Babalon fantasia in seven parts for piano and percussion based on the poem “Waratah-Blossoms” by Aleister Crowley. “Seven are the veils of the dancing-girl in the harem of IT. Seven are the names, and seven are the lamps beside Her bed. Seven eunuchs guard Her with drawn swords; No Man may come nigh unto Her. In Her wine-cup are seven streams of the blood of the Seven Spirits of God. Seven are the heads of THE BEAST whereon She rideth.

Formed in London in 1968, Deep Purple remain among the pioneers of heavy metal and hard rock, but their musical approach has changed over the years. Originally formed as a psychedelic rock and progressive band, they shifted to a heavier sound with their 1970 album Deep Purple in Rock. Deep Purple’s second and most commercially successful line-up consisted of Ian Gillan (vocals) and Roger Glover (bass), who joined founder members Jon Lord (keyboards), Ian Paice (drums) and Ritchie Blackmore (guitar). This line-up was active from 1969 to 1973 and was revived from 1984 to 1989 and again from 1992 to 1993. The Mk. II line-up’s second album, the creatively progressive Fireball, was issued in the summer of 1971, reaching number 1 on the UK Albums Chart.

Crown of Creation is the fourth studio album by the San Francisco psychedelic rock band Jefferson Airplane, released by RCA Victor in August 1968. The album saw the band continuing their development of psychedelic music, emphasizing acid rock with science fiction themes. While failing to eclipse Surrealistic Pillow (1967) from a commercial standpoint, the album was a considerable success in comparison to its immediate predecessor, After Bathing at Baxter's (1967), peaking at No. 6 on the Billboard Pop Charts and earning a gold certification. Its two singles ("Greasy Heart", released in March 1968, followed by the title track in November) were modest hits on the Hot 100 chart. It was voted number 591 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).

Following up on the success of Sony Classical’s recent large-scale Ormandy collections – his monaural discographies with the Minneapolis Symphony and Philadelphia orchestras – the label now presents the conductor’s stereo recordings from Philadelphia containing all recordings released from 1958 to 1963 (plus some fillers from later years) Eugene Ormandy took over the music directorship in Philadelphia from Leopold Stokowski in 1938 and held the position for 42 years. During that time his name and the orchestra’s became inseparable as he cultivated and further developed the voluptuous sound that originated with his predecessor.

Elvis Is Back! is the fourth studio album by American singer Elvis Presley, released on April 8, 1960 by RCA Victor. It was Presley's first album of new material since 1958's King Creole soundtrack, as well as his first to be recorded and released in stereophonic sound. The album marked Presley's return to music after his discharge from the U.S. Army. The material on the album has some influences from the rock and roll of Presley's early work, but it also offers a mix of sophisticated pop, blues, R&B and the "Nashville sound" production values associated with Chet Atkins, who co-produced the recording sessions with Steve Sholes. With public anticipation high, RCA rushed Elvis Is Back! and the standalone single "Stuck on You" into release mere days after Presley finished recording. The LP topped the UK Albums Chart and reached number two in Billboard's Top LP's. Initially, the release received mixed reviews, but over subsequent years its critical reception became progressively more positive, with critics generally praising its stylistic variety, production quality and mature sound. Elvis is Back! was certified Gold on July 15, 1999.

Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart, nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide. The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards. Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever. Brothers in Arms would become Dire Straits' final album until they reunited and recorded 1991's On Every Street.

In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards.

With 1970's Workingman's Dead, the Grateful Dead went through an overnight metamorphosis, turning abruptly from tripped-out free-form rock toward sublime acoustic folk and Americana. Taking notes on vocal harmonies from friends Crosby, Stills, Nash & Young, the Dead used the softer statements of their fourth studio album as a subtle but moving reflection on the turmoil, heaviness, and hope America's youth was facing as the idealistic '60s ended. American Beauty was recorded just a few months after its predecessor, both expanding and improving on the bluegrass, folk, and psychedelic country explorations of Workingman's Dead with some of the band's most brilliant compositions. The songs here have a noticeably more relaxed and joyous feel.

Pianist Vanessa Benelli Mosell and cellist Henri Demarquette find common ground between Philip Glass and Rachmaninov in this release that revels in both composers passion for sonic storytelling. Presenting a program of personal, dramatic and spiritual music, Mosell and Demarquette perform these selections with intimate ardor.

Blood, Sweat & Tears is the second album by the American band Blood, Sweat & Tears, released on December 11, 1968. It was the most commercially successful album for the group, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles. It received a Grammy Award for Album of the Year in 1970. The album has been certified quadruple platinum, with sales of more than four million units in the U.S. In Canada, the album enjoyed a total of eight weeks at number 1 on the RPM national album chart.

Live and Let Live is 10cc's first live album, released in the Autumn of 1977. It was recorded at the Hammersmith Odeon in London between 18 and 20 June 1977 and the Manchester Apollo, Manchester between 16 and 17 July 1977. The album features the then-new line-up of 10cc after the departure of Kevin Godley and Lol Creme in 1976. The trio of Eric Stewart, Graham Gouldman and Paul Burgess who recorded the most recent 10cc album, Deceptive Bends, that was issued earlier that year, were joined by Rick Fenn, Stuart Tosh and Tony O'Malley. Tony O'Malley was also assigned with lead vocals on "Art for Art's Sake". As the tour promoted Deceptive Bends, the live album features all but one track from it – "I Bought a Flat Guitar Tutor". The rest of the set list relied mostly on Stewart/Gouldman compositions.

Starting his musical journey at age 10 in Bombay, India, Anupam Shobhakar played guitar for rock and metal bands. But as his curiosity deepened, his focus shifted to the sarod, a 25-string fretless instrument from North India. Studying under Ustad Aashish Khan of the Maihar Gharana and other master musicians in the complex Indian classical tradition and performing in concerts around the world eventually led Anupam to NYC, which is now his home. The move reignited his interest in Western culture and fueled new explorations into jazz and classical music.

Woody's classic, mid-'40s recordings, sounding like you've never heard them before! These 54 tracks, including such classics as This Land Is Your Land; Pretty Boy Floyd; Hard Travelin'; Jesus Christ; Grand Coulee Dam , and Going down the Road (I Ain't Gonna Be Treated This Way) , have been taken from newly discovered, original metal masters for the clearest sounding Guthrie recordings from any period, let alone the '40s. And those tracks also include six unreleased tunes, which will no doubt set folk historians and musicians the world over a-scurrying. It all comes packaged inside a replica of a vintage suitcase from the 1930s, with a 68-page, full-color book featuring extensive liner notes, rare photos, Woody's own lyric sheets and even facsimiles of his business card, a postcard to his wife and a booking card from the '40s. This set was made for you and me!

This set features the great Sarah Vaughan in a typically spontaneous Norman Granz production for Pablo with pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Louie Bellson. Sassy sounds wonderful stretching out on such songs as "Midnight Sun," "More Than You Know," "Teach Me Tonight," and "Body and Soul," among others. All ten of the melodies are veteran standards that she knew backwards but still greeted with enthusiasm. A very good example of late-period Sarah Vaughan.

Powerhouse German band Eisbrecher returns with the new album 'Kaltfront'!
Eisbrecher has been using its uniquely formidable brand of Neue Deutsche Harte to twist its fingers in wounds that we as a society have inflicted on ourselves. The band remains true to it's unique mixture of thunderous, industrial tinged rock, satirical cynicism & emotional depth on this work to deliver potent messages.