its own name throughout the way that group did in its songs – the final tune is called "Rammstein," to top it all off - and the riffs readily connect the dots between the older band's clipped guitar bursts and their even more compressed nu-metal equivalents…

To date, Rammstein haven't been able to equal the excitement and power of their breakthrough 1997 album, Sehnsucht, and while Rosenrot suffers that fate, there's an EP's worth of brilliance and one track that towers above them all. Just as exciting as their massive hit "Du Hast," "Te Quiero Puta!" is a glorious blend of the group's usual Teutonic crunch and mariachi music that earns the exclamation point in its title. It's loco to hear Rammstein with bright horns and Latin vocalists and just about as odd to hear them with Sharleen Spiteri - lead singer for the classy pop act Texas - whose sweet and somber vocals make "Stirb Nicht Vor Mir (Don't Die Before I Do)" sound very dreamy, very Nightwish. The out of control "Zerstören" and "Benzin," with its biting social commentary on the world's addiction to oil, are the final two tracks for the hypothetical four-star EP, since the rest of Rosenrot sounds a bit too formulaic…

Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album Liebe Ist Für Alle Da ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1997 album, Sehnsucht, with the musicianship and elaborate textures of their later work, Liebe Ist Für Alle Da is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********," or the opening theme song "Rammlied" and nostalgic cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. The best of the latter is the naked and haunting closer "Roter Sand," but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch," or the soundtrack strings of "Wiener Blut," which are eventually overcome by a guitar-crunching juggernaut…

Rammstein's second album, Sehnsucht, finds the German metal band making a great leap forward. While the group still sounds a little unfocused in places, their blend of industrial noise, grinding metal guitars, and operatic vocals is staggeringly powerful. No other European metal band sounds like Rammstein, nor does any American metal group - this is powerful, gothic metal that is unlike anything else in late-'90s metal. Sehnsucht may be an acquired taste, but it's one worth acquiring.

With the first Rammstein album you hear, it's hard not to be slightly amazed by the sheer chutzpah of it all. The German lyrics, the prog rock tendencies, the classic metal guitars, and the ridiculous basso profundo vocals - you either fall for it, spurn it, or are utterly bemused by the extremeness of it all. Unless you're a fanatic, it wears a little thin the second time around. And for most listeners, Mutter, the group's third album and sequel to their inexplicable commercial breakthrough Sehnsucht, will be the second time around since it's their first release since becoming a high profile act. Thing is, if you've heard that record, you've pretty much heard Mutter, since all the trademarks are in place, without much noticeable variation…