| Su | Mo | Tu | We | Th | Fr | Sa |
|---|---|---|---|---|---|---|
| 28 | 29 | 30 | 1 | 2 | 3 | 4 |
| 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| 12 | 13 | 14 | 15 | 16 | 17 | 18 |
| 19 | 20 | 21 | 22 | 23 | 24 | 25 |
| 26 | 27 | 28 | 29 | 30 | 31 | 1 |
Prior to the turn of the 20th century, Camille Saint-Saëns enriched the cello repertoire with two important compositions his Cello Concerto No.1 in A minor (Op.33) and his Cello Sonata No.1 in C minor (Op.32), which he dedicated to cellist Jules Lasserre. The writer Emile Baumann hailed this first Cello Sonata as “a unique work”, a masterpiece. It was composed in the autumn of 1872, and its first public performance – with J. Reuschel on cello and the composer at the piano – was given on 26 March 1873 at the Salle Érard in Paris. The work is divided into three movements: the first and third have a tragic character, while the second offers an oasis of quiet serenity. The work opens with a dramatic Allegro in sonata form. The second movement stems from an organ improvisation performed by Saint-Saëns at Saint-Augustin. The final movement takes up the tumultuous and agitated character of the first and ends in an unrelenting race.
