The Singapore Symphony and its music director Hans Graf present a recording of Józef Kozłowski’s Requiem, together with the Singapore Symphony Chorus & Youth Choir, as well as a quartet of outstanding soloists: Olga Peretyatko (soprano), Olesya Petrova (mezzo-soprano), Boris Stepanov (tenor) and Christoph Seidl (bass). The Requiem (1798) was commissioned to Kozłowski by the abdicated King Stanisław of Poland, and can be perceived as a requiem not just for the monarch, but for the entire Polish nation, absorbed by the Russian state during the 1780s.

Written in December of 2020, Multiplicities: A Repository of Non-Existent Objects is a collection of twenty musical aphorisms inspired by the writings and thought of Gilles Deleuze. Volume One, released in 2022, featured the first set of ten compositions performed by the powerful electric ensemble Chaos Magick.

The Ensemble intercontemporain and its new music director Pierre Bleuse pay homage to György Ligeti, whose birth centenary we celebrated in 2023: ‘Ligeti is one of the greatest composers of the twentieth century and certainly one of those who first made a powerful aesthetic impact on me personally!… This recording, my very first with the Ensemble intercontemporain, which combines concertos and chamber music, highlights the EIC’s qualities as soloists and chamber musicians. And I’m not forgetting that Ligeti is an integral part of the repertoire of the Ensemble, which has performed his works extensively…

Caterina Barbieri somehow recalls both Laurie Spiegel and Lorenzo Senni on her staggering debut album for Editions Mego, with ‘Ecstatic Computation’ yielding her most striking and accessible experiments in pointedly explorative synthesis.

Following their massive 1986 European stadium tour for the A Kind of Magic album, Queen took an extended break. Rumors swirled about an impending breakup, but it turned out the break was brought on by a painful marital divorce for guitarist Brian May (who subsequently battled depression and contemplated suicide), and Freddie Mercury being diagnosed with AIDS. Instead of sinking further into misery, the band regrouped, worked on each other's mental state, and recorded one of their most inspired albums, 1989's The Miracle. Lyrically, the songs tend to reflect on the band's past accomplishments ("Khashoggi's Ship," "Was It All Worth It") as well as the state of the world in the late '80s (the title track, "I Want It All").

Omnivore Recordings, in conjunction with the Buck Owens Estate, is proud to present Buck Owens and The Buckaroos’ The Complete Capitol Singles: 1967–1970. This is the second in a series chronicling every one of Buck’s historic Capitol singles from the ’50s, ’60, and ’70s. Taken from the original mono and stereo masters, The Complete Capitol Singles: 1967–1970 collects the A- and B-side to all 18 singles from that period, including 14 Top Ten hits, in their original, chronological form.

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.

Soul Jazz Records’ long-lasting Punk 45 series are high-quality editions of early punk 45s. While previous editions have focussed on the early days of punk in Los Angeles, Cleveland, Akron, France, and proto-punk, this new edition focusses on mainly do-it-yourself, or self-released 45s, all made in the UK in the early days of punk.

Paul Williams started out as an actor in the 60s, struggled to get work, and ended up almost by accident as a songwriter. Lucky us! He became one of the warmest, most successful songwriters America has ever seen, with songs full of generosity, humility and humanity. Right at the start, he wrote ‘Fill Your Heart’ with Biff Rose, covered by David Bowie on “Hunky Dory”, and ‘Someday Man’ for the Monkees. But it was in the 70s that he hit his stride, writing a ton of songs for the Carpenters, including ‘We've Only Just Begun’ and ‘I Won't Last a Day Without You’.

One of the most celebrated singer/songwriters of her generation, Nanci Griffith had a gift for writing songs that were literate and emotionally complex while also sounding thoroughly universal, even when they most often reflected small-town Texas life. A proud daughter of the Lone Star State, Griffith liked to call her music "folkabilly," reflecting her influences in folk, country, early rock & roll, and the Texas songwriting community that for her was both an inspiration and a home base. Though her music was steeped in tales of ordinary lives, she wasn't afraid to speak her mind about social and political matters, and injected a progressive sound and feeling into music that embraced traditionalism. 1984's Once in a Very Blue Moon, her third album, was the creative breakthrough where she hit her stride as a songwriter and performer, 1993's Other Voices, Other Rooms was a celebration of her influences and was a critical and commercial success, and 2004's Hearts in Mind was an ambitious collection of politically oriented songs. Collection includes: There's A Light Beyond These Woods (1978), Poet In My Window (1982), The Last of the True Believers (1986), Other Voices, Other Rooms (1993), Flyer (1994).

