Legacy & (next) Legacy are the brand new musical projects by Paolo Fresu. New compositions for celebrating three anniversaries: his 40-year-old Quintet his 20-year-old Devil Quartet and his 22-year-old Duo with Uri Caine 3CD Box Set & 3 LP Box Set limited, coloured and hand numbered. Both signed by Paolo Fresu.
At the beginning of the '80s, trumpeter Paolo Fresu attended the Siena Summer Jazz Seminars and amazed Enrico Rava with his creativity, talent, and technique. Over the next ten years, he became a major player on the Italian scene, first with his own quintet (which is still going), then branching out in a variety of projects. After finishing his Conservatory studies, he became a teacher at the same Jazz Seminars in Siena; he lives half the year in Paris, from where he coordinates the major Time in Jazz Festival he created in his hometown…

Reduced to a quartet for the most part, with Barry Adamson joining Nick Cave, Blixa Bargeld, Mick Harvey and Thomas Wydler on only a couple of tracks, the Bad Seeds turn from the interpretive triumph of Kicking Against the Pricks to another strong high, the mostly-original Your Funeral…My Trial. The one cover is a sharp, unsurprisingly dramatic version of Tim Rose's "Long Time Man." As for the rest of the album, Trial shows the Seeds working as, again, a remarkably accomplished and varied act, ever available and ready to explore a wide range of musics distilled into Cave's often dark, always passionate vision. Arguably Cave and company have by now so clearly established their overall style that Your Funeral…My Trial is much more a refinement of the past than anything else, but so good is their work that resistance is near impossible. If anything, the brooding power of the Seeds is more restrained than ever, suggesting destructive endings and overwhelming love without directly playing it.

US composer and musician Johannes Luley is probably best known as the driving force of US band Moth Vellum. Five years after the release of Moth Vellum's highly acclaimed debut, Johannes is unleashing a solo album of stunning beauty and complexity. "Tales From Sheepfather's Grove" is an epic work that is bound to take the prog community by storm. Johannes replaced the drum kit with a vast array of hand percussion instruments, giving the album a very primeval feel. These tribal grooves represent the foundation for a dense, cinematic sound scape comprised of acoustic guitar, mandolin, ukulele, moog synth and lush vocal arrangements. The occasional electric guitar is the icing on the cake. "Tales From Sheepfather's Grove" features elements of progressive rock, classical, ambient, world and folk, all combined into a unique sound. It will take listeners willing to immerse themselves on a dreamlike journey. The 8 songs are flowing into each other seamlessly, telling a story of finding higher power within ourselves.

The comparison of Connor to Bonnie Raitt is unavoidable, considering the similarities of their vocal style and skill at slide guitar. But Connor offers a more savage guitar approach, akin to George Thorogood, and she comes on as a bit nastier. The album is filled with impressive guitar work, but the bad-girl pose wears thin after a while.