It's hard to approach a Radiohead tribute with anything but reservation, as the majority of the band's later work is difficult to replicate, especially if your arsenal consists of a single piano. Things aren't helped much thanks to Brad Mehldau's jazz interpretations leaving a bitter taste in the mouth of even the most die-hard Radiohead fan. That said, True Love Waits isn't a bad compilation if you were a fan of Mehldau's reworkings. However, if you were on the other side of the fence, it might not be the best album you'll listen to all year.

This compilation of 39 tracks, rather arrogantly titled The Album, offers a good mix of current guitar-based pop, rock and indie with the bonus of Fatboy Slim's housey "Star 69" and Roni Size's "Dirty Beats" tacked on the end. This is the sort of album you could expect to hear down the student union bar with a range of songs to cover all bases for even the most fussy of compilation critics. CD2 holds the indie-rock lighter in the air with Coldplay's "Trouble" and David Gray's "Late Night Radio" sandwiched between tracks by likely lads Supergrass ("Movin'") and Blur ("Coffee & TV"). Less obvious inclusions are alt.country masters Grandaddy ("The Crystal Lake") and gentle folkies the Kings of Convenience ("Toxic Girl"). CD1 is the less easy-listening of the two with some rock guitar riffing from the Manics ("You Stole The Sun…"), JJ72 ("Oxygen") and perfectly hip Placebo's "Taste In Men". If you're not into dance and the latest compilation from clubland isn't your cup of tea, then this could well be The Album before a good night out.

Amnesiac is the fifth studio album by the English rock band Radiohead, released in June 2001 by Parlophone. Recorded during the same sessions as Radiohead's previous album Kid A (2000) with producer Nigel Godrich, the album incorporates similar influences of electronic music, 20th-century classical music, jazz and krautrock. Its lyrics and artwork explore themes influenced by memory and reincarnation, with influences from ancient Greek and Egyptian mythology. Singer Thom Yorke described it as "another take on Kid A, a form of explanation." Though many critics considered it inferior to Kid A, Amnesiac received positive reviews and in 2012 Rolling Stone ranked it number 320 in their updated version of The 500 Greatest Albums of All Time. In 2009, Pitchfork ranked Amnesiac the 34th best album of the 2000s. The album was also included in the book 1001 Albums You Must Hear Before You Die.

In Rainbows is the seventh studio album by the English rock band Radiohead. It was self-released on 10 October 2007 as a pay-what-you-want download, followed by a physical release internationally through XL Recordings and in North America through TBD Records. It was Radiohead's first release after their recording contract with EMI ended with their album Hail to the Thief (2003).

Kid A Mnesia is a reissue compiling the albums Kid A (2000) and Amnesiac (2001) by the English rock band Radiohead. It also includes a bonus disc, Kid Amnesiae, comprising previously unreleased material. It was released on 5 November 2021 on XL Recordings.

Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 by Parlophone in the UK and a day later by Capitol Records in the United States. After transitioning to a more electronic style on their albums Kid A (2000) and Amnesiac (2001), recorded through protracted studio experimentation, Radiohead sought to capture a more immediate sound. They recorded most of Hail to the Thief in six weeks in Los Angeles with longtime Radiohead producer Nigel Godrich, focusing on live takes rather than overdubs. Songwriter Thom Yorke wrote many of the lyrics in response to the War on Terror and the resurgence of right-wing politics in the west at the turn of the millennium. Despite a high-profile internet leak of unfinished material ten weeks before release, Hail to the Thief debuted at number one on the UK Albums Chart and number three on the US Billboard 200 chart, and was certified platinum in the UK, US and Canada. It produced three charting singles: "There There", "Go to Sleep" and "2 + 2 = 5". The album received mostly positive reviews and was the fifth consecutive Radiohead album nominated for a Grammy Award for Best Alternative Music Album.

2019 release. 15-track jazz tribute to Radiohead featuring covers by Jamie Cullum, Geoff Gascoyne and Sebastian de Krom, Magnetic Ear, Richard Cheese, Terni Jazz Orchestra, Noordpool Orchestra and others.

