The Art of Cecilia Bartoli (2002)
The Art of Cecilia Bartoli (2002)
EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 73:39 | Scans included
Classical | Label: DECCA | # 473 380-2 | Recorded: 1992-2002
EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 73:39 | Scans included
Classical | Label: DECCA | # 473 380-2 | Recorded: 1992-2002
Ein Rückblick auf zehn Jahre Cecilia Bartoli: Die Arie "Non piú mesto" aus der 1992 entstandenen Gesamtaufnahme von Rossinis La Cenerentola ist das älteste Tondokument dieser Anthologie, und mancher, der wie der Rezensent diese Cenerentola damals erworben hat, wird sich gut erinnern an die unbeschreiblich elektrisierende Wirkung, die die junge Italienerin mit ihrem vollblütigen Stimmmaterial, ihrem Temperament und ihrer faszinierenden Virtuosität auf ihn ausübte. Das Besondere: Die Geschwindigkeit der rasend schnellen Koloraturen geht niemals zu Lasten des Ausdrucks oder der Intensität.
Ähnliches war 1999 in Bartolis furiosem Vivaldi Album zu erleben: Rückhaltlos und wie besessen jagt sie durch "Anch'il mar par che sommerga" aus Il Tamerlano. Wem das zu aufregend ist, der wird seine Freude haben an Christoph Willibald Glucks "Di questa cetra in seno" oder "Un moto di gioia" aus Mozarts Figaro: Zärtlicher, fein differenzierter Gesang ganz nahe am Text, oft am unteren Ende der dynamischen Skala. Ganz mädchenhaft-begeistert in der Vorfreude auf gemeinsamen Kindersegen ist Cecilia Bartoli dann als Papagena im Duett mit Papageno Bryn Terfel zu erleben.
All diese Gesangsereignisse und viele mehr, die hier nicht genannt werden können, sind Auskoppelungen aus im Laufe der Jahre erschienenen Alben. Erstmals veröffentlicht wurden hingegen zwei Duette mit Luciano Pavarotti, von denen dasjenige aus Donizettis Elisir d'Amore mehr überzeugt als das bekannte "Libiamo" aus Verdis Traviata. Aber was sie auch singt: Cecilia Bartoli ist immer mit jeder Faser ihres Wesens bei der Sache, Halbheiten gibt es nicht. Außerdem ist es die Vielseitigkeit ihrer Ausdrucksmöglichkeiten, mit der sie den Hörer immer wieder in ihren Bann zieht. Winzige Details sind es oft, die große Freude machen: Reizend ist etwa der verzierte Schluss von "Voi che sapete" aus Mozarts Figaro. Derartiges gibt es auf dieser CD allenthalben zu entdecken.–Michael Wersin
Tracklist & Performer:
George Frideric Handel (1685-1759)
01. Rinaldo, HWV 7a (Atto II) - "Lascia ch'io pianga" (Almirena)
Cecilia Bartoli, The Academy of Ancient Music, Christopher Hogwood
02. Rinaldo, HWV 7a (Atto I) - Duetto: Scherzano sul tuo volto (Almirena, Rinaldo)
Cecilia Bartoli, David Daniels, The Academy of Ancient Music, Christopher Hogwood
Antonio Vivaldi (1678-1741)
03. Dorilla in Tempe, RV 709 / (Atto I, Scena 1) - "Dell'aura al sussurrar" (Ninfa, pastori, coro)
Cecilia Bartoli, Arnold Schoenberg Chor, Il Giardino Armonico & Giovanni Antonini
04. Il Farnace (Atto II) - Gelido in ogni vena (Farnace)
Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini
05. Il Bajazet (Il Tamerlano) (Atto II) - Anch'il mar par che sommerga (Idaspe)
Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini
Christoph Willibald Gluck (1714-1787)
06. Il Parnaso confuso - Di questa cetra in seno (Erato)
Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck
07. La Clemenza di Tito - Se mai senti spirarti sul volto (Sesto)
Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck
Wolfgang Amadeus Mozart (1756-1791)
08. Le nozze di Figaro, K.492 (Atto I) - "Non so più cosa son, cosa faccio" (Cherubino)
Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado
09. Le nozze di Figaro, K.492 (Atto II) - "Voi che sapete" (Cherubino)
Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado
10. Don Giovanni, K.527 (Atto I) - "Là ci darem la mano" (Don Giovanni, Zerlina)
Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung Whun Chung
11. Le nozze di Figaro, K.492 (Atto II) - "Un moto di gioia" (Susanna) (Alternative aria)
Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung Whun Chung
12. Die Zauberflöte, K.620 (Akt I) - "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" (Papageno, Papagena)
Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung Whun Chung
Gioacchino Rossini (1792-1868)
13. La Cenerentola (Atto II) - "Nacqui all'affanno e al pianto" - "Non più mesta" (Cenerentola, coro)
Fernanda Costa, Cecilia Bartoli, Gloria Banditelli, Enzo Dara, Michele Pertusi & Alessandro Corbelli, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
14. Il barbiere di Siviglia (Atto I) - No.7 Duetto: "Dunque io son… tu non m'inganni?" (Rosina, Figaro)
Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung Whun Chung
15. Il Turco in Italia (Atto II) - Squallida veste…caro padre, madre amata (Fiorilla, Poeta, coro)
Cecilia Bartoli, Roberto de Candia, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
Gaetano Donizetti (1797-1848)
16. L'elisir d'amore (Atto I) - "Una parola..chiedi all'aura" (Nemorino, Adina)
Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly
Giuseppe Verdi (1813-1901)
17. La traviata (Atto I) - "Libiamo ne'lieti calici" (Brindisi) (Alfredo, Violetta)
Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica e Coro di Milano Giuseppe Verdi, Riccardo Chailly
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 27. January 2019, 19:09
Cecilia Bartoli / The Art of Cecilia Bartoli
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The Art of Cecilia Bartoli (2002)
Thanks to the original releaser