Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Famous Cantatas Vol. 1 (2010)
Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Famous Cantatas Vol. 1 (2010)
EAC | FLAC | Image (Cue & Log) ~ 855 Mb | Total time: 3h16'12 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908357.59 | Recorded: 1990, 2005, 2008
EAC | FLAC | Image (Cue & Log) ~ 855 Mb | Total time: 3h16'12 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908357.59 | Recorded: 1990, 2005, 2008
One of Bach's more magnificent extended choruses graces the cantata BWV 12, and another less substantial but no less impressive one dominates BWV 38. These works represent some of Bach's most profoundly affecting and musically sophisticated textual and emotional representations, the former an ideal evocation of "weeping and wailing" with its unmistakably vivid chromatic descending bass-line, lurching rhythm, and agonized melody (which Bach later re-used in his B minor Mass). The pungent, reedy sound of the oboe adds perfect color and character to the whole cantata, and of course, Bach's ingenious writing, especially the obbligato parts, lifts all three of these cantatas beyond the functional to the highest artistic and spiritual level.
The soloists here are all excellent, but alto Daniel Taylor and tenor Mark Padmore are particularly notable, the latter most especially for his Aus tiefer Not aria, "Ich höre mitten in den Leiden", whose melodic theme bears striking resemblance to the aria "Schließe mein Herze" from the Christmas Oratorio. Not unexpectedly, the choral work from Collegium Vocale Gent is expert–precise and full of energy and passion in every phrase–and the instrumental playing is exemplary. No one performs this repertoire better, and if you're looking for three of Bach's more emotionally rich, theologically "heavy", yet musically exhilarating cantatas, look no further. The sound is accordingly fine–room-filling, with natural-sounding voices and richly resonant instruments.
It's supposed to be spring, but the snow is falling heavily outside, and, after an extraordinarily long winter the formerly abstract concept of depression is assuming a more personal presence with every passing minute. Then, you hear Dorothee Mields singing "Ich esse mit Freuden mein weniges Brot" (I eat my meager bread with joy), and somehow your dimmed spirit is lightened and uplifted–and you realize once again the transcendent power of Bach's music. (Perhaps it's no surprise that this cantata's theme is to be happy with what you have!) Even this practical, functional music can bring light and life to all who listen–and certainly also to those who sing and play it.
The cantatas featured on this program–first-rate performances all–span the years 1716 to 1727, and those who wish to explore changes in style or practice will have much to indulge their interest. But for the pure listener these four cantatas also offer tremendous variety of voices, instrumental color and texture, and plentiful examples of Bach's uniquely imagined and integrated melody and obbligato parts.
The three-section opening chorus of BWV 95, which joins two chorales by means of an almost oddly interrupting tenor recitative, is one of Bach's most curious, fascinating, unusual, and surprising cantata choruses–well worth hearing several times by itself; but also worth a repeat or two is Mields' tenderly sung "Valet will ich dir geben", her melody (which many church-goers will recognize as the tune to "All glory, laud, and honor"–in triple meter) accompanied by two oboes d'amore in one of those inimitable Bachian obbligatos.
Also notable are bass Thomas Bauer, his rich, confident voice particularly compelling in "Gute Nacht…" from BWV 27, tenor Hans Jörg Mammel in the difficult "Ach, schlage doch bald" aria and delicate "Welt! deine Lust ist Last!" recitative, and alto Matthew White in the poignant aria "Komm, du süße Todesstunde" (here the original Weimar version with two recorders). And by programming the earliest cantata last (BWV 161), we're left hearing one of Bach's more delightfully, perfectly scored choruses that makes something inside us dance every time we hear it. The sound is fittingly intimate but with plenty of body and resonance appropriate to bring out the natural qualities of instrumental and vocal timbres. Exceptional!– David Vernier
Performer:
Sopranos: Dorothee Mields, Carolyn Sampson, Barbara Schlick
Altos: Matthew White, Daniel Taylor, Gérard Lesne
Tenors: Howard Crook, Hans Jörg Mammel, Mark Padmore
Basses: Thomas Bauer, Peter Harvey, Peter Kooy
Collegium Vocale Ghent
La Chapelle Royale Paris
Conductor: Philippe Herreweghe
Track List:
CD1:
Cantata BWV 21 'Ich hatte viel Bekummernis'
01. Sinfonia
02. Chorus: Ich hatte viel Bekümmernis in meinem Herzen
03. Aria: Seufzer, Tränen, Kummer, Not
04. Recitativo: Wie hast du dich, mein Gott
05. Aria: Bäche von gesalznen Zähren
06. Chorus: Was betrübst du dich, meine Seele
07. Recitativo: Ach Jesu, meine Ruh
08. Aria Duetto: Komm, mein Jesu, und erquicke
09. Chorus: Sei nun wieder zufrieden, meine Seele
10. Aria: Erfreue dich, Seele, erfreue dich, Herze
11. Chorus: Das Lamm, das erwürget ist
Cantata BWV 42 'Am abend aber desselbigen sabbats'
12. Sinfonia
13. Recitativo: Am Abend aber desselbigen Sabbats
14. Aria: Wo zwei und drei versammlet sind
15. Choral. Duetto: Verzage nicht, o Häuflein klein
16. Recitativo: Man kann hiervon ein schön Exempel sehen
17. Aria: Jesus ist ein Schild der Seinen
18. Choral: Verleih uns Frieden gnädiglich
CD2:
Cantata BWV 27 'Wer weiß, wie nahe mir mein Ende?'
