Busty Erica Boyer is a depraved professor working on her latest experiment.

A rare condition — face blindness — gives an eccentric yet incredibly gifted neurologist a unique perspective on care, fueling his mission to change the way people see his patients. Alongside a team of brilliant young interns, he solves some of the world's most puzzling psychological cases while navigating the complicated relationships that come with the job.

A tribal mask with magical powers influences the lives (including the sex lives) of two generations in Alabama.

A locally born and bred S.W.A.T. lieutenant is torn between loyalty to the streets and duty to his fellow officers when he's tasked to run a highly-trained unit that's the last stop for solving crimes in Los Angeles.

Japanese Pianist Tomono Kawamura studied in the UK and has performed to acclaim in many parts of the world. Her debut album, ‘Reminiscence’, reflects repertoire found in her concerts with a program of popular masterwork which Tomono believes can trigger emotions and memories – taking the listener back to magical moments associated with that piece of music.

The Emperor's armies have developed a new weapon: a thrown blade that can remove someone's head from long distance. As the paranoid Emperor begins decapitating anyone he fears might be a threat, his guard Mau Tang becomes disillusioned with the excesses of his master. He leaves his post and takes up the quiet life of farming and raising a family. Eventually, though, his past catches up with him, and he must find a way to fight the flying guillotine if he is to save his head.

Taken directly from the liner notes: While the venue of this recording is not yet known, the location is definite - Colorado Springs, Colorado, Johnny Smith’s home city. After the rigors of touring and the perfectionism of recording, it was rare that Johnny would have time to play without traveling, except for his gigs with the Air Force Falconaires. This was a special concert about which very little is known - there are no contemporary newspaper articles near the concert date of December 8th, 1966, either reviewing or advertising the show, yet it was extremely well-attended. The songlist is familiar with any Johnny Smith fan, particularly One O’Clock Jump, with which he would most often close his shows, as well as Bluesette, Shiny Stockings, and all his other favorites. Of particular interest are the three guitar solo songs, Shenandoah, I’m Old Fashioned, and Golden Earrings, all treated with reverence and respect by an artist who knows what these songs mean, both to him and to his audience.