Bruce Springsteen's make-or-break third album represented a sonic leap from his first two, which had been made for modest sums at a suburban studio; Born to Run was cut on a superstar budget, mostly at the Record Plant in New York. Springsteen's backup band had changed, with his two virtuoso players, keyboardist David Sancious and drummer Vini Lopez, replaced by the professional but less flashy Roy Bittan and Max Weinberg. The result was a full, highly produced sound that contained elements of Phil Spector's melodramatic work of the 1960s. Layers of guitar, layers of echo on the vocals, lots of keyboards, thunderous drums – Born to Run had a big sound, and Springsteen wrote big songs to match it.

This sophomore disc from the Chicago multi-instrumentalist (but mainly harpist/vocalist) Lester Davenport follows his solo debut by a whopping 11 years. Although it's impossible to justify the wait, this is a terrific West Side Chicago blues album, confirming he's an under-recognized and way under-recorded musician. Guitarist Jimmy Dawkins (who also produced) adds more authenticity to this rugged album, one that could have been recorded for Chess in the '60s. Well, except for a rollicking instrumental entitled "To Our Lost Ones 9/11/01," and even that ignores its contemporary title, capturing the spirit of Little Walter's glory days. Piano duties are shared equally by Detroit Junior (on tracks 1-7) and Allen Batts (on 8-13). Both play with remarkable restraint, as does the entire band…

The City of Derby is inextricably rich in railway history - it was Midland Railway's headquarters after all. Not exactly 'Grand Music Central', yet Saturday, 8 April 1995 saw 29 year-old Andy Pickford launching his new 'contemporary instrumental electronic music' album, "Maelstrom", with an ambitious concert at Derby Cathedral. This event was well attended by over 400 people.
Pickford himself cites as artistic influences artists such as Tangerine Dream, Jean-Michel Jarre, Vangelis, The Orb, Boards of Canada, and various progressive rock bands. Pickford's compositions do have inspirational, passionate chord progressions that are reminiscent of the Greek musician Vangelis, who is best known for "Chariots of Fire." "Maelstrom"'s tracks also share much with the dreamy, early ambient work of The Orb…

The Great Sounds Of Rock n Roll Christmas – CDs with the greatest hits of the Rock n Roll Christmas. songs by Leonardo, Rockabilly Allstars, Billy Rock & The Snowcats and many more!

Kristoffer "Kris" Kristofferson is an American country music singer, songwriter, musician, and film actor. He is known for such hits as "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night". Kristofferson is the sole writer of most of his songs, and he has collaborated with various other figures of the Nashville scene such as Shel Silverstein. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in forming the country music supergroup "The Highwaymen". In 2004, Kristofferson was inducted into the Country Music Hall of Fame. Collection includes: Kristofferson (1970); The Silver Tongued Devil And I (1971); Border Lord (1972); Jesus Was A Capricorn (1972); Breakaway (1974) with Rita Coolidge; A Star Is Born (1976) with Barbra Streisand; Natural Act (1978) with Rita Coolidge; A Moment of Forever (1995); The Austin Sessions (1999); The Essential Kris Kristofferson (2004) 2CD; This Old Road (2006); Closer To The Bone (2009); Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72 (2010); Feeling Mortal (2012).

Australian new wave rockers known best for their '80s hits "Crazy" and "Electric Blue." Collection includes: Flowers (1980); Primitive Man (1982); Sidewalk (1984); Measure For Measure (1986); Man Of Colours (1987); Code Blue (1990); Big Wheel (1993).

Often referred to as the "King of Nubian Music," the Egyptian musician has enjoyed a remarkably varied career. Collection includes: Music of Nubia (1964); Al Oud: Instrumental and Vocal Music of Nubia (1965); Eclipse (1978); Muwashshah (1995); A Wish (1999).

