Sweet's earliest recordings - the clutch of 45s issued in the U.K. and Europe between 1968 and 1971 - made it out in a variety of forms in the years following the band's initial breakthrough. Strangely, however, it was not until 1991 - a full 20 years after "Funny Funny" gave them their long-awaited first hit - that the entire canon was pulled together, as Repertoire raided the vaults not only of Fontana and Parlophone, the band's first two labels, but also visited some less-familiar directions as well. The bulk of First Recordings 1968-1971 - tracks one through eight - comprises all four original singles, a mixed bag that ran from the unadulterated pop of "Lollipop Man" and "Slow Motion" to the convincing harder rock of "The Juicer"…

The great jazz pianist, composer, and Blue Note legend Horace Silver only released one live album during his lifetime, but his quintets were always among the most reliably thrilling working bands in jazz, delivering high-energy, crowd-pleasing performances of Silver’s indelible compositions to fans around the world. In August 1965, Silver brought a powerhouse line-up to The Penthouse in Seattle with Woody Shaw on trumpet, Joe Henderson on tenor saxophone, Teddy Smith on bass, and Roger Humphries on drums. A newly discovered recording of those performances gets its first-ever release with Silver In Seattle: Live at the Penthouse featuring the band delivering uninhibited renditions of Silver classics including “Song For My Father,” “The Cape Verdean Blues,” “The Kicker,” and more.

The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums).

More Acoustic Junk, a new collection celebrating their iconic sound in stripped-down form. This Record Store Day exclusive release features five brand-new acoustic recordings alongside five tracks from the original Acoustic Junk album—three of which have been remixed for this compilation. Known for their haunting melodies and introspective songwriting, the band’s acoustic arrangements showcase the raw beauty and emotional depth that have captivated fans for decades.

Jazz saxophonist Hank Mobley’s 1957 album Jazz Message #2 was originally released on Savoy in 1957. Featuring five cuts, including three Mobley compositions, the album features an ensemble of players, including Lee Morgan (trumpet), Hank Jones (piano), and Doug Watkins (bass).

Dion's new Memoir The Rock and Roll Philosopher pushed him deep into my past, and the power of those memories shot new music into my present and future. This album is the culmination of his most popular hits combined with the best songs for a live performance. Massive hits like 'Runaround Sue', 'The Wanderer' and 'Abraham, Martin and John' join recent releases, reimagined classics and a few brand new songs written for this project. This album tells Dion's story and it is the perfect companion to his memoir which gives personal insights to one of the Father's of Rock and Roll music.

Getting the Rhino Deluxe treatment with this release are various album configurations, including a 4CD deluxe edition featuring the original albums remastered and recut from the original tapes, alongside previously unreleased studio outtakes, demos and rarities and an unreleased live show from the corresponding tour (in this case their 1975 stop at the Orpheum Theatre in Boston).

What can one say about a singer who Ella Fitzgerald described as the best voice of all time? What Sarah does is miraculous. Some of the songs are a bit weak, but, she makes them better and the great songs, she absolutely soars. Her phrasing and incredible range (some say 3 octaves, but, it sounds more like 5)make this album worth every penny. Dreamsville, Slow Hot Wind, Mr. Lucky are the highlights. There will never be another female singer with a voice like Sarah. This album is a good reminder.

Released in May 1975, Captain Fantastic And The Brown Dirt Cowboy is the ninth studio album by Elton John, which includes the single “Someone Saved My Life Tonight”. The album tells the chronological story of the early years of Elton (Captain Fantastic) and Bernie’s (the Brown Dirt Cowboy) musical careers in London as they struggled to break through.
2CD - The 50th anniversary edition 2CD set contains the original album, previously unreleased session demos and Captain Fantastic Live 2005 performances, with three bonus tracks exclusive to this format.

The magical culture of Brazil has captured the hearts of many. Vocalist Camille Bertault began her love affair with Brazil in 2013, when she was awarded a grant from the City of Paris to collect Brazilian stories and legends to turn into a play. Bertault stayed in Brazil for three months, learning Portuguese and befriending many locals. Since then, she has returned every year to collaborate and perform with the great talent she met there. Bertault’s new Voz e Vocês is a gorgeous tribute to these joyous encounters and her love for Brazil.

With the story behind Bruce Springsteen’s Nebraska set to be explored by the feature film Deliver Me From Nowhere, Nebraska ’82: Expanded Edition gathers revelatory unheard material from this prolific period including the fabled Electric Nebraska sessions with the E Street Band and solo home and studio recordings, joined by a 2025 remaster of the original album, plus a new performance film of all ten Nebraska songs played in sequence. Springsteen’s 1982 acoustic masterwork is augmented by 17 contemporary recordings (15 previously unreleased) that were part of the groundswell of inspiration that shaped Nebraska and share its haunting themes. Together, they expand our understanding of how this seminal album came to be and reflect the breadth of Springsteen’s creative intentions at a pivotal moment in his artistic development.

The striking cover image of an abandoned swing illuminated against a field of glittering stars makes a compelling visual metaphor for the music on Close. “Music is a twilight language,” Steve Tibbetts confirms. “The job is to translate some shadow into sound.” On his 11th ECM release the Minnesotan guitarist resumes the quest, slowly developing his yearning improvised melodies over layered loops and drones and darkly rumbling percussion. If the sound colours, including distorted electric guitar and sparkling 12 string acoustic, make this music of the west, its gradual, almost hypnotic unfolding continues to suggest eastern affinities. “I am still reaching for the evocative sound of Sultan Khan,” says Tibbetts, speaking of the late Indian sarangi master whose playing has long been among his major influences.

The first release from Quella Vecchia Locanda is one of the all time Italian prog greats. This excellent debut album has a strong PFM-like attitude with loads of violin and classical themes. Songs are delicate and exceptionally well performed with warm precision. Imagine great 70's sounding keyboard work layered with flute, violin and great guitar work and you have got QVL. The band draw on some pretty heavy classical interludes to build their music on. Along the way we are treated to many thematic mood swings and tempo changes. This album has many standout tracks which combine the classical underground 70's Italian sound with a solid blend of tranquility and beauty. Vocals are very expressive and are full of harmonic textures.