They're his songs, so he can do whatever he wants with them. That seems to be the idea behind My Songs, a 2019 collection where Sting decides to revisit 15 of his most famous songs and tweak them for modern audiences. The inspiration behind the project was an updated version of "Brand New Day," which he reworked at the end of 2018 not only so it'd have a shiny new arrangement for a New Year's Eve gig, but so the track could slide between Ariana Grande hits on a playlist. Happy with the results, he turned his attention to Sting and Police songs you know by heart, re-recording a few chestnuts outright, but usually satisfying his muse by stripping away old studio effects, swapping out lead vocals, and adding instruments and vocal harmonies along with numerous other minute but discernable changes.

New Light Through Old Windows is a compilation album by Chris Rea, released in 1988. The album consists primarily of re-recordings of songs released on earlier Rea albums, as well as two new songs, "Working on It" (which gave him a rare U.S. chart single, peaking at #73 on the Billboard Hot 100, and giving him his only #1 single on the Mainstream Rock Tracks chart) and "Driving Home for Christmas.", also the re-recording of "On the Beach" gave him another rare US hit, it peaked #9 on the US AC chart in 1988 and #12 in the UK chart.

The Best of Blondie (released in Germany and the Netherlands as Blondie's Hits) is the first compilation album by the band Blondie. Released in October 1981, the album peaked at #4 in the UK, #30 in the US, and became their only #1 album in Australia. The album was issued in several versions with different track inclusion and running order which varied slightly between North American and international editions of The Best of Blondie, highlighting the popularity of particular songs in different countries. The US and Canadian editions included "One Way or Another", which was not issued as a single in Europe. The international version of the album included three songs that were not on the US release: "Denis", "Picture This" and "Union City Blue".

Loreena McKennitt is in her element in front of an audience, telling interesting stories about the songs and assembling a topnotch backing band. This is her first live release available to the public, and uses material from three concerts (one from Paris and two from Toronto) to put together a complete show. As with The Book of Secrets tour, the first half is The Book of Secrets in its entirety, arranged in the same order as the studio CD. This material is covered on the first CD, and it has never sounded better. The live performance seems to breathe new life into the tracks and some songs, such as "Dante's Prayer" and "Skellig," sound better than the studio recordings.

Given the disappointing sales of the previous two All-Starr Band live albums, Ringo's star wasn't bright enough to get this release out on a major label or even a conventional label. As a stopgap, it was available only in Blockbuster Music stores for a brief time – at the rock-bottom bargain price of 5.99 dollars – and further volumes were not forthcoming. A shame, actually, for this was the best of the three All-Starr albums up to that point, representing what was probably Ringo's finest all-around group of the 1990s. Recorded in Tokyo's Nippon Budokan Hall, this round robin of golden oldies sounds like a straight transfer of the concert, following the order of the first part of the show with the rest presumably saved for the unissued volume two.

In January 2017 Rufus Wainwright toured with the prestigious all string ensemble Amsterdam Sinfonietta through the Netherlands. Critics and audiences of the ten concerts were enraptured by the intimacy and intensity of the program curated by Wainwright. The concerts reflected the immense bandwidth of Wainwright’s musical influences and interests from Verdi Arias to Leonard Cohen and Joni Mitchell, from Rameau pieces to the American songbook and French chanson and from Wainwright’s beloved Berlioz to his family’s and his own songs, some of them written for this program. Emotional center piece of the album is Wainwright’s almost 9 minute version of late Canadian singer songwriter Lhasa de Sela;s harrowing “I’m going in”, a song she wrote about her own death from cancer at the age of 37.

"Between Two Worlds" from Jon and Marte Eberson is the sequel to their previous album "Empathy". It is three years since that album's release, one that attracted a lot of positive attention, both critically and from a large audience. The expectations for the new album are high.

The complete set of Vladimir Horowitz’s DG recordings in a single box, including Horowitz in Hamburg from 2008 and three bonus tracks only previously available on the compilation The Magic of Horowitz.

Digging Roots’ new album embraces themes from residential schools to reclamation, climate change to baamaadziwin (the good life). Co-produced with Hill Kourkoutis, Zhawenim (which means to love unconditionally in Anishinaabemowin) is a journey that travels oceans, lands and hearts raising resistance through pure, powerful joy. As a collection, Zhawenim expresses the revolutionary act of giving and receiving love. The album looks beyond to a future that waits to be claimed by the next generation.

On Igor Levit’s double album “Tristan” the pianist explores nocturnal themes of love and death, fear, ecstasy, loneliness & redemption in the music of Richard Wagner, Franz Liszt, Gustav Mahler & Hans Werner Henze. It includes Levit’s first concerto recording with the Gewandhausorchester Leipzig under Franz Welser-Möst with the album’s central work Henze’s “Tristan” for piano, electronic tapes and orchestra.

Consisting of Robert Fripp, Trey Gunn, Adrian Belew, and Pat Mastelotto, King Crimson embarked on a tour of Europe to promote its 2000 album The ConstruKction of Light. The limited-edition, three-disc live set Heavy ConstruKction was recorded at various points throughout that tour, and was intended to set the stage for the band's arrival in the U.S. that fall. The first two discs include a full set list encompassing both old and new Crimson compositions. The third disc culls 14 of the group's best improvisations from the tour.

Some albums are born from necessity rather than desire. When a Shadow Is Forced Into the Light is one. After Swallow the Sun issued their triple-length magnum opus Songs from the North I, II & III in 2015, tragedy struck. Guitarist/composer Juha Raivio lost his life partner, the poet and vocalist Aleah Stanbridge, to cancer at the end of 2016. She and Raivio had formed the band Trees of Eternity but she passed before their debut was completed. He finished and released the album then went into seclusion. Upon returning, he formed the band Hallatar, composing songs from lyrics in her journals. They released No Stars Upon the Bridge in 2017. But Raivio also channeled his grief into this extended reflection on loss, sadness, heartbreak, and transformation for STS; he penned its nine songs in three weeks…

This single-disc collection contains the Flamin' Groovies' 1968 Sneakers EP and seven tracks from the band's 1972 Rockfield Sessions collaboration with Dave Edmunds (steel guitar/piano/vocals). The combo of Cyril Jordan (guitar/vocals), Roy Loney (guitar/vocals), Tim Lynch (guitar), George Alexander (bass), and Danny Mihm (drums) was initially prominent in the Bay Area during the mid- to late '60s as Lost & Found, before adopting the Groovies moniker in late 1966. After garnering a small regional following at live gigs, they documented their unique blend of psychedelia and folk on Sneakers, which consisted primarily of Loney's substantial originals. The Groovies reflected the burgeoning scene happening in and around San Francisco, with a vibe similar to the Charlatans or the early Jefferson Airplane…

Second album from American trio Dawn Chorus and the Infallible Sea, consisting of zakè, Marc Ertel and Damien Duque. Together they're creating soft-textured and slowly unfolding sonic landscapes, somewhere between guitar-oriented drone music and modern classical. Liberamente is the kind of album that demands attention and patience from the listener, yet it's ultimately a very rewarding one.

On Land represented a significant move away from the strategies Brian Eno had employed in earlier ambient releases such as Discreet Music and Music for Airports. Instead of using a specific process to generate music with minimal interference from the composer, he here opts for a more gestural and intuitive approach, creating dreamy pictures of some specific geographical points or evocative memories of them. It's quite easy to imagine these works as soundtracks to mysterious footage of imprecisely glimpsed landscapes. On Land is an album that would become highly influential with the rising tide of new age composers, though few if any would capture the chilly beauty or latent romanticism that is part and parcel of Eno…