The English pop-rock singer/songwriter's first hits compilation, +-=%x Tour Collection gathers two dozen of Ed Sheeran's biggest tracks in one easy package. Reaching all the way back to his 2011 debut single, "The A Team," from his first album, +, the set (also known as The Mathematics Tour Collection) continues chronologically through his career and each hit-filled studio album (including his non-arithmetically titled No. 6 Collaborations Project). Non-album tracks such as "I See Fire" (from The Hobbit: The Desolation of Smaug soundtrack) and "Lay It All on Me" (from British electronic group Rudimental's 2015 LP We the Generation) make this a solid grab for those listeners who only have his main catalog. Viewed as a single entity, +-=%x Tour Collection is an indisputable example of Sheeran's hit-making prowess and impact on 2010s mainstream music, so much so that this collection doesn't even include all of his platinum hits.

The Akademie für Alte Musik Berlin continue their Handel trilogy with this recording of the last six concerti grossi of the composer’s Op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as some of the most appealing orchestral music of the baroque era. With these pieces, written in London towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery, incorporating all musical styles of his times into his work.

Bach's gamba sonatas, not as famous as his solo-cello suites, receive an audaciously imaginative presentation on an 18th-century violoncello piccolo that captures the extraordinary beauties of the music as few others have done. The resulting flow of music, as if the sonatas and their curious companions (arrangements of other Bach) were one continuous reflection, is hypnotic in its appeal. The lighter, more agile tones of the violoncello piccolo, meanwhile, make what often sounds dense on the modern cello fantastic and poetical by turns.

Actually, Jochen Kowalski wanted to become a heroic tenor. However, his mentor Marianne Kupfer, wife of stage director Harry Kupfer, made it clear to him during his audition at the Komische Oper Berlin – his principal stage until today – that: “Handel is your Wagner”. This was the beginning of the artist’s one-of- a-kind career, whose entire life had always been defined by the power of music, even in early childhood. Although he was initially apostrophised as Countertenor, he unperturbed emancipated himself as Altus, characterised by a higher level of vibrato. Therefore, Jochen Kowalski’s singing technique provides us with a realistic picture of what once enthused half of Europe: castrato chant.

Das gefeierte Schlagerduo veröffentlicht den langerwarteten Nachfolger von "Das Album" aus dem Jahr 2020 und bekräftigt damit seinen Megastar-Status innerhalb der deutschen Musikszene.

The Legends is designed and signed as a reference on your choice of several exchangers file. 3 × CD, Compilation, Box-Set reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation! Spectrum Music, Universal Music Operations Limited, Sony Music. Listen, familiarize and download the publication on this website. Marvin Gaye, Gloria Estefan, Electric Light Orchestra, Marc Almond, Marianne Faithfull, Hot Chocolate, The Supremes, Barry Manilow! To your attention is presented a publication for review, as well as an overview of the overall picture, content and listening. And undoubtedly the acquisition of a definitely sustainable mood!

The boogaloo is an infectious and little-defined dance that dominated American dance records in the mid-60s. It was the joyous place where young black and Latin youths met and made sweet music. All previous Boogaloo compilations have focused on the Latin aspect, “Let’s Do The Boogaloo” looks at how the music crossed over between the two. The boogaloo craze started in Chicago with a record by Tom & Jerryo, but it proved to have an enduring legacy with its hit-making potential running from 1965 through to 1968 – much longer than any other comparable dance. Our earliest records – The infectious ‘Ready Steady Go’ by Prince & Princess, produced by Rolling Stones producer Jimmy Miller – kicks us off with a frenetic beat and some Latin horns. It is the perfect boogaloo crossover. Elsewhere we feature big sounds from both the soul and Latin side of the music. Club classics by the likes of Hector Rivera and Roy Lee Johnson, and obscurities by The PS 54 School Yard and Shirley Butler. The musical aspects of this compilation hail from as far apart as Texas and Detroit and Philadelphia and LA, where we found the previously unreleased Bob & Earl Band ‘Boogaloo’.

Another volume in the '45rpm single collection' series. 20 tracks representing a wide selection of rare grooves, covering genres like modern soul, jazz-funk, deep soul, disco, and heavy funk.