REM s massive 1989 world tour in support of their Green album - released at the end of 88 - took up virtually the entire year. Beginning in Japan in late January and concluding back in the band s hometown of Athens, Georgia eleven months later, it was this tour which allowed REM to explode onto the mainstream, while still retaining their indie credentials. Playing throughout as a five piece for the first time - Peter Holsapple from the dB s was in tow on keyboards - this lengthy tour established the group as first division players a position they have retained ever since. This CD features the full show played at the Orlando Arena in Florida on 30th April 1989, also the subject of a live FM broadcast. The dynamic set played by the group that night featured 6 of the songs from Green, plus a heady mix of oldies from their previous 5 records, albeit with emphasis on 87 s Document and the previous year s Life s Rich Pageant. Completing the set with a couple of covers from fellow Athens collective Pylon, whose Crazy had already been featured as b-side to REM s Driver 8 single in 85, plus Academy Flight Song a live favourite for the band taken from the back catalogue of Boston s Mission Of Burma. All told, this legendary broadcast finds REM at the point in their career when huge worldwide success was beckoning, but when the group always firmly grounded had full control of exactly where they were and where they were going.

"Nightclubbing: The Birth of Punk Rock in NYC" is the first-ever documentary about the renowned New York City nightclub Max's Kansas City (1965-1981), which had an indelible impact on the world of music, fashion, art, culture, and the creation of the New York City Punk Rock scene. As the legendary Alice Cooper puts it: "A million ideas were launched back there," referring to the Max's Kansas City famous backroom, where everybody gravitated toward the pop art genius Andy Warhol, who held court there. This first-ever film on Max's Kansas City features never-before-released footage, including footage of three of Warhol's superstars – Jayne County, Ruby Lynn Reyner and Penny Arcade.

Eurythmics were one of the most successful duos to emerge in the early '80s. Where most of their British synth pop contemporaries disappeared from the charts as soon as new wave faded away in 1984, Eurythmics continued to have hits until the end of the decade, making vocalist Annie Lennox a star in her own right, as well as establishing instrumentalist Dave Stewart as a successful, savvy producer and songwriter. Originally, the duo channelled the eerily detached sound of electronic synthesizer music into pop songs driven by robotic beats. By the mid-'80s, singles like "Sweet Dreams (Are Made of This)" and "Here Comes the Rain Again" had made the group into international stars, and the group had begun to experiment with their sound, delving into soul and R&B. Collection includes: Sweet Dreams (Are Made Of This) (1983); Touch (1983); 1984 (For The Love Of Big Brother) (1984); Be Yourself Tonight (1985); Revenge (1986); Savage (1987); We Too Are One (1989).

New Year's Concert 2025 with Riccardo Muti It has long been a Philharmonic tradition at the New Year to present a program consisting of the lively and at the same time nostalgic music from the vast repertoire of the family of Johann Strauß and its contemporaries. These concerts not only delight the audiences in the Musikverein in Vienna, but also enjoy great international popularity through the worldwide television broadcast, which now reaches over 90 countries.

Drums have always been an essential part of De-Phazz’s music. Either the ‘groove’ holds the fragile sample mosaic together during studio recordings, or the drummers act as the driving force on stage. Most people associate the lounge band, which is known for its relaxed songs, with top-class drummers. But from the very beginning, big names from the jazz and pop scene have always been used. Pit Baumgartner pays attention to the quality of the groove producers, because it is the details that start with the microtiming of a song. Reason enough, therefore, to offer the beat men a musical platform on which they can present their art with great enthusiasm and virtuosity. The longplayer juxtaposes different genres such as jazz, pop, experimental, antiquarian and documentary.