Stunning solo Texas blues and barrelhouse piano by the late pianist. The most amazing material, produced by Mack McCormick in Austin, dates from 1963 - the rhythmically and technically complex "The Cows" is a tour de force, and "The Ma Grinder" and "The Clinton" aren't far behind. Later numbers from 1973 and 1977 prove that Shaw's skills didn't degenerate with time.

This set is a near-classic, one of many from this period, by the Dave Brubeck Quartet. Drummer Joe Dodge had just joined the group, and he works with bassist Ron Crotty in laying down a solid and subtle foundation. The real action, however, takes place up front with pianist Dave Brubeck and altoist Paul Desmond. Their individual solos are full of creative ideas on six standards - most memorable are "All the Things You Are," "Laura," and "I'll Never Smile Again" - and their interaction and tradeoffs are timeless.

After a stint with Gong as their trippy, hippy, new agey guitar guru of cosmically and extremely raga-esque trance rock and improv heaven, Steve Hillage went solo. He branched out to carry his own version of the Gong gospel of personal freedom via his special blend of cosmic brotherhood, Eastern religion, new age, pyramids, ley lines, crystals, and some ferocious jazz fusion and progressive rock guitar blended with space rock synths. Hillage reinterprets some well-known tunes by other artists like Donovan and George Harrison here as well as penning some of his more memorable sonic treats. His awesome riffing and speedy solos on his Fender Strat rival those of Hendrix and Frank Marino but go further compositionally via exotic scales from other cultures…

2006 release by studio-based outfit Lazy featuring soft and sweet Bossa Nova/Electronic Сhillout versions of some of Pink Floyd's most memorable tunes including 'Wish You Were Here', 'Money', 'Another Brick in the Wall', 'Comfortably Numb' and more. If the girl from Ipanema had been raised in Swingin'London in the late '60s and early '70s, then she probably would have sounded like this!

A new recording from renowned recitalist and winner of the Lieder Prize at the 1997 Cardiff Singer of the World Competition, Christopher Maltman. Graham Johnson is both accompanist and curator of this series that presents the entire piano-accompanied songs and vocal works of Johannes Brahms.

The stylistic pluralism which informs so much contemporary choral writing pays rich dividends in the work of Jaakko Mäntyjärvi—a thrilling programme of some exciting, accessible, contemporary music.

It is well known that in Venice a "Golden Age" of compositional, vocal, and instrumental musical creativity and virtuosity emerged, and then flourished during the mid-1500s to the mid-1700s. The 16th century experienced a substantial development in the cappella ducale of Saint Mark's, which, until the end of the 17th century, remained the leading center of musical activity in the city. Evidence of this comes from the profusion of significant musicians that it received in that "Golden Age": either as maestri di cappella, or as organists (Claudio Merulo, Andrea and Giovanni Gabrieli), or as virtuoso instrumentalists (the cornet player Giovanni Bassano). Claudio Merulo and Andrea Gabrieli played a decisive role in the simultaneous emergence of Venetian keyboard and stile concertato music.

This CD gives a glimpse into the rich musical world of Dieterich Buxtehude and his contemporaries. These composers were active as Kapellmeisters and wrote music specifically to be performed during the concerts known as Abendmusiken or for various Collegia Musica. They were also associated with the Hamburg or North German School of the seventeenth century.

Similar to his first Shelter outing (Getting Ready), but with more of a rock feel. That's due as much to the material as the production. Besides covering tunes by Jimmy Rogers, Howlin' Wolf, and Elmore James, King tackles compositions by Leon Russell and, more unexpectedly, Bill Withers, Isaac Hayes-David Porter, and John Fogerty (whose "Lodi" is reworked into "Lowdown in Lodi"). King's own pen remained virtually in retirement, as he wrote only one of the album's tracks.