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.

Live at the Astoria is a live concert video from English alternative rock group Radiohead's concert at the London Astoria venue on 27 May 1994, released on 13 March 1995 to VHS, and later to DVD in 2005. The concert is notable for its collection of songs being heard then for the first time. These songs would not appear until the release of The Bends, ten months later. It is Radiohead's only concert home video to date, not including the From the Basement DVD which is a live performance recorded in a studio rather than in front of an audience. The DVD edition of Live At The Astoria, digitally restored and remastered, was released on 21 November 2005 in Europe and on 22 November 2005 in North America. To be included on the bonus discs of the collector's editions of Pablo Honey and The Bends, the concert was split between the two. "You", "Ripcord", "Creep", "Prove Yourself", "Vegetable", "Stop Whispering", "Anyone Can Play Guitar", "Pop is Dead" and "Blow Out" were included on the re-release of Pablo Honey. Whereas "Bones", "Black Star", "The Bends", "My Iron Lung", "Maquiladora", "Fake Plastic Trees" "Just", and "Street Spirit (Fade Out)" featured on the re-release of The Bends.

Pablo Honey is the debut studio album by the English alternative rock band Radiohead, released in February 1993. "Special Edition" in deluxe, lift-top box packaging, includes both audio discs and adds a DVD with a variety of promotional music videos, TV performances and filmed concert performances, as well as a series of postcards.

Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. After having suffered a mental breakdown promoting Radiohead's acclaimed 1997 album OK Computer, songwriter Thom Yorke envisioned a radical change in direction. The band replaced their rock sound with synthesisers, drum machines, the ondes Martenot, string orchestras and brass instruments, and incorporated influences from electronic music, krautrock, jazz, and 20th-century classical music. They recorded Kid A with OK Computer producer Nigel Godrich in Paris, Copenhagen, Gloucestershire and their hometown Oxford, England. The sessions produced over 20 tracks, and Radiohead split the work into two albums: Kid A, and Amnesiac, released the following year. In 2001, Kid A received a Grammy Award nomination for Album of the Year and won the award for Best Alternative Album.

The Eraser is the debut solo album by Radiohead lead singer Thom Yorke, released on 10 July 2006. The album debuted at #3 on the UK Albums Chart and at #2 on the Billboard 200 in the United States. The Eraser was nominated for both the Mercury Music Prize and the Grammy Award for Best Alternative Music Album in 2007.

OK Computer is the third studio album by the English alternative rock band Radiohead, released in 1997 on Parlophone and Capitol Records. Four songs from the album – "Paranoid Android", "Karma Police", "Lucky" and "No Surprises" – were released as promotional singles. The album expanded Radiohead's worldwide popularity and has sold over eight million copies worldwide to date. In 2003, the album was ranked number 162 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. "Special Edition" in deluxe, lift-top box packaging, includes both audio discs and adds a DVD with a variety of promotional music videos, TV performances and filmed concert performances, as well as a series of postcards.

Japanese double disc set, comprised of 10-track CD album, originally released in 2007, plus bonus DVD featuring Radiohead from the Basement 7 track live DVD. The album received critical acclaim and was ranked one of the best albums of 2007 and of the decade by various publications. It won two Grammy Awards for Best Alternative Music Album and Best Boxed or Special Limited Edition Package. In 2012, Rolling Stone placed In Rainbows at number 336 on their updated list of the 500 Greatest Albums of All Time.

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name – it's an album track on 1986's True Stories – but Radiohead never sounded much like the Heads, nor did they take much from Bowie, apart from their willingness to experiment. Instead, they spliced Floyd's spaciness with U2's messianic arena rock heft, bridging the gap with guitar skronk borrowed from the '80s American underground. Jonny Greenwood's jagged, brutal interjections on "Creep," the band's 1993 breakthrough hit, recalled the ugly noise of the Pixies and Nirvana, a sound that translated over the expanse of an ocean, but in the throes of the alternative rock explosion of the mid-'90s, Radiohead were the odd band out.