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Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

Posted By: Designol
Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)
EAC | FLAC | Tracks (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA67597 | Time: 01:18:16

Rameau on the piano? It's not altogether unheard of – there were a handful of classic recordings made by Robert Casadesus back in 1952 – but, despite many recordings of Bach, Handel, and Scarlatti on the piano in the digital age, there's been precious little Rameau on the piano until this Angela Hewitt recording of three complete suites from 2006. By choosing the Suite in E minor from the Pièces de clavecin of 1731 plus the Suites in G minor and A minor from Nouvelles suites de pièces de clavecin, Hewitt has for the most part stayed away from the more evocatively titled works and stuck to the standard stylized Baroque dance forms of the allemande, courante, and gigue. Justly celebrated for her cool and clean Bach recordings, this strategy works well for Hewitt. Without seeming to resort to the sustain or the mute pedal, she floats Rameau's lines and melodies, and without seeming to exaggerate the accents or dynamics, she gives Rameau's rhythms a wonderful sense of lift. In the deliberately evocative movements from the G minor Suite – "La poule," "Les sauvages," and especially "L'egiptienne" – Hewitt seems to bring less to the music – her interpretations are remarkably straight – and to get less out of it – her performances are remarkably bland. Still, as an alternative to Rameau on the harpsichord, Rameau on the piano works well enough to merit an occasional listening, and Hewitt's will more than likely remain the Rameau on the piano of choice for years to come. Hyperion's sound is warm, round, full, and deep.

Review by James Leonard, Allmusic.com

For Rameau on the piano, Angela Hewitt proves just as gorgeous in her realizations as Tzimon Barto on Ondine, but with a million times the intelligence, stylistic awareness, and taste. Helped by her Fazioli concert grand's bright edge, Hewitt demonstrates that the nooks and crannies of Rameau's ornamentation not only work on the piano but also benefit from the instrument's capacity for dynamic nuances. Hewitt's varied articulation and tonal shading arise from the music's dance origins and are never "pianistic" for their own sake. Sometimes Hewitt may taper a phrase to slightly precious effect or time a cadence with just a smidgen of archness, but her glorious rhythmic sense and crisply centered trills and mordents offer vivid compensation.

And if harpsichordists can shift registrations, why not Hewitt? I love how her repeats in Le rappel des oiseaux tweet and twitter an octave higher than in the score. Hewitt also discreetly enhances textures by placing certain bass notes down the octave. All told, this is the finest Rameau piano disc since Marcelle Meyer's classic 1953 cycle, and I look forward to more. As usual, Hewitt's annotations are well researched and reader-friendly, while Hyperion's engineering is vivid and detailed, if slightly bass shy (I have not heard the SACD version).

Review by Jed Distler, ClassicsToday.com

Hewitt complements her continuing series of Couperin's keyboard music with a disc devoted to his younger French contemporary. Rameau's keyboard suites contain some of his best known music - vividly pictorial movements such as La Poule and L'Egyptienne, both from the G minor suite, and the Tambourin and Le Rappel des Oiseaux, from the E minor, have appeared in countless instrumental arrangements - and all predate the series of stage works begun in 1733 on which his reputation mainly rests today, and in which some of the pieces are recycled.

Hewitt clearly relishes the colour and rhythmic energy of these dance sequences; her performances have a wonderfully fluid stylishness, with scrupulous ornamentation that never seems self-consciously correct, and they are founded upon a willingness to use the full tonal resources of a modern concert grand in a way that seems to make utterly irrelevant any question of what is historically or musicologically "correct" in playing this music.

Review by Andrew Clements, The Guardian

Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)



Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)



Tracklist:

Jean-Philippe Rameau (1683-1764)

Suite in E minor
01. I. Allemande (3:35)
02. II. Courante (1:49)
03. III. Gigue en rondeau I (1:29)
04. IV. Gigue en rondeau II (2:44)
05. V. Le rappel des oiseaux (2:37)
06. VI. Rigudons I and II (2:21)
07. VII. Musette en rondeau (2:46)
08. VIII. Tambourin (1:30)
09. IX. La villageoise (2:43)

Suite in G minor
10. I. Les tricotets (1:49)
11. II. L'indifferente (1:55)
12. III. Menuets I and II (3:32)
13. IV. La poule (4:54)
14. V. Les triolets (4:47)
15. VI. Les sauvages (1:53)
16. VII. L'enharmonique (6:49)
17. VIII. L'egiptienne (2:46)

