Grand Marnier promotional release. Issued in fold open cardboard slip-case. Contains list of Grand Marnier cocktail mix ingredients and entree form to win an Exclusive weekend of Jazz in NYC.
The most famous musician in contemporary jazz, Wynton Marsalis had a major impact almost from the start. In the early '80s, it was major news that a young and talented Black musician would choose to make a living playing acoustic jazz rather than fusion, funk, or R&B. Marsalis' arrival on the scene started the "Young Lions" movement and resulted in major labels suddenly signing and promoting young players. There had been a major shortage of young trumpeters since 1970, but Marsalis' sudden prominence inspired an entirely new crop of brass players…

The album "A Cat Called Domino: Rare Cuts from Roy" by Roy Orbison, released by Sun Label Group, features a collection of his early recordings from the 1950s.

For fans waiting for a follow-up to the massive success of 90125, 9012Live: The Solos proved to be a disappointment. This brief album consists of solo turns by each bandmember, along with two 90125 tracks scarcely changed from the studio versions. "Solly's Beard" provides a pleasant, if somewhat incoherent showcase for Trevor Rabin's guitar work, and Jon Anderson takes an uneventful walk down memory lane with "Soon." The highlight of the album is the duet "Whitefish," and with Chris Squire and Alan White galloping through a spirited medley of "The Fish," "Sound Chaser," and "Tempus Fugit." While it's an okay tour souvenir, 9012Live: The Solos can hardly claim to be a proper album.

40 Best of 60s 70s 80s 90s Remixes is an electrifying compilation album that brings a modern twist to classic hits from four unforgettable decades. Featuring remixes of iconic songs by legendary artists, this album takes you on a nostalgic journey through the 60s, 70s, 80s, and 90s, with each track reimagined for today's music lovers. Whether you're a fan of pop, rock, disco, or dance, this collection offers something for everyone, making it the perfect soundtrack for any party or personal playlist. Rediscover your favorite tunes with a fresh new sound!

Live recording in San Francisco at the Great American Music Hall, December 15th 1976.

Die Erfolgs-Ausgabe Fetenhits – Neue Deutsche Welle kehrt als Best Of Album zurück! Das 3CD-Set erscheint mit allen Klassikern der NDW. Viele hochkarätige Superstars wie z.B. Nena, Peter Schilling, Trio, Rio Reiser, Hubert Kah oder Joachim Witt sind auf dieser “Best Of“-Ausgabe vertreten. Legendäre Songs wie „99 Luftballons“, „Major Tom (Völlig losgelöst)“, „Goldener Reiter“, „Bruttosozialprodukt“, „Skandal im Sperrbezirk“, „Der König von Deutschland“, „Ich bau' Dir ein Schloß“ oder „Da Da Da ich lieb dich nicht du liebst mich nicht Aha Aha Aha“ sind auf 3CDs vereint, weshalb diese Compilation auf keiner 80er Party fehlen darf! Fetenhits Neue Deutsche Welle – Best Of - Für jeden NDW-Fan ein Muss!

2017 three CD set. One of RPM Records defining releases remains the Dream Babes series, the Brit Girl Sound collections which started in 1994 and ran until 2007 reaching volume 8. The scene for collecting such sounds has only grown bigger and more international since then. Now it is time for RPM's concluding word on the subject of it's own series with this set. 80 tracks, none duplicated from the DB series, many tracks fresh to CD, five tracks previously unreleased. Compiled with much learned, many archive tapes unearthed, and recordings dug from crates since the series last volume. Spanning the full spectrum of the scene, known for it's gratifying diversity, the box set offers slick originals and intriguing covers, from early girls to late girls, beat girls, folk girls, hippy girls and mod girls. Here, you'll also find the brash teeners, the raw belters, the wistful balladeers, the brassy pub singers, the breathy harmonizers and the bluesy shouters. There are Essex girls, lasses from Lancashire, Glasgwegians and hey there Geordie girls, Chelsea debs and daughters of Cardiff and Coventry, Stoke and Southend. The Commonwealth gets a nod too, with Kiwi gals and Caribbean queens. Not forgetting Schoolgirls and secretaries, convent girls and actresses, daughters of diplomats, god-daughters of royalty and stars before they were stars.

2016 collection. Located in London's West End, Pye Records boasted a super stable of female talent. Released hot on the heels of our recent Love Hit Me! Decca Beat Girls collection, Scratch My Back! Pye Beat Girls comprises two-dozen peachy selections from Pye and sister label Piccadilly's 1960s output. The compilation is titled after the opening track by Jan Panter, a Mark Wirtz-produced must-have for those who prefer their girl-pop records beefed up with a dose of fuzz guitar. Tony Hatch, the most successful of Pye's in-house producers, is represented by cherry-picked titles by the Breakaways, Petula Clark, cult favorite Sandra Barry, the Baker Twins and Julie Grant. 'Heart' has to be the rocking-est track Petula ever recorded, so much so that it was covered in the USA by garage band the Remains.

