Recorded in Bruce Walford's studio in San Anselmo, this album sees the Sons in transition. Tim Cain, the sax player who co-founded the band with Bill Champlin back in 1965, had left, as had trumpet player Jim Beem. The stripped down band has an opportunity to stretch out on a number of fine Bill Champlin compositions, and the album also features the recorded debut of Terry Haggerty's "Follow Your Heart", a tune that would stay in the band's set list until Haggerty's departure in 2001 (a more polished version of the tune appeared on the out of print Circle of Love album, and there is a great performance on The Sons Live CD released in 1997). Soon after the release of this album Bill Champlin took the first of his sabaticals from the group, returning to a new rhythm section and a revised name (Yogi Phlegm) several months later. Not quite as good as Welcome to the Dance, this album still cooks pretty hard and is definitely worth a listen.

Following in the wake of his popular and well received Punk and New Wave and Lost 80s compilation box sets, English broadcaster, TV presenter and DJ Gary Crowley is at it again. This time, he takes on the music of the Nineties via his Indie 90s Playback Classics, Curveballs and Bangers.

Nils Frahm returns with an expansive new album, Music For Animals, his first fresh studio material since 2018’s All Melody and 2019’s associated All Encores. Containing ten tracks and clocking in at over three hours long, it’s an ambitious and compelling set different to anything Frahm’s released to date – in fact, it finds the Piano Day founder declining to use a piano – but at the same time retains many of the qualities that have set the influential musician’s work apart over much of the last two decades.

El Loco is the seventh studio album by the American rock band ZZ Top, released in 1981. The title means "The Crazy One" in Spanish. The band's guitarist/singer Billy Gibbons has said that the recording of this album was the first time the three members of the band were isolated from one another in the studio, rather than recording simultaneously in the same room. It also foreshadowed ZZ Top's synthesizer-driven direction later in the decade, with early experimentations in synthesizer backing on certain tracks.

Perhaps it’s all down to Stevie Nicks being at peace with her legacy, perhaps she was coaxed back toward the ‘70s by producer David A. Stewart, perhaps it’s the presence of Lindsey Buckingham on “Soldier’s Angel,” or perhaps it’s the fact that she excavated a 1976 song called “Secret Love” for this album, but In Your Dreams is Stevie’s first solo album to embrace the sound of Fleetwood Mac at their prime. Nicks never exactly ran away from the Mac, but her ‘80s solo hits were tempered by a steely demeanor and her subsequent solo albums strove too hard to recapture the magic that In Your Dreams conjures so easily.

Hello Young Lovers is the 20th studio album by Sparks and was originally released on 6th February 2005. The album was the most commercially popular Sparks album since the 1970s. Hello Young Lovers has been newly remastered for this CD reissue, which contains sought after bonus material!

Bookended as it is by Russell Mael's wordless chorale vocals that help kick off the opening "Intro" and which recur in the soothing but strange conclusion to the final song, "Likeable," not to mention similar moments throughout the album, it's almost too easy to summarize Exotic Creatures of the Deep as Sparks' most involved tribute to the Beach Boys, late-'60s version. But as with nearly everything the band's ever done, one can't sum up an album quite as simply as that, and Exotic Creatures, if not as completely explosive as Hello Young Lovers at its heights, finds the rude creative health of the Maels still firing on all cylinders.

Balls is the 18th album by the American rock band Sparks, released in 2000.

Six CD set from the British post-punk band containing albums, singles, sessions, alternate versions and 22 previously unreleased recordings. Theatre of Hate burned briefly but brightly during the first couple of years of the 1980s, leaving behind the seminal Westworld album, a handful of highly regarded Peel sessions and independent hit singles and a then-unreleased second album, Aria Of The Devil. Omens brings together those classic recordings alongside main man Kirk Brandon's Stone In The Rain album (recorded by Brandon and fellow Theatre Of Hate man Stan Stammers and issued in the US as a Theatre Of Hate album), and Yonjuuichi, a band-curated collection of more recent sessions and versions, bringing the Theatre Of Hate story into the present day.

The defining saxophonist of his generation, Johnny Hodges rose to prominence during the big-band era with what Duke Ellington described as 'a tone so beautiful it sometimes bought tears to the eyes'. Perhaps an understated member of Ellington's big band initially, Hodges' deft tone and seductive style soon affirmed him as one of The Duke's most valuable soloists and a vital player in his orchestra. A subdued yet commanding presence in the big band format, Hodges' assured mastery of the alto-sax and his subtle nuance has left him regarded as one of the very best musicians to have worked alongside Ellington. Hodges' career-defining moment came in 1928 when he joined Duke Ellington's orchestra, and from 1937 he led his own studio group drawn from members of the group, with whom he released tracks co-written with Ellington, including 'Jeep's Blues', 'Hodge Podge' and 'Confab With Rab', each composed to complement Hodges' own seductive style of play.

It is probably now or never. With classic older sets vying with a clutch of more recent recordings, there is currently as complete and interesting an array of recordings of Rossini's La Cenerentola as we are likely to get at any one time. Among recent versions, Chailly's new Decca set is self-evidently a powerful contender. Cecilia Bartoli is arguably the most personable and musically accomplished Cenerentola since Teresa Berganza recorded the role with Abbado in 1971; and there is a strong cast of supporting principals, among them Alessandro Corbelli who offers the best characterized Dandini since Bruscantini. (With the added advantage of being far more technically expert in fioriture passages than was his distinguished predecessor.)

Born as an hommage to Albert Schweitzer, the project “Lambarena, Bach to Africa” was the idea of Mariella Berthéas and the foundation “L’espace Afrique”, organized to make this recording possible. Uniting the two integral elements which formed Schweitzer’s “sound world” - the music of Bach and the native melodies and rhythms of his adopted homeland Gabon - Lambarena is the work of two uniquely talented musicians: Hughes de Courson, French composer and producer, who pieced together the classical structure of Lambarena, and Pierre Akendengué, author, philosopher and guitarist from Gabon with more than 12 recordings to his credit.

The French-born guitarist Roland Dyens began studying his instrument at the age of nine. By age 33, he was listed as one of the world’s best by The Guitarist Magazine. Dyens is currently a professor at the Conservatoire National Supérieur de Musique de Paris. Known also as a brilliant arranger, Dyens has chosen some of the most memorable guitar repertoire by late 18th and early 19th - century composers and arranged it for solo guitar and string quartet, specifically the Quatuor Arthur LeBlanc: seven études by the 19th century Catalan composer Fernando Sor; and one of the six Rossiniana composed by Mauro Giuliani on themes from Rossini operas. Dyens also performs Giuliani’s Variations on a Theme by Handel and Sor’s Grand Solo, opus 14 for solo guitar.