Five-decades-running Americana pioneers Nitty Gritty Dirt Band have already played a major role in the preservation and popularity of folk music—their Will The Circle Be Unbroken album series introduced droves of new fans to folk, country, and bluegrass and earned the band multiple Grammy awards—but now, the long-running group have taken on another American institution near and dear to their hearts; the Bob Dylan songbook.

Ireng Maulana (born Eugene Lodewijk Willem Maulana born in Jakarta, June 15, 1944 - died in Jakarta, March 6, 2016 at the age of 71) is an Indonesian jazz musician. He has also played with several junior musicians such as Bara, Andien, Iskandarsyah Siregar and Syaharani.

"Although there is enough riffing here to satisfy the headbangers, with "Black Stabat Mater" the trio are venturing into more free and open landscapes with Mollestad truly coming into her own as a solo guitarist as well as a riffmeister previously compared to the likes of Tony Iommi and Jimmy Page. It´s also notable that extensive touring has given them a confidence boost, and once again the tracks have been laid down live in the studio with only minor overdubs.The last few years have seen a thrilling new progessive wave of Norwegian avant jazz´n´rock or free metal energy combos like labelmates Elephant9, Grand General, Bushman´s Revenge and Krokofant, and not to forget the mighty Scorch Trio - led by Finnish guitarist Raoul Björkenheim - who can be said to have started it all some 15 years ago."

The Faces were unanthologized on CD prior to 1999, but ever since Rhino's corking single-disc Good Boys…When They're Asleep…, the group has seen a number of different compilations of different sizes, of which Rhino U.K.'s 2012 set Stay with Me: Anthology is the fifth. At two discs, this has 2007's The Definitive Rock Collection as its closest cousin: they're both double discs that cover a tremendous amount of ground, but Stay with Me has a slight edge, weighing in at 36 tracks compared to Definitive's 30. Of those 30 tracks, 27 cuts are present and accounted for on Stay with Me – the missing numbers are "Open to Ideas," "Jodie," and "(I Know) I'm Losing You," the latter two cuts from solo Rod Stewart albums where he was backed by the Faces – and those other nine songs include some of the Faces' very best, including the roaring rocker "That's All You Need," Ronnie Lane's sweet, plaintive "Richmond," and the gloriously shambolic "On the Beach." Serious fans should pony up for 2004's Five Guys Walk into a Bar…, which is one of the great rock & roll box sets, but this double-disc set is like that box in miniature, containing the essence of the Faces in all their messy glory.

Time Life Music’s Singers & Songwriters: Classics features 20 cuts, almost all of which were culled from the singer/songwriter-rich 1970s. Featuring a solid mix of certifiable classics including “Still Crazy After All These Years” (Paul Simon), “(Sittin' On) The Dock of the Bay” (Otis Redding), and “Everybody's Talkin'” (Harry Nilsson) along with artist high watermarks such as “Leader of the Band” (Dan Fogelberg), “Sundown” (Gordon Lightfoot), and “For What It’s Worth” (Buffalo Springfield), Classics dutifully replicates a classic rock radio Sunday playlist.

Swedish melodic death metal masters In Mourning are celebrating the release of their new, critically-acclaimed studio offering, entitled The Immortal, that is out now via Supreme Chaos Records and Dalapop.
Since the early 2000s, In Mourning have steadily built a devoted international fanbase. With six acclaimed studio albums and several EPs under their belt, the Dalecarlian quartet returns with its seventh full-length release - arriving two years after their previous album, The Bleeding Veil.
Staying true to their signature blend of melancholic melodies and crushing heaviness, The Immortal sees the band further refine and expand their sonic identity. Fronted by the dynamic vocal duo of Björn Pettersson and Tobias Netzell - whose deep growls and soaring clean vocals offer striking contrast - the album explores themes of personal struggle and philosophical reflection…

This is one of the last Chet Baker (trumpet) long players recorded in the States prior to the artist relocating to Europe in the early '60s. Likewise, the eight-tune collection was the final effort issued during his brief association with the Riverside Records imprint. The project was undoubtedly spurred on by the overwhelming success of the Shelly Manne-led combo that interpreted titles taken from the score to My Fair Lady (1956). In addition to becoming an instant classic, Manne's LP was also among of the best-selling jazz platters of all time. While Baker and crew may have gained their inspiration from Manne, these readings are comparatively understated. That said, the timelessness of the melodies, coupled with the assembled backing aggregate, make Chet Baker Plays the Best of Lerner and Loewe (1959) a memorable concept album…

Pekka Pohjola was bass guitarist in the Finnish Progressive outfit Wigwam, but departed the band in 1975 to embark on a solo career. Mike Oldfield was a huge admirer of his work to the extent that he produced and performed on Pohjola's third album, The Mathematician's Air Display. The five tracks on the album are a splendid combination of Pohjola's musical vision and Mike Oldfield's unique production and musical skills. Pohjola was later to perform on the Mike Oldfield Exposed tour and album. Never before issued on CD in the UK, this Esoteric release is newly re-mastered and restores the original British album artwork.

Bliss is DJ and producer Steffen Aaskoven and the classically trained Marcgeorge Andersen. On this album, Bliss collaborate with none other than Boy George, on the highly acclaimed single, 'American Heart', as well as Lisbeth Scott (from Steven Spielberg's Munich And Mel Gibson's The Passion Of The Christ) on the title track (and single) 'No One Built This Moment'. Also includes musical assistance from Sophie Barker from Zero 7.

Corazón is Carlos Santana's first album for a major label since 2002's Shaman. It marks his reunion with executive producer Clive Davis, who masterminded 1999's multi-platinum Supernatural. Billed by RCA as his "first Latin album," Corazón is the studio counterpart to the guitarist's HBO Latino concert special that featured his band performing with a host of Latin music superstars in his native Mexico. The singing was (as it is here) mostly in Spanish. For the most part, Santana actually sounds hungry again. His studio band is filled with killers, including drummer Dennis Chambers, timbalero Karl Perazza, and conguero Raul Rekow. Opener "Saideira" features his trademark tone in a passionate, stinging, gritty exchange with vocalist Samuel Rosa, from the Brazilian rock and reggae band Skank. Jittering, insistent horns and layers of percussion push both men to escalate the battle. Juanes lends his soulful croon to first single "La Flaca." It's got an anthemic hook with layers of backing vocals framing Santana's tight and tasty solos.