Vaya Con Dios was a Belgian music act, that stood out for its mixing of blues, jazz, and Gypsy styles, as well as the distinctive voice of its lead singer Dani Klein. It was one of the most successful Belgian music acts ever, having sold more than 7 million albums and more than 3 million singles. It was founded in 1986, but after 1991 Vaya Con Dios was for the most part a one woman band, centered on singer, lyricist, band leader and (co-)producer Dani Klein, reinforced by an ever-changing selection of musicians. In 2014, Dani Klein performed her last international tour under the Vaya Con Dios formula. Vaya Con Dios officially disbanded with their last concert on 25 October 2014, in Forest National.

The joint history of former string quartet violinist Virpi Räisänen and the Danel Quartet began nearly thirty years ago when the young chamber musicians met at the master class of the legendary Borodin Quartet at the Britten-Pears School in England.

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.

One of the 70’s “unsung heroes”, Liverpool Express were formed by ex- members of Sixties hitmakers The Merseybeats and The Merseys. This is the first time their three studio albums have been issued on CD. Included are the hit singles ‘You Are My Love’ (No.11), ‘Hold Tight’ (No.46), ‘Every Man Must Have A Dream’ (No.17) and ‘Dreamin’’ (No. 40). ‘You Are My Love’ also hit No.39 in Germany. Housed in a clam shell box, each album comes in a cardboard wallet depicting the original LP artwork. The detailed 20 page booklet includes liner notes from “History Of Rock” editor Michael Heatley alongside pictures of all the relevant singles including many rare European issues.

Cereal Music is William Parker’s first spoken word album – poetry and observations from a profound life devoted to the path of finding truth in beauty and speaking truth to power. Parker’s words are further illuminated by deeply sensitive sound design created by an equally long-time compatriot on the same path, producer and singer Ellen Christi.

Viola da gamba player Vittorio Ghielmi is the founder of the viol consort Il Suonar Parlante, which plays Purcell's Fantazias of Four Parts, mostly written in 1680. At that time, the viol was on the way to being considered an archaic instrument, having been largely replaced by the fretless members of the violin family. A consort of viols, though, was still the most convenient ensemble for playing contrapuntal music, and Purcell needed an outlet for adventurous self-expression as a break from his duties of writing conventional dance music for King Charles II. The fantasias he wrote are indeed very odd, particularly in their chromatic harmonies, many of which would not reappear with regularity in the Western musical vocabulary until the twentieth century.

The multiplicity of notes in Mendelssohn's piano music sometimes lays him open to the charge of 'note-spinning'. So what higher praise for Benjamin Frith than to say that thanks to his fluency, not a single work outstays its welcome here. The unchallengeable masterpiece is the Variations sérieuses, so enthusiastically taken up by Clara Schumann, and still a repertory work today. Frith characterises each variation with telling contrasts of tempo and touch without sacrificing the continuity and unity of the whole.

Savage Garden is the eponymous debut studio album by Australian pop duo Savage Garden. It was released on 4 March 1997 in Australia by Columbia Records and Roadshow Music. The album won the award for Highest Selling Album at the ARIA Music Awards of 1998, selling more than 12 million copies worldwide, according to Billboard magazine. This album fetched the duo a record of 10 awards at the ARIA Awards 1997, grabbing Best Album, Best Single, Best Group, Song of the Year, Best Debut Album, Best Independent Release, Best Pop Release and Highest Selling Single award—the most awards ever won by a single act in one year. The following year at the ARIA Awards 1998, the album won two more awards—Highest Selling Album award and Outstanding Achievement Award. In October 2010, Savage Garden was listed in the top 40 in the book, 100 Best Australian Albums.

If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic. Clearly influenced by Jim Hall, the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he's not one to beat everybody over the head with them. Even when he picks up the tempo for the difficult and angular title song, he shuns empty musical acrobatics. Throughout the CD, Metheny enjoys a powerful rapport with keyboardist Lyle Mays, who also avoids exploiting his technique and opts for meaningful storytelling.

Listening to this, it's easy to believe that June Tabor was made to sing these old border ballads, tales of the uneasy coexistence of families in the marches between England and Scotland. Her dark voice is well-suited to the texts, which are often bloody and vengeful, and quite certainly epic – in some respects, the very essence of British balladry, whether it's "The Battle of Otterburn," with its gloriously textured Kathryn Tickell arrangement, or the demanding "The Duke of Athole's Nurse," where Martin Simpson is reunited with Tabor, his guitar offering shining counterpoint to her voice. The songs, tried and tested over the centuries, are wonderful in themselves, but Tabor's presentation of them brings them fully to life, like "The Cruel Mother." Harrowing at the best of times, it becomes pure torment in her hands. And her "Sir Patrick Spens" makes the old Fairport Convention version sound like a playground romp. Intensity has always been one of Tabor's fortes, and here she takes full advantage of the opportunity to indulge it.

Rameau on the piano? It's not altogether unheard of – there were a handful of classic recordings made by Robert Casadesus back in 1952 – but, despite many recordings of Bach, Handel, and Scarlatti on the piano in the digital age, there's been precious little Rameau on the piano until this Angela Hewitt recording of three complete suites from 2006. By choosing the Suite in E minor from the Pièces de clavecin of 1731 plus the Suites in G minor and A minor from Nouvelles suites de pièces de clavecin, Hewitt has for the most part stayed away from the more evocatively titled works and stuck to the standard stylized Baroque dance forms of the allemande, courante, and gigue. Justly celebrated for her cool and clean Bach recordings, this strategy works well for Hewitt. Without seeming to resort to the sustain or the mute pedal, she floats Rameau's lines and melodies, and without seeming to exaggerate the accents or dynamics, she gives Rameau's rhythms a wonderful sense of lift. In the deliberately evocative movements from the G minor Suite – "La poule," "Les sauvages," and especially "L'egiptienne" – Hewitt seems to bring less to the music – her interpretations are remarkably straight – and to get less out of it – her performances are remarkably bland.

For their debut album, the Yugen Trio presents what is arguably the cornerstone of the Piano Trio repertoire: Maurice Ravel’s trio, in a vital and highly expressive performance. Ravel’s masterpiece is preceded by the usually claimed ‘father of the piano trio’, Haydn, with his trio in A major, Hob.XV:35, and by one of Shubert’s compositions from his teenage years, the delightfully mozartian trio in B-flat major D. 28. A voyage from the origins to the culmination of the piano trio, brought with sensitivity and intensity by the Yugen Trio.

Two years after her recording of Mozart's piano concertos KV 271 and KV 459, Olga Pashchenko returns to the Il Gardellino ensemble for the concertos KV 466 and KV 488. KV 466 is in D minor, a key that Mozart often uses to express the anger of his female characters in his operas. KV 488 was composed a year later in 1786 and is in the luminous key of A major, although without losing any of the theatrical dynamism of KV 466. They represent an almost dramatic, pre-Romantic theatricality for Nicolas Derny, who sees these concertos as the precursors of two of Mozart's greatest masterpieces: the Requiem and Le nozze di Figaro. Olga Pashchenko here plays a replica of an Anton Walter fortepiano (ca. 1792) built by Paul McNulty.

Keke Wyatt burst on the scene at age 18 with hit duets with Avant and a gold-selling debut album. Widely recognized as one of the greatest R&B voices of her generation, she is also an actress and has appeared in such high-profile reality shows as R&B Divas, Marriage Boot Camp, and Keke's World. "Certified," her fifth album, is produced by Blac Elvis (Usher,Beyonce) and features a strong set of original material as well as a stunning rendition of the standard "Unchained Melody.