This is the bands 27th (?) studio album release and 38th physical release. The material on this record was recorded in October 2010 on the 2nd day of recording and featured a lot of different musicians from Days 1 and 3. Some of the material from this session was previously released on a bandcamp subscriber LP. The main track on that album, Crusin´with the Alien Crew, appears as a bonus track on the CD version as well as one additional bonus track not on the LP (*). Some of the tracks have been edited for the vinyl edition which will come out later in the year. A lot of the material has a funky nature but it is a very diverse album with a nice chill out sitar number, a uptempo country track and a lot of space rock!!!

The Scandinavian Space Rock super group are back with their 33rd release. The CD/LP features one 62min track split over 3 album sides., that we recorded in the studio back in 2014. The same session that gave us the Different Creatures and Visions of, LPs and features some of the best musicians from the Scandinavian prog rock field. This is about as Prog Rock as the band has ever been with the track taking many different musical journeys over the 3 album sides. Side D of the vinyl contains a full length version (CD contains an edit) that is a unique mixture of Indian raga and space music with just synthesizer (Dr Space), sitar (KG), violin (Jonathan), bass (Hasse) and drums (Tim) from our 2016 studio session.

Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" – which had originally appeared only as 45s – plus important album tracks like "Lucy in the Sky with Diamonds," "A Day in the Life," "While My Guitar Gently Weeps," and "Come Together," as well as orphaned tracks such as the single versions of "Let It Be" and "Get Back," which had never been on any LP before.

Skerryvore have reinvented and reignited Scottish roots music with a modern alt-pop flavour that has connected with an ever-expanding multicultural global audience. But as the pandemic broke, the octet’s international touring immediately ceased. Yet from challenge came opportunity. Vocalist / guitarist Alec Dalglish had the time to develop his initial song ideas in more depth, while subsequent full band sessions in bagpiper / whistle player Scott Wood’s studio in Glasgow benefited from the freedom such an independent environment provided them. And when they returned in 2021 with ‘You and I’, the track became their first to be playlisted at Radio 2 buoyed by huge support from Jeremy Vine.

Voice Mail is the second solo album by the English rock musician John Wetton. Initially released on 17 June 1994 in Japan only, it was re-released internationally as Battle Lines with the same musical content but different artwork. John Wetton was an English singer, bassist, and songwriter. He rose to fame with bands Mogul Thrash, Family, King Crimson, Roxy Music and Uriah Heep. Following his period in Uriah Heep, Wetton formed U.K., and later — after a brief stint in Wishbone Ash — he was the frontman and principal songwriter of the supergroup Asia, which proved to be his biggest commercial success.

There’s something about Texas. Open up the history books and you’ll find the Lone Star State at the eye of every rock ‘n’ roll storm. Pull up a stool in any bar-room and you’ll still hear Southern gentlemen spin stories of ZZ Top, Johnny Winter and Stevie Ray Vaughan. Now, tip a ten-gallon hat to the bandleader writing her own name onto the state’s famed back pages, as Ally Venable releases breakout third album, Texas Honey – with production from another local hero. “Ally is the future of the blues and the crossover music of American roots-rock,” nods Mike Zito. “She is Texas Honey.”

The saying that "life begins at 40" is certainly open to debate – especially if you live in a youth-obsessed culture like the United States. But for jazz artists, there can be some truth in that saying; the history of jazz is full of artists who did some of their best work after 40. Joe Pass is a perfect example; Pass turned 40 in 1969, and the '70s were an amazingly productive time for the late guitar icon (who recorded frequently during that decade thanks to Pablo founder Norman Granz). In fact, Pass did so much recording during the '70s that albums of previously unreleased material were still coming out long after his death from cancer in 1994. Virtuoso in New York, for example, is an album of recordings that went unreleased for 29 years; recorded in 1975, these Granz-produced performances didn't see the light of day until 2004.