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Kenneth Schermerhorn, Nashville Symphony Orchestra - Leonard Bernstein: West Side Story (2002)

Posted By: ArlegZ
Kenneth Schermerhorn, Nashville Symphony Orchestra - Leonard Bernstein: West Side Story (2002)

Kenneth Schermerhorn, Nashville Symphony Orchestra - Leonard Bernstein: West Side Story (The Original Score) (2002)
EAC | FLAC | Image (Cue & Log) ~ 388 Mb | Total time: 75:16 | Scans included
Classical, Musical | Label: Naxos | # 8.559126 | Recorded: 2001

This new West Side Story, the first American-based recording to appear since DG’s star-studded 1985 composer-conducted version, blessedly avoids that earlier production’s operatic pretensions, returning instead to the work’s Broadway roots by using young, theatrically trained singers with some genuine acting ability. Even with that, it’s probably wishful thinking to expect that this cast (fine as it is) can recreate the vibrant, raw freshness and scintillating brilliance of the original. Mike Eldred’s Tony comes off best; singing with a more mature sound than Larry Kert, he nonetheless creates a sense of heightened expectancy and wonder in “Something’s Coming”.

Takako Nishizaki, HKPO, Kenneth Schermerhorn - Cesar Cui: Suite Concertante; Suite Miniature; In Modo Populari (1985)

Posted By: Designol
Takako Nishizaki, HKPO, Kenneth Schermerhorn - Cesar Cui: Suite Concertante; Suite Miniature; In Modo Populari (1985)

César Cui: Suite Concertante, Op. 25; Suite Miniature, Op. 20; In Modo Populari (1985)
Takako Nishizaki, violin; Hong Kong Philharmonic Orchestra; conducted by Kenneth Schermerhorn

EAC | FLAC | Tracks (Cue&Log) ~ 225 Mb | Mp3 (CBR320) ~ 132 Mb | Scans included
Genre: Classical | Label: Marco Polo | # 8.220308 | Time: 00:53:50

Cui, a member of the original Russian 'Five', was a dedicated encourager of the other members of the group (and indeed of all living Russian composers) to aim at less imitation of the West; and instead to write, without inhibition, more obviously independent Russian-style music. Nevertheless, he seemed to exempt himself from the encouragement, tending to write his own music in a pretty well accepted western European mould.