Led Zeppelin - For Badge Holders Only (2019)

On June 23, 1977, a familiar legendary live appeared in the best version with two high-quality sound sources as the main!
Version 1-3 edited mainly from the old high-quality analog LP (Source 1), version 4-6 version also based on the familiar ultra-high-quality mirrored source (Source 2) Complementing each other with the missing parts in the main source, and supplementing the missing parts with sources 3 and 4, both versions complete recording. By thoroughly editing and mastering each time you are familiar, follow up missing missing that has been missed in the past. It may be said that the title has been edited so far for the first time.

Live at The Forum, Inglewood, California, USA 23rd June 1977

★ The 3rd day of the ’77 legendary LA performance 6days, the performance on June 23rd appeared in the raging 6-disc press decision board!
★ The first coupling title ever with LP and mirrored sound sources as the main!
★ Double-sided front jacket design with LP jacket as a motif (first attempt)!
★ 4th track insert (LP jacket on both sides) included!
★ Limited number included!

(Sound source arrangement)
Source 1 … LP record board that has been familiar for a long time. Best sound for closeness and low-frequency texture.
In this title, it is recorded in the main on the 1-3rd.

Source 2 … Stereo Audi sound source by familiar mirrored (not net). Best sound for closeness and clarity.
Mainly recorded on the 4th-6th titles.

Source 3 … A mono sound source (not the net) that was widely used in the 90s. Since the Song Remain that has not been recorded in Source 1 and 2 is recorded without cut, it is a sound source that is frequently used in the same song. This board is also used for Song Remain and inter-song compensation. Although this sound source is inferior in sound quality, it can be seen that it is a sound source caught at a position very close to the mirrored sound source of Source 2 from cheers and applause.

Source 4 … Sound source mono Aud (not the net) that was widely used in the 90s. Often confused with Source 3, but not. A sound source that has been used since NQ on the old cod and ARMS boards. This time, it has been slightly adopted to compensate for cuts between songs.

Source 5: A mono audio source that seems to have been distributed in recent years. The sound quality is the strictest and the recording time is less than 80 minutes. Not adopted this time.

Source 6: Sound board sound source that seems to have been distributed in recent years, only the excerpt sound source of the guitar solo part is currently confirmed. Bonus recording on this board.

The main part of the 1-3th analog LP is digitized directly from the analog LP. In terms of sound quality, despite the high-quality sound source next to Millard’s source 2 as the sound source on the same day, we are not blessed with good CD, and when it comes to direct CD conversion from analog LP, it will be a long time except for the net sound source. There has been digitalization from analog boards in the past, but scratches are great, noise reduction is too much, and freshness has dropped, or editing is another breathing net sound source Although it was just one step away and there was no definitive title, the best version based on analog LP is finally here this time. The analog LP was released at that time in 2 LPs, each of “LZ 1234” and “LZ 7”, and the “LZ 1234” was reissued with the recording content slightly increased, this time The part of “LZ 1234” is digitized from the recurrence. Scratch noise has also been carefully removed at this time, and there is no traditional processing that stretches the film or makes the sound como, so only scratch noise remains while maintaining the freshness of the master LP. It has been carefully removed.

The missing part has been compensated extremely carefully, and the missing parts that have been missed so far are carefully followed up to the inter-song. The replenishment staff is the mirrored sound source of source 2 (not the net), and the parts that are still missing are mobilized source 3 and source 4 (both are not net), and all songs are completely recorded. As for “Song Remain” which is not yet received on the analog LP board, there is no mirrored sound source, so it is the same concept as the previous one by making up the whole from Source 3. As for the cuts that have been missed in the past, “NQ” CD time around 19:41 is a cut by replacing the LP board, naturally there is a missing part that anyone can understand, but other than that cut There was a cut of about 20 seconds on the analog board near CD time 7:22, which was compensated for the first time this time. For other parts of the song, complete recording has been realized with supplementary editing that emphasizes balance in order to avoid discomfort as finely as possible. The analog main version of the legendary performance can be enjoyed for the longest with the quality that is different from the Winston of the net.

A short message that seems to be due to the LP author who was recorded in the last of the analog board “LZ 7” as a bonus track. Although it has been recorded several times even on existing CDs, it is irrelevant to live performances.

The 4th-6th version is based on the mirrored sound source (source 2).
The mirrored sound source itself was made into a CD after a while in the 1990s. It is a sound source that recorded everything from “Since” to the ending without being captured from the live start to “hill” (like there were various theories that failed to record …), and other cuts and dropdowns It wasn’t because of many sound sources, but it wasn’t all that mirrored sound sources at the time, but instead of mirrored sound sources such as the old Tara board and ARMS board, source 3 and source 4 monaural sound sources including tracks without cuts in the song were used. I think that the title with the main song (the mirrored sound source was used only at the end of the game) and the full song recording was rather highly rated. It is a story before a CD that edits multiple sound sources based on the sound source of the best sound quality as it is now. In the late 90’s, labels such as ancient cobras and TDOLZ recorded the beginning of unsettled Mirrored in Source 3, followed by items recorded in Mirrored after “Since”, and this recording format became standard After that, the titles to be released will follow this recording format in general, and improve the sound quality of the material, compensation technology, and accuracy. At present, the scoo board that came out at the end of 2007 is the best overall title. In addition to being a legendary ’77LA live, it is a high-quality sound source, so it is not as much as the first day “Eddie” recorded on the 21st, but compared to the analog LP sound source, there are quite a few mirrored CD items for the past 20 years Every time, it has been swayed, such as “How about this time”, “Which is better?”, “This is good”.