Suite in A minor
18. I. Allemande (5:05)
19. II. Courante (3:58)
20. III. Sarabande (2:19)
21. IV. Les trois mains (5:10)
22. V. Fanfarinette (2:52)
23. VI. La triomphante (1:31)
24. VII. Gavotte (1:41)
25. VIII. - Double 1 (0:59)
26. VIII. - Double 2 (0:59)
27. VIII. - Double 3 (0:59)
28. VIII. - Double 4 (0:52)
29. VIII. - Double 5 (0:52)
30. VIII. - Double 6 (1:01)


Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

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Angela Hewitt (piano) / Jean-Philippe RameauЎEKeyboard Suites

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21 [5d854dd6] (00/11) No match (V2 was not tested)
22 [9a3a6527] (00/11) No match (V2 was not tested)
23 [0dc2b488] (00/11) No match (V2 was not tested)
24 [38079a13] (00/11) No match (V2 was not tested)
25 [785da6f9] (00/11) No match (V2 was not tested)
26 [afe2c858] (00/11) No match (V2 was not tested)
27 [f36f3348] (00/11) No match (V2 was not tested)
28 [6d09e69a] (00/11) No match (V2 was not tested)
29 [62952973] (00/11) No match (V2 was not tested)
30 [d656d2ea] (00/09) No match (V2 was not tested)
Offsetted by 670:
01 [76419fc3] (02/11) Accurately ripped
02 [ae52eba1] (02/11) Accurately ripped
03 [7634e155] (02/11) Accurately ripped
04 [aef36650] (02/11) Accurately ripped
05 [90af3546] (02/11) Accurately ripped
06 [4fcc8092] (02/11) Accurately ripped
07 [56e8fcd4] (02/11) Accurately ripped
08 [594d5ab2] (02/11) Accurately ripped
09 [191e2c8c] (02/11) Accurately ripped
10 [fc5f4771] (02/11) Accurately ripped
11 [f082124c] (02/11) Accurately ripped
12 [431eb8e6] (02/11) Accurately ripped
13 [d7cb5813] (02/11) Accurately ripped
14 [18ab90d4] (02/11) Accurately ripped
15 [2cc902a8] (02/11) Accurately ripped
16 [7b90476f] (02/11) Accurately ripped
17 [cde952ab] (02/11) Accurately ripped
18 [cb84d653] (02/11) Accurately ripped
19 [5400164d] (02/11) Accurately ripped
20 [8db23ec2] (02/11) Accurately ripped
21 [2eea13c7] (02/11) Accurately ripped
22 [3f2daf84] (02/11) Accurately ripped
23 [c5377d15] (02/11) Accurately ripped
24 [4077ad79] (02/11) Accurately ripped
25 [fc9d0f92] (02/11) Accurately ripped
26 [d0c994df] (02/11) Accurately ripped
27 [284ff094] (02/11) Accurately ripped
28 [703a3caa] (02/11) Accurately ripped
29 [224e9d72] (02/11) Accurately ripped
30 [b7d8b7f0] (00/09) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,4 [7FFF7EB4] [E867D690]
01 55,6 [A7AD3046] [AC81C32C] CRC32
02 55,7 [2145BF05] [A306A1FD] CRC32
03 47,0 [9EDA51CF] [87F04CA8] CRC32
04 51,9 [5038E5A1] [5A960789] CRC32
05 79,7 [53415AC2] [049D57C6] CRC32
06 72,4 [2348F9B9] [7F4C9417] CRC32
07 35,2 [FD9109EB] [C7C5DAB3] CRC32
08 61,4 [113C2B0A] [B613444B] CRC32
09 49,1 [4DBE6B0D] [F735D3F6] CRC32
10 49,2 [35FB9DD4] [C9030B37] CRC32
11 51,7 [7465B192] [67C2F3EA] CRC32
12 61,4 [7E6A1D6A] [AF69E52E] CRC32
13 74,3 [D256D871] [6F5C06A8] CRC32
14 49,2 [46C87191] [AA27A853] CRC32
15 58,6 [A05CBF34] [7B0733B3] CRC32
16 45,1 [D215EB7B] [FC8F7F76] CRC32
17 98,4 [FA93999C] [39BB4807] CRC32
18 49,1 [1AC39D59] [EFBA8259] CRC32
19 76,1 [B134CC99] [E35FED3B] CRC32
20 72,9 [66ECDAF5] [ECE38A19] CRC32
21 69,4 [5C945922] [D1C7A57A] CRC32
22 58,5 [B5A7AB5B] [5BBF6E48] CRC32
23 61,8 [E323ECAD] [0C11C00C] CRC32
24 53,8 [77EE5B93] [02C792FA] CRC32
25 44,9 [66124DF7] [D4E082C8] CRC32
26 46,1 [B37FF469] [C4690083] CRC32
27 39,7 [792B0965] [F6D28F45] CRC32
28 97,4 [D07A8ADA] [A8DAA842] CRC32
29 45,0 [87C9806A] [F37C7AFA] CRC32
30 78,9 [9458B7F4] [26980B3C] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-11-18 23:59:02

