Elvis Is Back! is the fourth studio album by American singer Elvis Presley, released on April 8, 1960 by RCA Victor. It was Presley's first album of new material since 1958's King Creole soundtrack, as well as his first to be recorded and released in stereophonic sound. The album marked Presley's return to music after his discharge from the U.S. Army. The material on the album has some influences from the rock and roll of Presley's early work, but it also offers a mix of sophisticated pop, blues, R&B and the "Nashville sound" production values associated with Chet Atkins, who co-produced the recording sessions with Steve Sholes. With public anticipation high, RCA rushed Elvis Is Back! and the standalone single "Stuck on You" into release mere days after Presley finished recording. The LP topped the UK Albums Chart and reached number two in Billboard's Top LP's. Initially, the release received mixed reviews, but over subsequent years its critical reception became progressively more positive, with critics generally praising its stylistic variety, production quality and mature sound. Elvis is Back! was certified Gold on July 15, 1999.

Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart, nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide. The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards. Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever. Brothers in Arms would become Dire Straits' final album until they reunited and recorded 1991's On Every Street.

In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards.

With 1970's Workingman's Dead, the Grateful Dead went through an overnight metamorphosis, turning abruptly from tripped-out free-form rock toward sublime acoustic folk and Americana. Taking notes on vocal harmonies from friends Crosby, Stills, Nash & Young, the Dead used the softer statements of their fourth studio album as a subtle but moving reflection on the turmoil, heaviness, and hope America's youth was facing as the idealistic '60s ended. American Beauty was recorded just a few months after its predecessor, both expanding and improving on the bluegrass, folk, and psychedelic country explorations of Workingman's Dead with some of the band's most brilliant compositions. The songs here have a noticeably more relaxed and joyous feel.

Pianist Vanessa Benelli Mosell and cellist Henri Demarquette find common ground between Philip Glass and Rachmaninov in this release that revels in both composers passion for sonic storytelling. Presenting a program of personal, dramatic and spiritual music, Mosell and Demarquette perform these selections with intimate ardor.

Blood, Sweat & Tears is the second album by the American band Blood, Sweat & Tears, released on December 11, 1968. It was the most commercially successful album for the group, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles. It received a Grammy Award for Album of the Year in 1970. The album has been certified quadruple platinum, with sales of more than four million units in the U.S. In Canada, the album enjoyed a total of eight weeks at number 1 on the RPM national album chart.

Live and Let Live is 10cc's first live album, released in the Autumn of 1977. It was recorded at the Hammersmith Odeon in London between 18 and 20 June 1977 and the Manchester Apollo, Manchester between 16 and 17 July 1977. The album features the then-new line-up of 10cc after the departure of Kevin Godley and Lol Creme in 1976. The trio of Eric Stewart, Graham Gouldman and Paul Burgess who recorded the most recent 10cc album, Deceptive Bends, that was issued earlier that year, were joined by Rick Fenn, Stuart Tosh and Tony O'Malley. Tony O'Malley was also assigned with lead vocals on "Art for Art's Sake". As the tour promoted Deceptive Bends, the live album features all but one track from it – "I Bought a Flat Guitar Tutor". The rest of the set list relied mostly on Stewart/Gouldman compositions.

Starting his musical journey at age 10 in Bombay, India, Anupam Shobhakar played guitar for rock and metal bands. But as his curiosity deepened, his focus shifted to the sarod, a 25-string fretless instrument from North India. Studying under Ustad Aashish Khan of the Maihar Gharana and other master musicians in the complex Indian classical tradition and performing in concerts around the world eventually led Anupam to NYC, which is now his home. The move reignited his interest in Western culture and fueled new explorations into jazz and classical music.