In recent years, a pattern that compensates for missing parts with multiple sources based on this mirrored sound source has been firmly established, but there is almost no reason to use analog LP board for compensation despite high sound quality following Millard (rather than analog Even though some people think that the LP board is better, it is still a habit of scratch noise processing. Titles that use the analog LP board for a moment with a slight omission have been EV boards and scooters in recent years, but when analog LPs are used extensively from “The Rover-Sick Again” to “hill” Surprisingly none. From Atama’s live intro to “Song Remain”, both mirrored sound source and analog LP are not recorded, so it is best to record in source 3 at present, this is the same as many of the existing records However, for the three songs until “Since” after that, it should be a better choice to compensate for the mirror LP and the analog LP that competes for the top sound quality with the sound source of the day. Therefore, for the 4th and 6th pieces, the second source is the analog LP decision board based on a mirrored sound source based on the analog LP board. Compared to the recent titles that have been supplemented with source 3 for “Sick Again”, “Nobody’s Fault”, and “hill” on this analog LP board, the size of the sound image, the proximity of the performance, the resolution of the sound, The sound pressure, etc. are all overwhelmingly higher than the analog LP board, and you will be convinced by this editing. However, as a result of editing with the best possible selection, please note that the recorded content is the same in the beginning of the first CD and the beginning of the fourth CD. It will be interesting to compare with the difference between the first and fourth CDs from the inter-song editing section after the “hill” performance.

This section is about the main mirrored sound source (source 2), but it is not the net, it is a super stereo sound recording with outstanding freshness, ultra high sound quality sound that combines high and low frequencies similar to the best scooter is. In the scoo board, it was a stigma to contain a lot of video tracking noise and hum noise, but in this title there is almost no tracking noise and hum noise smell, there is hiss, of course, but it is powerful and It’s clear and fresh, and it’s definitely the best sound of the day for Mirrored Master.

As for editing, analog LP board is mainly adopted for the sub as mentioned above, and the missing part is adopted in the order of source 3 and source 4. Also here, the cuts that had been missed in the past have been carefully compensated, and some dropouts near “NQ” CD time 13:01, 26:04, 27:46 are pinched in the past. It was just what I did, but it seems that I’m worried about pinching and processing and apparently listening. Therefore, in this board, these dropouts are only a few seconds in the section, but are nicely compensated with analog LP. Also, as for the part between songs immediately after “NQ” performance, there is a missing part of about 17 seconds in the already published title, but this is also compensated by analog LP.
I will omit the detailed points if I raise them, but I will omit them, but there is no doubt that this board, which has been carefully mastered over the whole volume, will become a new decision board for the badge holder.

As a bonus track, the sound board sound source of the guitar solo part that has been distributed in the last 6th piece is recorded for about 12 minutes.
Perhaps it seems that one channel is made Mono, and it is not a great sound quality, so it is recorded with a bonus. Compensation is not made for the convenience of CD recording time. There are so many cuts that anyone will notice if there are about 2 cuts, but the actual cuts are probably 1:04, 4:55, 5:37, 5:44, 7:25, 10:28.

The jacket is a double-sided front jacket with two types of analog LP board jackets arranged on both sides of the CD case.
By the way, “LZ 1234” (Jimmy’s pattern) is based on the original reissue board jacket as well as the contents of the CD, and the character arrangement and color are arranged for the CD case. In the 1st issue LP, there is no gap on the ZEPPELIN “Z”, and unlike the recurring board jacket, the bottom edge of the pattern is “LZ 1234” and the bottom edge of Jimmy’s photo is aligned in the 1st issue LP jacket. In the recurrence, there is a step at the bottom of the pattern and the letters “LZ 1234” (information thanks).
Includes an insert for the song. There is a cover of the LP as it is.
Specifications with stickers attached with limited numbering.
The CD label is a permanent version of the picture disc.

Tracklist
Disc 1 (Vinyl Mix)
01. Introduction
02. The Song Remains The Same
03. The Rover - Sick Again
04. Nobody's Fault But Mine
05. Over The Hills And Far Away
06. Since I've Been Loving You
07. No Quarter

Disc 2 (Vinyl Mix)
01. MC
02. Ten Years Gone
03. Battle Of Evermore
04. Going To California
05. Black Country Woman
06. Bron-Y-Aur Stomp
07. White Summer
08. Black Mountain Side
09. Kashmir
10. Trampled Underfoot

Disc 3 (Vinyl Mix)
01. MC
02. Out On The Tiles - Moby Dick
03. Guitar Solo
04. Achilles Last Stand
05. Stairway To Heaven
06. Whole Lotta Love
07. Rock And Roll
08. Message

Disc 4 (Millard Mix)
01. Introduction
02. The Song Remains The Same
03. The Rover - Sick Again
04. Nobody's Fault But Mine
05. Over The Hills And Far Away
06. Since I've Been Loving You
07. No Quarter

Disc 5 (Millard Mix)
01. MC
02. Ten Years Gone
03. Battle Of Evermore
04. Going To California
05. Black Country Woman
06. Bron-Y-Aur Stomp
07. White Summer
08. Black Mountain Side
09. Kashmir
10. Trampled Underfoot

Disc 6 (Millard Mix)
01. MC
02. Out On The Tiles - Moby Dick
03. Guitar Solo
04. Achilles Last Stand
05. Stairway To Heaven
06. Whole Lotta Love
07. Rock And Roll
08. Guitar Solo (Soundboard Fragment)

Disc 7 (Bonus CD-R)
01. The Rover - Sick Again (Source 3)
02. Nobody's Fault But Mine (Source 3)
03. Over The Hills And Far Away (Source 3)
04. The Song Remains The Same (Source 4)
05. The Rover - Sick Again (Source 4)
06. Nobody's Fault But Mine (Source 4)
07. Guitar Solo (Soundboard + Aud)