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Emmanuel Resche-Caserta, Ensemble EXIT, Ensemble Hemiolia, Emmanuelle de Negri - Trionfo Romano (2022)

Posted By: Fizzpop
Emmanuel Resche-Caserta, Ensemble EXIT, Ensemble Hemiolia, Emmanuelle de Negri - Trionfo Romano (2022)

Emmanuel Resche-Caserta, Ensemble EXIT, Ensemble Hemiolia, Emmanuelle de Negri - Trionfo Romano (2022)
WEB FLAC (Tracks +Digital Booklet) 360 MB | Cover | 01:04:15 | MP3 CBR 320 kbps | 152 MB
Classical | Label: Château de Versailles Spectacles

One of the most impressive public festivals in baroque Rome was held in honour of Louis XIV in 1687. To celebrate the King's recovery after the successful operation on his anal fistula, and to establish his prestige as the undisputed protector of the Catholic Church, Cardinal d'Estrées, the French ambassador to the Holy See, organised a grandiose open-air celebration in one of Rome's most famous urban theatres: the Pincio Hill, between the Trinità dei Monti and the Spanish Steps.

Le Caravansérail - Domenico Scarlatti: Stabat Mater & Other Works (2022)

Posted By: Fizzpop
Le Caravansérail - Domenico Scarlatti: Stabat Mater & Other Works (2022)

Le Caravansérail, Emmanuelle de Negri, Paul-Antoine Benos-Djian, Bertrand Cuiller - Domenico Scarlatti: Stabat Mater & Other Works (2022)
WEB FLAC (Tracks) 425 MB | Cover | 01:16:22 | MP3 CBR 320 kbps | 178 MB
Classical | Label: harmonia mundi

Beware the pen of a critic. When in 1720 an arrangement of Domenico Scarlatti’s 1714 opera Amor d’un’Ombra e Gelosia d’un’aura arrived at the King’s Theatre, Haymarket, Charles Burney’s pen was gently damning. “Though there were many new pleasing passages and effects”, proclaimed London’s esteemed writer on all things musical, “those acquainted with the original and happy freaks of this composer in his harpsichord music, would be surprised at the sobriety and almost dullness of the songs”; and over the ensuing centuries, critical opinion has largely persisted with the line that Scarlatti’s best work is to be found not among his vocal or instrumental works, but instead among the 555 harpsichord sonatas he wrote for the Portuguese Queen of Spain, María Bárbara.

Franco Fagioli, Malin Hartelius, Emmanuelle de Negri - Christoph Willibald Gluck: Orfeo ed Euridice (2015) 3 CDs [Re-Up]

Posted By: Designol
Franco Fagioli, Malin Hartelius, Emmanuelle de Negri - Christoph Willibald Gluck: Orfeo ed Euridice (2015) 3 CDs [Re-Up]

Christoph Willibald Gluck - Orfeo ed Euridice (2015) 3 CDs
Franco Fagioli (Orfeo), Malin Hartelius (Euridice), Emmanuelle de Negri (Amor)
Accentus; Insula Orchestra; conducted by Laurence Equilbey

EAC | FLAC | Image (Cue&Log) ~ 723 Mb | Mp3 (CBR320) ~ 352 Mb | Scans included
Classical, Opera | Label: Archiv Produktion (DG) | # 00289 479 5315 9 | Time: 02:31:52

This is a full recording of the original Italian version (the “Vienna version” from 1762) of Gluck’s beloved take on the Orpheus myth, Orfeo et Euridice PLUS extra music written by Gluck for later performances of his opera. It includes virtuoso arias for Fagioli and as such represents a brilliant showcase for him and a collectible item for connoisseurs. This is Franco Fagioli’s first ever recording of a complete opera in which he sings the title role and since, the role has become one of Franco’s calling cards in recent seasons. It is known for its absolutely gorgeous music, including one of opera’s most audience-pleasing tunes, the uber-famous aria “Che farò senza Euridice”. This version of the opera (by far the most popular one) appears for the first time ever on period instruments on DG / Archiv, hence filling a major gap in our catalogue and is a substantial project featuring one of our exciting new signings in one of his finest roles.