«Bunner Sisters» by Edith Wharton
English | MP3@192 kbps | 3h 23m | 278.9 MB
English | MP3@192 kbps | 3h 23m | 278.9 MB
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Though steel guitarist Freddie Roulette was pictured on Tennessee Woman, he did not play on the album; luckily he is given ample space here, and the combination of his eerie vocal-like sound, Jack Myers's solid but adventurous bass playing, and Skip Rose's jazz piano voicings made this edition of the Musselwhite band one of the most original blues outfits ever. Charlie is in fine form as well, on a rock-solid cover of Muddy's "Trouble No More," and a lyrical reading of "Willow Weep for Me," and his harp tour de force "Arkansas Boogie."
2022 marks the 25 year anniversary of the release of Mansun's debut, the iconic #1 album Attack of the Grey Lantern. The much-loved and experimental piece of music is at the heart of fervent cult following for the British group. To celebrate, Kscope presents Paul Draper’s 2018 performance of the album in full.
Snowy White is one of a handful of classic blues-orientated British electric guitar players - musicians whose sound, technique and style has echoed the originality of the blues with the excitement of contemporary rock. When recording his many solo albums Snowy White has always gone his own way. Driving On The 44 is a further example of how he has matured and developed over the years. Ten great tracks of relaxed riffs, cool grooves and soulful blues. Snowy White is a man who has nothing to prove but who can still play hot and smoky guitar. Check out the soaring solo on 'Keep On Flying,' the long and edgy workout on 'Blues 22', the mellow guitar sounds on 'Freshwater', and the expressive 'Longtime Blues'. Snowy White - it's all in the music!
Superb 60-track compilation features "My Baby Just Cares For Me", "Don't Smoke In Bed", "He's Got The Whole Word In His Hands", "I Want A Little Sugar In My Bowl", "Plain Gold Ring" and more standards.
The shock of the new meets old-school synths, free-form rock, gutbucket blues and harmolodic funk in sax master Kjetil Møster’s eponymous group’s incredibly various, genre-defying new studio album. Møster!’s latest edition is a Norwegian supergroup featuring Motorpsycho guitarist Hans Magnus Ryan (aka Snah), one-time Motorpsycho and Grand General drummer Kenneth Kapstad, Nikolai Huengsle (of The National Bank, Elephant 9, Big Bang and Needlepoint) on electric bass and electronics, plus legendary studio-boffin Jorgen Træen, who also acts as engineer, on modular synths and lap steel guitar. Kjetil Møster plays sax, clarinet, electronics and percussion.
The continuation of our survey of Moscheles piano concertos brings us to three works which have never been recorded before. The 1st Concerto, written in 1819, is a very Mozartean affair; though the young composer had become a friend of Beethoven it seems the example of that composer's last three concertos hadn't been followed, instead we have a work full of charm, grace and untroubled lyrical melody.