Coming after the successful debut of their first album ‘Invisible Din’, the 2016 release which earned over 14 top reviews by the music industry; this incarnation features Peter Coyle, formerly of The Lotus Eaters, joining forces with renowned composer/producer Tony Lowe to write these deeply evocative and stunningly original songs, merging passionate vocals and intricate soundscapes. Sometimes using complex rhythmic structures - supplied by ace session drummer Mark Brzezicki, overlaid with modern progressive rock elements and orchestral movements, the music creates an intense, dramatic but ultimately uplifting experience.

Four new outstanding symphonic prog tracks from Tony Lowe’s ESP Project.
Tony Lowe's ESP Project is back with four great new tracks. Titled 'three', the new EP contains 30 min of progressive rock and is out on 19th January. ‘three’ has all the hallmarks of the first two ESP releases, with Tony's symphonic compositions and arrangements weaving in and out of evocative and passionate vocal sections, delivered with both sensitivity and power in all the right places by Damien Child, an accomplished actor and singer with many years experience in TV, Radio and West End Theatre…

WD is one of those rare groups that started with a double album for a debut (Chicago Transit Authority being the other example I can think of), and the least we can say is that for a double album, it is a monster debut album. Just like Chicago, WD is a brass rock band, with the particularity of not having any brass instruments (no trombone, trumpet or tuba), so they might sit better with the compatriots If, if musically WD was not way proggier than both other groups…

Blues in Orbit lacks the intellectual cache of the suites and concept pieces that loomed large in Ellington's recordings of this period, but it's an album worth tracking down, if only to hear the band run through a lighter side of its sound - indeed, it captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter. Ellington and company were just back from a European tour when the bulk of this album was recorded at one after-midnight session in New York on December 2, 1959 - the arrangements had to be hastily written out when the copyist failed to appear for the gig…

The Byrds' second album, Turn! Turn! Turn!, was only a disappointment in comparison with Mr. Tambourine Man. They couldn't maintain such a level of consistent magnificence, and the follow-up was not quite as powerful or impressive…