By 1978, David Liebman had played with Miles Davis and Elvin Jones, founded the adventurous cooperative Free Life Communications and led a funk band with James Brown alum Pee Wee Ellis. Early that year, he booked a week at the Village Vanguard. The gig reunited him with pianist Richie Beirach, combining their previous flights of freedom in a grounded, straightahead setting. Trumpeter Randy Brecker joined the frontline while bassist Frank Tusa and drummer Al Foster helmed the rhythm section. The group on the Mosaic Select Pendulum set didn’t last beyond that February week, though Beirach and Liebman would continue to work together closely, in duos and groups like Quest, which included Foster. The three discs recall a transitional time for jazz when musicians had freedom, fusion and tradition to draw on in their playing. Aside from three originals, the group expands on material like “Impressions,” “Footprints” and a few standards (“Night and Day” and “There Is No Greater Love”). The set list was called on the Vanguard stage and most tracks last well beyond a quarter of an hour. The loose nature and the anything-goes mood of the time brought out the best in the group.

For this second volume of Beethoven’s string quartets, the Doric String Quartet has combined one middle period, one late, and two early quartets to create a programme that works on its own terms, as well as forming part of the complete cycle. The musicians start off with a vivid performance of Op. 18 No. 2, following it with the Quartet, Op. 130, in which, as finale, they perform the Große Fugue (Op. 133), as Beethoven long contemplated it.

Misael Barraza-Diaz is one of the most outstanding Mexican guitarists of his generation. He graduated “Summa Cum Laude” from the Master Guitarra Alicante, a special program where he studied with world-renowned musicians David Russell, Manuel Barrueco, Ignacio Rodes, Paul O’dette, Hopkinson Smith, Fabio Zanon, Roberto Aussell and Shin Ichi Fukuda. As of December 2014, Misael holds both a Masters degree from the Master Guitarra Alicante (Spain) and a second Master’s degree from the University of Arizona (U.S.A.) where he is currently pursuing his Doctorate in Musical Arts and continues to study with Thomas Patterson, David Russell, and Sergio and Odair Assad.

The new album by Portuguese composer António Pinho Vargas brings together two landmark works, performed live by Casa da Música’s resident ensembles. Six Portraits of Painwas one of the highlights of the venue’s inaugural programme in 2005, featuring the virtuoso cellist Anssi Karttunen as soloist alongside the Remix Ensemble, conducted by Frank Ollu. A deeply moving work, it draws inspiration from texts by Deleuze/Spinoza, Thomas Bernhard, Anna Akhmatova, Manuel Gusmão, and Paul Celan, each evoking different forms of existential suffering. Oscuro, on the other hand, stands as a testimony to more recent times, an era marked by tragedy and disfigurement, from the pandemic to the wars afflicting the world. It is performed by the Casa da Música Porto Symphony Orchestra, conducted by Pedro Neves. These historic recordings, captured live at the premiere performances, are now released in a carefully produced edition by Artway, reaffirming Pinho Vargas as a vital voice in contemporary European music.

One of the greatest stars of the rock & roll era, David Bowie evaded easy categorization throughout his career, operating as the artiest rocker within the mainstream and the most accessible musician on the fringe.

Sine Music will be releasing the new ambient album The Beginning by Glint. The album contains eleven tracks and will be available in all well-known download stores and streaming services. After the successful albums Estival Arvo and Human, Glint returns with his latest work The Beginning and delivers a musical experience full of groove, playfulness and dreamy melodies. Fans of the German TV show Das perfekte Dinner are already familiar with his music - his tracks can be heard there regularly.

100 No 1 Hits of the '50's is designed and signed as a reference on your choice of several exchangers file. 100 No.1 Hits Of The ’50s Artist: VARIOUS ARTISTS Format: 4CD Digipack If ever there was a time that saw a seismic shift in musical output and fan reaction on both sides of the Atlantic, it was the fifties. From the early years of the decade, when virtually nothing rivalled the Tin Pan Alley-based records from established stars, through to the later years with the arrival of rock & roll and skiffle, there was never such a radical upheaval in the music business. Our selection of 100 hits is drawn from both the American and British charts, though many of them were top sellers in both countries. Convenience, reliability and availability, is the property of our portal, as well as the immensity of the creative transformation!

Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).

With Marimba, David Moliner presents an extraordinary album that places this unique instrument and its manifold colors and sounds at its core. Moliner’s masterful arrangements and two original works composed specifically for the instrument take listeners on a sonic journey through the centuries, combining both technical skill and creative expression.

Lover, Beloved: Songs from an Evening with Carson McCullers is the ninth studio album by the American singer/songwriter Suzanne Vega. The album is based on a play "Carson McCullers Talks About Love" about the life of the writer Carson McCullers, written and performed by Vega, which premiered in 2011. Suzanne Vega wrote 8 songs in collaboration with Duncan Sheik and 2 with Michael Jefry Stevens.

Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.

As the title suggests, this is the definitive edition of Etta James' Tell Mama long-player. For this single-disc release the original album is augmented with five previously unissued tracks – documented during James' four Muscle Shoals sessions circa '67-'68. The question of why a rural Alabama town became a conduit for some of the most memorable and instantly identifiable grooves may still be up for debate. The evidence exists in droves and Tell Mama could certainly be considered exhibit A. These sessions feature the same impact that would redirect several first ladies of soul. Notable among them are Dusty Springfield's Dusty in Memphis, Aretha Franklin's I Never Loved a Man (The Way I Love You) and to somewhat lesser acclaim, Jackie DeShannon's Jackie. Tell Mama showcases some of the unique and admittedly darker qualities of what might best be described as R&B noir. "I'd Rather Go Blind," "Steal Away," "I'm Gonna Take What He's Got" all exemplify the essence of the blues – making the best of a bad situation.

Named after the legendary violinist Adolf Busch (1891-1952), this young trio has already established itself on the international scene as one of the most talented of the new generation. Under the aegis of Alpha Classics and the Queen Elisabeth Music Chapel, the group set itself a challenge: to record the complete chamber music with keyboard of Antonín Dvorák. They managed to complete this project in four years and four albums: two albums of the piano trios, one of the piano quartets and one of the quintets. They were joined where necessary by the violist Miguel da Silva (founder of the famous Quatuor Ysaÿe) and the violinist Maria Milstein.

Giovanni Ferrandini seems to have been something of a child prodigy. By the time he was 12 he had left his home town of Venice to take up a paid court appointment as oboist in Munich. What should be remarked upon is not just his age but that the Elector of Bavaria was paying him; this was an age when young people could be expected to take on the role of assistant or student without salary.

This is the 45th title in the Vivaldi Edition, 3 years after the first recording dedicated to Vivaldi scores discovered in Europe between 2000 and 2007, now in its 12th year. This second volume features the most recent discoveries in world premiere recordings and will further contribute to complete one of the most fascinating jigsaw puzzles in musical history Federico Maria Sardelli is a member of the musicological committee of the Istituto Italiano Antonio Vivaldi at the Fondazione Cini in Venice, for which he has published numerous scholarly essays. In July 2007 Peter Ryom chose him to continue his monumental work of cataloguing the music of Antonio Vivaldi; since then, Sardelli has been the editor of the Vivaldi Werkverzeichnis (RV).