––––––––––––––––––––––––––––––––––––––––
Analyzed: Angela Hewitt (piano) / Jean-Philippe RameauЎEKeyboard Suites
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.09 dB -21.53 dB 3:35 01-Jean-Philippe Rameau Suite in E minor - I. Allemande
DR11 -5.07 dB -19.83 dB 1:49 02-Jean-Philippe Rameau Suite in E minor - II. Courante
DR12 -6.55 dB -22.01 dB 1:29 03-Jean-Philippe Rameau Suite in E minor - III. Gigue en rondeau I
DR12 -5.68 dB -20.93 dB 2:44 04-Jean-Philippe Rameau Suite in E minor - IV. Gigue en rondeau II
DR12 -1.97 dB -19.81 dB 2:37 05-Jean-Philippe Rameau Suite in E minor - V. Le rappel des oiseaux
DR12 -2.80 dB -19.99 dB 2:21 06-Jean-Philippe Rameau Suite in E minor - VI. Rigudons I and II
DR12 -9.05 dB -25.67 dB 2:46 07-Jean-Philippe Rameau Suite in E minor - VII. Musette en rondeau
DR11 -4.23 dB -20.96 dB 1:30 08-Jean-Philippe Rameau Suite in E minor - VIII. Tambourin
DR11 -6.17 dB -21.79 dB 2:43 09-Jean-Philippe Rameau Suite in E minor - IX. La villageoise
DR14 -6.15 dB -23.64 dB 1:49 10-Jean-Philippe Rameau Suite in G minor - I. Les tricotets
DR12 -5.72 dB -22.03 dB 1:55 11-Jean-Philippe Rameau Suite in G minor - II. L'indifferente
DR13 -4.22 dB -22.38 dB 3:32 12-Jean-Philippe Rameau Suite in G minor - III. Menuets I and II
DR14 -2.58 dB -20.50 dB 4:54 13-Jean-Philippe Rameau Suite in G minor - IV. La poule
DR12 -6.15 dB -23.50 dB 4:47 14-Jean-Philippe Rameau Suite in G minor - V. Les triolets
DR12 -4.63 dB -19.77 dB 1:53 15-Jean-Philippe Rameau Suite in G minor - VI. Les sauvages
DR13 -6.91 dB -24.28 dB 6:49 16-Jean-Philippe Rameau Suite in G minor - VII. L'enharmonique
DR13 -0.13 dB -19.07 dB 2:46 17-Jean-Philippe Rameau Suite in G minor - VIII. L'egiptienne
DR13 -6.17 dB -22.33 dB 5:05 18-Jean-Philippe Rameau Suite in A minor - I. Allemande
DR13 -2.37 dB -20.20 dB 3:58 19-Jean-Philippe Rameau Suite in A minor - II. Courante
DR12 -2.74 dB -20.34 dB 2:19 20-Jean-Philippe Rameau Suite in A minor - III. Sarabande
DR13 -3.16 dB -20.98 dB 5:10 21-Jean-Philippe Rameau Suite in A minor - IV. Les trois mains
DR13 -4.66 dB -22.87 dB 2:52 22-Jean-Philippe Rameau Suite in A minor - V. Fanfarinette
DR11 -4.17 dB -18.31 dB 1:31 23-Jean-Philippe Rameau Suite in A minor - VI. La triomphante
DR12 -5.38 dB -23.10 dB 1:41 24-Jean-Philippe Rameau Suite in A minor - VII. Gavotte
DR11 -6.94 dB -21.46 dB 0:59 25-Jean-Philippe Rameau Suite in A minor - VIII. - Double 1
DR11 -6.71 dB -20.13 dB 0:59 26-Jean-Philippe Rameau Suite in A minor - VIII. - Double 2
DR10 -8.02 dB -21.93 dB 0:59 27-Jean-Philippe Rameau Suite in A minor - VIII. - Double 3
DR13 -0.22 dB -18.74 dB 0:52 28-Jean-Philippe Rameau Suite in A minor - VIII. - Double 4
DR10 -6.93 dB -20.31 dB 0:52 29-Jean-Philippe Rameau Suite in A minor - VIII. - Double 5
DR10 -2.06 dB -14.92 dB 1:01 30-Jean-Philippe Rameau Suite in A minor - VIII. - Double 6
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 30
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 528 kbps
Codec: FLAC
================================================================================

Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

All thanks to original releaser

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