01. Choral & Recitativo: Wer weiß, wie nahe mir mein Ende?
02. Recitativo: Mein Leben hat kein ander Ziel
03. Aria (A): Willkommen! will ich sagen
04. Recitativo: Ach, wer doch schon im Himmel wär!
05. Aria (B): Gute Nacht, du Weltgetümmel!
06. Choral: Wel, ade! ich bin dein müde
Cantata BWV 84 'Ich bin vergnügt mit meinem Glücke'
07. Aria: Ich bin vergnügt mit meinem Glücke
08. Recitativo: Gott ist mir ja nichts schuldig
09. Aria: Ich esse mit Freuden mein weniges Brot
10. Recitativo: Im Schweiße meines Angesichts
11. Choral: Ich leb indes in dir vergnüget
Cantata BWV 95 'Christus, der ist mein Leben'
12. Choral & Recitativo: Christus, der ist mein Leben
13. Recitativo: Nun, falsche Welt!
14. Recitativo: Ach könnte mir doch bald so wohl geschehn
15. Aria: Ach, schlage doch bald, selge Stunde
16. Recitativo: Denn ich weiß dies
17. Choral: Weil du vom Tod erstanden bist
Cantata BWV 161 'Komm, du süße Todesstunde'
18. Aria: Komm, du süße Todesstunde
19. Recitativo: Welt! deine Lust ist Last!
20. Aria: Mein Verlangen
21. Recitativo: Der Schluß ist schon gemacht
22. Chorus: Wenn es meines Gottes Wille
23. Choral: Der Leib zwar in der Erden
CD3:
Cantata BWV12 'Weinen, Klagen, Sorgen, Zagen'
01. Sinfonia
02. Chorus: Weinen, Klagen, Sorgen, Zagen
03. Recitativo: Wir müssen durch viel Trübsal
04. Aria: Kreuz und Kronen sind verbunden
05. Aria: Ich folge Christo nach
06. Aria: Sei getreu, alle Pein
07. Choral: Was Gott tut, das ist wohlgetan
Cantata BWV38 'Aus tiefer not schrei ich zu dir'
08. Chorus: Aus tiefer Not schrei ich zu dir
09. Recitativo: In Jesu Gnade wird allein
10. Aria: Ich höre mitten in den Leiden
11. Recitativo: Ach! Daß mein Glaube noch so schwach
12. Aria Terzetto: Wenn meine Trübsal als mit Ketten
13. Choral: Ob bei uns ist der Sünden viel
Cantata BWV75 'Die Elenden sollen essen'
Prima Parte
14. Chorus: Die Elenden sollen essen
15. Recitativo: Was hilft des Purpurs Majestät
16. Aria: Mein Jesus soll mein alles sein
17. Recitativo: Gott stürzet und erhöhet in Zeit und Ewigkeit
18. Aria: Ich nehme mein Leiden mit Freuden auf mich
19. Recitativo: Indes schenkt Gott ein gut Gewissen
20. Choral: Was Gott tut, das ist wohlgetan
Seconda Parte
21. Sinfonia
22. Recitativo: Nur eines kränkt ein christliches Gemüte
23. Aria: Jesus macht mich geistlich reich
24. Recitativo: Wer nur in Jesu bleibt
25. Aria: Mein Herze glaubt und liebt
26. Recitativo: O Armut, der kein Reichtum gleicht
27. Choral: Was Gott tut, das ist wohlgetan
Exact Audio Copy V1.6 from 23. October 2020
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Philippe Herreweghe, Collegium Vocale Gent / Bach - Cantatas BWV 21 & 42
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Exact Audio Copy V1.6 from 23. October 2020
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Philippe Herreweghe, Collegium Vocale Gent / Bach - Cantatas BWV 27, 84, 95, 161
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 6. April 2022, 20:44
Philippe Herreweghe, Collegium Vocale Gent / Bach - Cantatas BWV 12, 38, 75
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==== Log checksum F79F1DB66EB6CCEA17ACF8A0C8DF18232469DF1BE772518F77C310248F8E4D83 ====
Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Famous Cantatas Vol. 1 (2010)
