Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move – Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt – it's just that they're not jarring.

A cash-strapped young couple inherits a grand country house, only to find it is both falling apart and teeming with the ghosts of former inhabitants.

D.J. Tanner-Fuller is a widow and mother of three. Things become too much to handle, so she asks for help from her sister Stephanie and her best-friend Kimmy.

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DJ Paulão (Sao Paulo) compiles this great document on samba rock from the golden years of Brasilian music (1966-1978). This compilation gathers two influences of alternative Brazilian musical references - Samba Rock and Brazuca. The focus begins in the mid sixties through to the late seventies, from the decline of bossa nova until the explosion of the disco scene. The Samba Rock movement, as related to black urban culture, goes back to the origins of the DJ in Brazil, particularly in the São Paulo banlieue in the mid-fifties.