Woody's classic, mid-'40s recordings, sounding like you've never heard them before! These 54 tracks, including such classics as This Land Is Your Land; Pretty Boy Floyd; Hard Travelin'; Jesus Christ; Grand Coulee Dam , and Going down the Road (I Ain't Gonna Be Treated This Way) , have been taken from newly discovered, original metal masters for the clearest sounding Guthrie recordings from any period, let alone the '40s. And those tracks also include six unreleased tunes, which will no doubt set folk historians and musicians the world over a-scurrying. It all comes packaged inside a replica of a vintage suitcase from the 1930s, with a 68-page, full-color book featuring extensive liner notes, rare photos, Woody's own lyric sheets and even facsimiles of his business card, a postcard to his wife and a booking card from the '40s. This set was made for you and me!

This set features the great Sarah Vaughan in a typically spontaneous Norman Granz production for Pablo with pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Louie Bellson. Sassy sounds wonderful stretching out on such songs as "Midnight Sun," "More Than You Know," "Teach Me Tonight," and "Body and Soul," among others. All ten of the melodies are veteran standards that she knew backwards but still greeted with enthusiasm. A very good example of late-period Sarah Vaughan.

Powerhouse German band Eisbrecher returns with the new album 'Kaltfront'!
Eisbrecher has been using its uniquely formidable brand of Neue Deutsche Harte to twist its fingers in wounds that we as a society have inflicted on ourselves. The band remains true to it's unique mixture of thunderous, industrial tinged rock, satirical cynicism & emotional depth on this work to deliver potent messages.

The members of all-star family jazz band The 3 Cohens — featuring Anat Cohen (clarinet), Avishai Cohen (trumpet) and Yuval Cohen (soprano saxophone) — have always taken time out from their ever-burgeoning careers as soloists and bandleaders to reconvene for music-making together. The siblings developed a deep musical bond growing up in Tel Aviv, with improvising together becoming second nature for them.

STUNNING 1984 LIVE BROADCAST FROM NYC  Formed in Birmingham in 1978, Duran Duran was a leading band in the MTV-driven Second British Invasion of the US in the 1980s. The group was formed by keyboardist Nick Rhodes and bassist John Taylor, with the later addition of drummer Roger Taylor, and after numerous personnel changes, guitarist Andy Taylor (none of the Taylors are related) and lead singer Simon Le Bon. These five members featured in the group’s most commercially successful line-up.  When Duran Duran emerged they were generally considered part of the English New Romantic scene, along with bands such as Spandau Ballet and Visage.

Manic Street Preachers have released details of their fifteenth studio album and UK tour to accompany it. ‘Critical Thinking’ is released on Columbia on 14th February 2025, and a new single featuring for the first time, lead vocals from bassist/lyricist Nicky Wire ‘Hiding In Plain Sight’ is available now (25th October). Initially inspired by a line from the poet Anne Sexton ("I am a collection of dismantled almosts"), ‘Hiding in Plain Sight’ contrasts a fearful midlife nostalgia - one in which the writer longs to “keep the curtains drawn all day” - with a gloriously uplifting melody that draws on classic ’70s rock’n’roll of The Only Ones, Cockney Rebel and the loose flow of Dinosaur Jr’s ‘Freak Scene’. Recorded at the band’s Door To The River Studio and Rockfield, Monmouth, the song features a lead vocal by Nicky Wire and added vocals by Lana McDonagh. It was produced by the band with regular collaborators Dave Eringa and Loz Williams and mixed by Caesar Edmunds (St Vincent/Wet Leg).

Forest were a late 60's minstrel/medieval type of folk-prog trio in the style of The Incredible String Band, Fairport Convention and Dr. Strangely Strange. They released a couple of albums with dark but subtle acid lyrics, incorporating pipes, harmonium, harpsichord, mandolin, 12-string guitar and percussion to their sound. Their music doesn't have the electricity normally associated with rock, yet it can't be described as straight folk either, the lyrics being rather strange and the band's approach being far too eclectic - thus their inclusion here.
Their eponymous album (1969) is practically a clone of The Incredible String Band whereas "Full Circle" (1970) shows more original songwriting and more diverse arrangements, with themes still dealing with nature, mystery and darkness. Both albums are altogether esoteric, pastoral, serious and communal as befit the times.