Martha Argerich is an Argentine classical concert pianist. She is widely considered to be one of the greatest pianists of all time. Born and raised in Buenos Aires, Argerich gave her debut concert at the age of eight before receiving further piano training in Europe. At an early age, she won several competitions, including the VII International Chopin Piano Competition and the Ferruccio Busoni Competition and has since recorded numerous albums and performed with leading orchestras worldwide.

Elisabeth Leonskaja is a Soviet and Austrian pianist. She was trained in the Russian school of piano. She made an international career after she won the Enesco International Piano Competition in Bucharest in 1964, and has lived in Vienna since 1978.

Hate For Sale, produced by the revered Stephen Street (The Smiths, Blur), is the latest studio album by The Pretenders via BMG. The album features 10 new songs written collaboratively by Chrissie Hynde and the electrifyingly dynamic guitarist James Walbourne, in what is the first Hynde/Walbourne song writing collaboration to date.

The Essentials II is the second compilation featuring YouTube phenomenon Scott Bradlee's Postmodern Jukebox's greatest hits. The tracks on this album have over 110 million views and counting on YouTube. Guest stars featured on the album include Haley Reinhart, Casey Abrams, Dave Koz, Robyn Adele Anderson, Puddles Pity Party, Morgan James and many more!

Barnabus were a band from the West Midlands/Warwickshire region of the UK, who were active between the years 1970-1973. During that time they built up a local reputation and recorded an album of heavy-duty material in late 1971, which has never seen the light of day until now! Apart from a handful of acetates being made up and distributed to family & friends, Beginning to Unwind has remained an unreleased album for all this time.

In many countries, state-owned radio companies took a significant role in recording and broadcasting music that did not interest commercial firms. This was also the case in Finland. Even though Finnish Broadcasting Company Yleisradio, known as Yle, was not actually a state corporation but a license-based joint-stock company, it was a public service that had a total monopoly on the Finnish radio waves.

Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls. Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…

2 x CD with remixed/remastered 2022 audio: Live at The Budokan Arena, Tokyo, Japan, MTV satellite telecast concert (6 December 1983, USA time), remixed 2022 from the master tapes; Live at The Budokan Arena, Tokyo, Japan, previous night’s show (6 December 1983, Japan Time), remixed 2022 from the master tapes.

Three CD set. First-ever complete anthology by the 'Beach Baby' harmony pop hitmakers. Featuring both First Class LPs, all singles, pseudonymous releases and numerous previously unreleased tracks including advertising jingles and songs from an aborted 1974 musical. Arguably the ultimate Beach Boys tribute, 'Beach Baby' introduced a new name, The First Class - actually veteran pop hitmaker and songwriter John Carter with the aid of Chas Mills and lead singer Tony Burrows. While other singers and musicians adopted the name to front their music in public, the Carter/Burrows/Mills combination continued to record new First Class material, including a self-titled LP that is quite possibly the finest, most ambitious British harmony pop album of the 70s.

Paul Huang and Helen Huang have been exploring the repertoire for violin and piano for now a decade.​ As a way of celebrating their fruitful and enriching collaboration, they have devised this album as an​ ingenious game of mirroring. The title of this second album for naïve is not accidental, as the two​ musicians offer highly diverse perspectives. This new recording focuses first on two sonatas composed​ by Francis Poulenc (1942-1943) and Sergei Prokofiev (1938-1946) during the second world war of the​ 20th century, respectively at the opening and closing of this album. Between these two pieces, Spiegel im​ Spiegel by Arvo Pärt (1978), a page with ethereal lines, a moment of introspection and calm that becomes a space for contemplation and reflection necessary in this otherwise dense and angular​ programme.