The award-winning Theatre of Early Music with Daniel Taylor and friends is back in this new recording of poignant funeral cantatas by Bach and Telemann. Death was a beloved theme for both composers, who understood its agony as a prelude to the soul’s joining with God and sought to justify its hour through their transcendent musical language.

Secret Service is a Swedish pop band formed in Stockholm in 1979. In 1979, Ola Håkansson, former vocalist of Ola & the Janglers and then a publishing manager at Sonet Records, teamed up with Tim Norell and Ulf Wahlberg as Ola+3 to perform at the 1979 Melodifestivalen, a contest which is the Swedish qualification to the Eurovision Song Contest. Ola+3 did not win but the members decided to continue working together and recorded an LP as Ola+3. Besides Ola Håkansson (vocals), Tim Norell and Ulf Wahlberg (keyboards), the original lineup also included Tonny Lindberg (guitars), Leif Paulsen (bass) and Leif Johansson (drums). Norell, who along with lyricist Björn Håkanson penned most songs of the band, did not however appear with them on stage or on the band photos.

All of Hank Crawford's many recordings for Milestone in the 1980s and '90s are worth picking up by his fans although this reasonably enjoyable outing is not one of the more essential ones. The soulful altoist is joined by Dr. John on piano and organ, guitarist Melvin Sparks, bassist Wilbur Bascomb, Jr., drummer Bernard Purdie and a five-piece horn section (Houston Person and David "Fathead" Newman get a tenor solo apiece) for a set mostly comprised of group originals plus the old ballad "Say It Isn't So" and Thomas A. Dorsey's spiritual standard "Precious Lord"; Dr. John takes a vocal on his "Tragick Magick."

Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank Sinatra. With his second studio disc, It's Time, Bublé builds upon the musical foundation he laid with his debut and demonstrates that he is much more than a flavor-of-the-month celebrity. Like his debut, It's Time mines the rich history of pop music as Bublé applies his own technique to classic standards and incorporates his Rat Pack sound into modern pop songs.

"The Traveler" is Dave Kerzner's third studio solo album. The main character of his debut solo album "New World" returns! The Traveler takes you further along in the journey tying in the stories of not only Kerzner's first three solo albums but there's even a connection to In Continuum's Acceleration Theory storyline and beyond!
For the first time Kerzner has combined collaboration his band mates from four different bands/projects: In Continuum, Sound of Contact, Mantra Vega and Arc of Life! Featuring an all All Star cast of Prog musicians including Fernando Perdomo, Durga McBroom, Nick D'Virgilio, Marco Minnemann, Randy McStine, Matt Dorsey, Francis Dunnery, Billy Sherwood, Jon Davison, Alex Cromarty, Stuart Fletcher, Ruti Celli, Joe Deninzon and more!

Maretimo Records presents Cinematic - Electric Lounge Flow - Pure Chillout Music. Modern lounge style with hq sound design. Cinematic is sunset, Cinematic is lounge bar. But anyway in a unique of wonderful chill music.

Gary Burton spent a great deal of his professional life juggling his duo careers as a bandleader and jazz educator. So it came as no surprise to see him form a brand new group of talented up and coming players in 2004, the eighth such new unit by his count. Burton's skill on vibes is a given, but his ability to find four impressive young men able to jump right in and perform at a high level also deserves kudos. The leader first heard guitarist Julian Lage on the 2000 Grammy Awards at the tender age of 12; he was just 16 at the time of these sessions and had already appeared with Burton on the earlier CD Generations. Lage, who shows incredible chops without overdoing it, also contributed the easygoing, infectious strut "Walkin' in Music" and "Clarity," a playful duet with Burton.

The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns…

Culled from Johnny's 3 '80s Alligator albums (Guitar Slinger-Serious Business-Third Degree) these 12 tracks prove that after the guitar slingers CBS years he still had the fire to burn the fingerboard! Back by top notch Chicago blues players and the occassional guest's Dr. John & Tommy Shannon (ex Stevie Ray Vaughan bassist) during his Alligator years, these recordings show Johnny at his best with no confetti or studio razzle dazzle. These raw to the bone blues tracks boil red hot. If you don't own any of the guitar legends Alligator albums, you must get this one.

Monteverdi was only 23 when he published his Second Book of Madrigals in 1590, but he was already a master of the form, and these contrapuntally lively pieces, with their supple and astute text setting, are crowning works of late Renaissance secular polyphony. With this release of the Second Book, Rinaldo Alessandrini moves closer to his goal of recording all of Monteverdi's eight Books of Madrigals, performed by Concerto Italiano, the ensemble he founded in 1984. The series has received much-deserved critical acclaim; three of the releases won Gramophone Awards, and this 1994 recording won a Diapason d'Or. Concerto Italiano is a group whose roster is flexible, based on the requirements of the music performed, and here seven unaccompanied singers configure themselves in a variety of combinations in the five-part madrigals.

The style of Italian early music conductor Rinaldo Alessandrini and his Concerto Italiano might be described as both strongly expressive and highly intelligent. Consider this recording of Monteverdi's Sixth Book of Madrigals, pieces that hover between the older polyphonic madrigal tradition and the newer, essentially soloistic and dramatic language of opera. The texts of these mostly five-part pieces focus almost exclusively on extremely melancholy depictions of mourning for love lost, mostly through death – something Alessandrini in his detailed and highly informative notes attributes to the death of Monteverdi's wife and his favorite female student shortly before the music was composed. Alessandrini takes the ideal of text expression as paramount, downplaying larger formal details in favor of a sequence of extremely intense moments.

If a rock and roll alien came upon the planet and wondered exactly what the NAC tag meant musically, Pauline Wilson's bright and snazzy vocals on Intuition might make a perfect example. The tunes, written by a variety of known names like Gregg Karukas and Brenda Russell, are not quite trendy enough to be Top 40 hits, but still stylish, hooky, and affable. As any good song stylist knows, it's important to surround oneself with a great support system, and Yutaka Yokokura (with whom Wilson has toured) has produced some bright sounds featuring strong reed contributions by Judd Miller, Brandon Fields, Gary Herbig and Gary Meek. And yet standing out above the stellar musicianship is the crisp, pristine, powerful yet not overwrought voice that drove Seawind fans crazy once upon a time. She tugs at the heart, but is tasteful in her choice not to send us to intensive care.