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Golda Schultz, Antonello Manacorda & Kammerakademie Potsdam - Mozart, You Drive Me Crazy! (2024)

Posted By: delpotro
Golda Schultz, Antonello Manacorda & Kammerakademie Potsdam - Mozart, You Drive Me Crazy! (2024)

Golda Schultz, Antonello Manacorda & Kammerakademie Potsdam - Mozart, You Drive Me Crazy! (2024)
WEB FLAC (tracks) - 274 Mb | MP3 CBR 320 kbps - 139 Mb | Digital booklet | 00:59:13
Classical, Vocal, Opera | Label: Alpha Classics

‘Mozart, You Drive Me Crazy!’ This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni , Così fan tutte and Le nozze di Figaro , roles that have marked her career from Berlin to The Metropolitan Opera: ‘Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform… And when I immerse myself in the world of Da Ponte and Mozart, I realise that there’s a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.’ The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.

Golda Schultz and Jonathan Ware - This Be Her Verse (2022)

Posted By: Fizzpop
Golda Schultz and Jonathan Ware - This Be Her Verse (2022)

Golda Schultz and Jonathan Ware - This Be Her Verse (2022)
WEB FLAC (Tracks) 223 MB | Cover | 58:34 | MP3 CBR 320 kbps | 136 MB
Classical | Label: Alpha Classics

This question drives a recital of songs by female composers performed by soprano Golda Schultz and pianist Jonathan Ware. Opening with works by Clara Schumann and Emilie Mayer (including her setting of the ballad Erlkönig), this recital weaves stories of women’s experience with fantastic tales of powerful sirens like the Lorelei. The great American-British violist and composer Rebecca Clarke’s arresting William Blake settings offer a woman’s perspective on texts also set by Benjamin Britten.