Seong-Jin Cho garnered international attention and critical accolades through his first prize victory in the 2015 Warsaw Chopin Competition, followed by a studio recording pairing Chopin's Piano Concerto No. 1 and the 4 Ballades. Five years later, Seong-Jin returns to Chopin with a complementary program consisting of the romantic Piano Concerto No. 2 and the 4 Scherzi.

Five years after first conducting the Simón Bolívar Youth Orchestra in their Venezuelan home, Claudio Abbado continues his commitment to this stunning ensemble in this first joint audiovisual concert recording. Prokofiev's extrovert Scythian Suite is a gift for the boundless energy of these young players, while the intricacy and anguish of Berg's Lulu-Suite are an Abbado speciality, with soprano Anna Prohaska, in her Lucerne Festival debut, singing the heroine's dazzling statement of self-justification. The concert ends with an impassioned account of Tchaikovsky's Pathétique, his final symphony, one of the most moving works in music history.

Jednou z dominant letošního edičního plánu Supraphonu je světová premiéra historicky tak nepřehlédnutelného díla, jakým je korunovační opera Sub olea pacis největšího českého barokního skladatele Jana Dismase Zelenky (1679-1745). K velkolepé pražské korunovaci habsburského panovníka Karla VI. českým králem roku 1723 se připojili i pražští jezuité, když si u nejslavnějšího žijícího českého skladatele a navíc svého odchovance objednali velkolepou hudební fresku. Skladatel jejich přání s radostí vyhověl a dokonce své dílo přijel do Prahy nastudovat, a můžeme dnes říci, že se mu jeho tvůrčí pokus bezezbytku vyvedl. Více než hodinu a půl trvající skladba je jedním z nejlepších plodů barokní estetiky a navíc - po formální stránce - jednou ze čtyř úplně dochovaných tzv. školských her.

Dimonios follows The Great White War, still diving deep into the events of the first world war on the dolomitic front. With an updated line up, sporting the well-known drummer David Folchitto (Stormlord, Fleshgod Apocalypse, Velch), Dimonios will evolve Orgg's own black metal style and concept while keeping its roots deep where it all started.

DARKANE are back! The long-awaited seventh studio album "Inhuman Spirits" is finally here, and it is packed with intense, brutal, groovy and catchy melodic death/thrash metal.The album features ten haunting tracks that will get your mind moving and melting! Get ready for fast, energetic and heavily grinding songs. The high-quality musicianship, a trademark of DARKANE, was taken to the next level with a production by Lawrence Mackrory.

In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?

Toni Childs (born October 29, 1957) is an American-Australian singer-songwriter. She is best known for her songs "Don't Walk Away" (a Billboard Hot 100 hit in the United States in 1988), "I've Got to Go Now", a Top 5 hit in Australia in 1991, and the Emmy-winning "Because You're Beautiful" (released as a single in 2004, and featured on her 2008 album Keep the Faith). In New Zealand she has had six Top 40 hit singles and three platinum albums. Collection includes: Union (1988); House of Hope (1991); The Woman's Boat (1994); Keep The Faith (2008).

Something of a smooth jazz oriented answer to the label's 2003 straight-ahead compilation Jazz After Dark, this highly engaging two-disc set features oft-played radio hits that have helped define the genre's generally easy grooves and colorful melodies. For diehard fans, smooth jazz has always been as about much about lifestyle as music, and these tracks will no doubt remind them just why they became devotees. All the early classics (circa mid-'70s to mid-'80s) are here, from Kenny G.'s "Songbird" and Dave Grusin's "Mountain Dance" to George Benson's "Breezin'" and Grover Washington, Jr.'s "Just the Two of Us." These are supplemented by later hits like Boney James & Rick Braun's "Grazin' in the Grass" and Dave Koz's "You Make Me Smile." But it's not simply an objective survey of smoothness at its best. The collection also seems designed to promote artists in the Concord Jazz stable – David Benoit and Russ Freeman, the Rippingtons, the Braxton Brothers, Gato Barbieri, Eric Marienthal, and Cassandra Reed, among others.

The American music icon's 50th studio album (excluding her 10 studio duet collaborations with Conway Twitty), Still Woman Enough celebrates women in country music. From her homage to the originators, Mother Maybelle Carter and the Carter Family (via her cover of "Keep On The Sunny Side") through a new interpretation of her very first single, "I'm A Honky Tonk Girl," Loretta Lynn acknowledges her role in the continuum of American country music with a special collaboration with Reba McEntire and Carrie Underwood ("Still Woman Enough"), and duets with Margo Price ("One's On The Way") and Tanya Tucker ("You Ain't Woman Enough"), sharing the musical torch with some of the brightest lights and biggest stars in contemporary country music.

On the heels of their rapturously received The Red Bird Girls: Very First Time in True Stereo 1964-66 compilation, producers Ron Furmanek and Ash Wells have come up with the first legitimate album devoted to the classic Blue Cat recordings of the Ad-Libs, featuring 24 tracks taken straight from the original master session tapes! And among those 24 tracks are a full five unreleased songs and nine unreleased alternate versions, featuring three previously unheard versions of the big hit “The Boy from New York City” including an a cappella demo! Notes by James Moniz tell the Ad-Libs story with help from copious quotes from group member Norman Donegan, while Manhattan Transfer member Tim Hauser pens an introduction. Another incredible find from the Red Bird / Blue Cat vaults!

The Egedacher organ of the Zwettl monastery is one of the most valuable testimonies of 18th-century southern German-Austrian organ building. It was built by Johann Ignaz Egedacher in the years 1728-1731. This recording contains music from the 17th and 18th centuries from Italian and German-speaking countries. At the same time, the connections between the Italian and German-speaking countries represent a very personal parallel to the life of the organist Marco Paolacci.

The Chief Conductor of Oslo Philharmonic and Music Director of Orchestre de Paris, Klaus Mäkelä announces his debut album; the complete Sibelius symphonies plus the fragments of the unfinished 8th and his last symphonic poem Tapiola. The orchestra has been performing the music of Jean Sibelius for over 100 years, with the composer himself conducting three concerts of his music in 1921. Together they form the Scandinivian Trio.

UK 'Best Of', tracks include 'Do You Love Me', 'First I Look at the Purse', 'Just a Little Misunderstanding', 'Baby HitAnd Run', 'Determination' and many more.18 tracks in all. 2000 release.

UFO’s 13th studio album, 1992’s High Stakes & Dangerous Men, was their first record in ten years to feature bassist and founder member Pete Way.

The dates in the title of this retrospective may seem a bit strange (you'd expect them to be arranged from earliest to latest), but in fact they accurately reflect the presentation of the material on this program, which begins with three selections from Capercaillie's most recent album (2004's Choice Language) and ends with one from their 1984 debut. In between are offered two-discs' worth of live recordings, 12" single mixes, and album tracks from the band's 20-year career – an excellent overview of Capercaillie's frequently thrilling work that contains just enough rare and previously-unreleased material to tempt fans who already own most or all of the albums. Fronted by the sweet-voiced Karen Matheson, Capercaillie has always been unusually successful in its attempt to wed traditional Celtic songs and tunes to modern technology, alternating between straight-up trad fare ("Snuff Wife Jigs," "Rob Roy Reels") and Celtic-influenced pop songs ("Grace and Pride," "Waiting for the Wheel to Turn") with the occasional excursion into Irish/East European fusion ("Co Nu Mire Rium?") or disco-flavored mouth music ("Finlays") along the way. Very highly recommended.