Reissue on CD with two extra songs of this album released, only on LP format, in 2018 by the Galician band JUZZ. An unlikely, but more than successful, cocktail of progressive jazz rock seasoned with RIO suggestions, stoner avalanches and post rock and free jazz fury. All flavored with the elegance of the Canterbury scene.

Alta Ripa signifies a seismic shift in Ben Lukas Boysen's artistic journey. It revisits the foundational impulses of his youth, shaped amidst the serene beauty of rural Germany—a bucolic backdrop where his creative palette flourished. However, it was his move to Berlin in the early 2000s that electrified his sound, infusing it with the city’s pulsating energy and diverse cultural influences. Alta Ripa captures this transformative experience, blending the introspective melodies of his rural beginnings with the bold, experimental tones born from Berlin’s vibrant electronic music scene. This album is a testament to Boysen’s evolution, showcasing how geographical shifts can profoundly shape artistic expression.

'Mighty Vertebrate' is the International Anthem leader debut from Adelaide, Australia-born bassist and composer Anna Butterss.

With Airlines, supreme instrumentalist, flautist Emmanuel Pahud, takes the music of an Oscar-winning film composer, Alexandre Desplat, into new realms. The album is entirely devoted to world premiere recordings – of original concert works and of reimagined versions of Desplat’s film scores, including Oscar-winners The Shape of Water (2018) and The Grand Budapest Hotel (2014). Pahud is accompanied by the Orchestre National de France, conducted by Alexandre Desplat himself.

English composer and violinist William Brade was a significant transitional figure in instrumental music between the Renaissance and Baroque periods. Brade is credited with transplanting English musical practices most readily associated with William Byrd, Peter Philips, and John Dowland to North German and Scandinavian soil, and in aiding the transformation from the Renaissance notion of the English consort to the more continental Baroque idea of a string orchestra.

Foreigner vocalist Lou Gramm's 1987 solo album Ready or Not is a winner. It came at a precarious time for Foreigner, despite coming off the success of 1985's Agent Provocateur and the band's first number one single, "I Want to Know What Love Is." Ready or Not is rich with melody and snap, but its sound does vary just enough from Foreigner that Gramm can't really be accused of stealing from himself. The production by Gramm and Pat Moran definitely has that bright 1980s style. Gramm's main sidemen include guitarist Nils Lofgren, keyboardist Philip Ashley, bassist/guitarist/keyboardist Bruce Turgon, and drummer Ben Gramm. Side one absolutely sizzles. "Ready or Not" is a strong, hard-rocking leadoff track and it was a minor hit single. The melodic, lyrical, and vocal hooks on "Heartache" are massive and Lofgren's guitar solo adds an edgy bite. The Top Five hit "Midnight Blue" is a terrific pop/rock song; despite its hit status, it's one of the decade's truly underappreciated singles. Lofgren's rolling, effective guitar riffing and a captivating chorus make "Time" one of the best cuts.