2014 release from the Blues/Jazz/Rock guitarist. A Day In Nashville was recorded live in a single session. Robben chose to record the album in a controlled environment but treat it like a live performance. The album features news songs by Ford along with 'Cut You Loose' by harmonica great James Cotton and 'Poor Kelly Blues' by Maceo Merriweather.

Isolate: The Numa Years is a compilation album by Gary Numan. It contains tracks issued on his own Numa Records label during the years 1984-1986.
One of the founding fathers of synth pop, Gary Numan has influenced countless artists with his constantly evolving form of dystopian electronic rock music since the late 1970s. Establishing a lonely, android-like persona, he rose to fame leading Tubeway Army, a pioneering new wave band whose second album, 1979's Replicas, became the first of Numan's three consecutive gold-selling, chart-topping full-lengths in the U.K. The same year's The Pleasure Principle, his first solo effort, included the perennial favorite "Cars," which remains his biggest worldwide hit…

Born in Great Barrington, Massachusetts on April 14 1924, Milton "Shorty" Rogers was an American jazz musician, and one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. Shorty Rogers only produced a couple more albums during the later 1960s, working largely as a sideman during this time. In the seventies he was equally quiet, and while there were a couple of stray releases in the 1980s, the records featured on this four CD set pretty much present the finest music this maverick musician and composer ever made. A superb starting point for those new to the great man’s records, and a delightful reminder for those already familiar, a collection of this magnitude is wholly overdue and this set will surely become the go-to source for fans everywhere.

Richard Arnold ‘Groove’ Holmes, born May 2 1931 in Camden, New Jersey, was a jazz organist who performed in the hard bop and soul jazz genres. Best known for his 1965 recording of "Misty", Holmes's first album, on Pacific Jazz with guest Ben Webster, was recorded in March 1961. He recorded albums for Pacific Jazz, Prestige, World Pacific Groove Merchant, and Muse. While Groove Holmes never attained the same kind of superstar status as fellow Hammond legend Jimmy Smith, Holmes was equally skilled in the keyboard pyrotechnics department. This collection brings together eight original LPs by this jazz maverick, all fully remastered and presented here on this new 4CD set. A pure delight for jazz fans of all stripes, this selection is both a perfect starting point for beginners, and a boon for all fans searching for this great man’s often hard to locate earliest recordings.

In 17th and 18th century New England, transplanted Englishmen like Daniel Read, Abraham Wood, and especially William Billings were composing beautiful but rough-hewn and distinctly American vocal music for use in what were called "singing schools." Far to the west and south, in what was then called New Spain and would later be called Mexico, natives and transplanted Spaniards were composing liturgical music of a richness and complexity that was worthy of the greatest cathedrals of Europe – and teaching their native converts to do the same. This disc showcases the works of two of 18th century Mexico's finest composers: the Mexican-born Manuel de Zumaya and the transplanted European Ignacio de Jerusalem. The latter is represented by a polychoral Mass in D Minor, a responsory, and a gorgeous Dixit Dominus setting written in six sections; from the former listeners have a setting of Jeremiah's lamentations, a breathtakingly complex solfeggio composition titled Sol-fa de Pedro, and the polychoral Celebren, Publiquen.

A total of 63 tracks, over 11 hours of recording. Recordings with such renowned conductors as Brahms: No. 3 (Rattle), Schumann: No. 4 (Harnoncourt), Saint-Saëns: No. 3 (Mehta), Dvorak: From the New World (Kempe), Brahms: No. 2 (Keilbert), Schumann: No. 3 (Tenstedt), Mendelssohn: No. 2 (Sawallisch), Bruckner: No. 7 (Barenboim), etc. Recorded between 1951 and 2008.

As one of the foremost instrumental surf rock bands of their day, the Ventures produced what seemed like endless collections of standard tunes in their unique beachy style. Originally released in 1963, The Ventures Play Telstar, The Lonely Bull is one of the band's more recognizable titles. Covering a vast array of early-'60s hit paraders, the album is kicked off by a rival surf band's huge hit. "Telstar" was a hit earlier that same year in a much wobblier Joe Meek-produced version by interstellar outliers the Tornados. Taking on a few Latin-tinged easy listening numbers made famous by Herb Alpert as well as Booker T. & the MG's' soul groover "Green Onions," the record hits these numbers with a varied degree of inspiration. Despite a somewhat wooden performance on many of the tracks, the hard-panned stereo production makes for a very big sound…