Weather Report's fourth recording finds Wayne Shorter (on soprano and tenor) taking a lesser role as Joe Zawinul begins to really dominate the group's sound. Most selections also include bassist Alphonso Johnson and drummer Ishmael Wilburn although the personnel shifts from track to track. "Nubian Sundance" adds several vocalists while "Blackthorn Rose" is a Shorter-Zawinul duet. Overall the music is pretty stimulating and sometimes adventurous; high-quality fusion from 1974.

As part of a planned year-long celebration of The Beach Boys’ 60th anniversary, Capitol Records/UMG are to release a newly remastered and massively expanded edition of the group’s greatest hits collection Sounds Of Summer: The Very Best of The Beach Boys.This collection was originally issued in 2003 and contained 30 tracks. The reissue updates both the number of songs and the audio quality with an extra 50 songs, giving a total of 80 tracks across three CDs or six vinyl LPs.

This recording would be ideal for one with the intent of studying the scores, as it is a rather exact and unbiased read, quite true to Schubert's intended style. The pharsing, choice of tempi and degree of precision are examplary for a work of the era.

The talented organist and harpsichordist Maud Gratton is an artist constantly seeking perfection. A graduate of the Paris Conservatoire, she trained with such great masters as Pierre Hantaï (harpsichord) and Louis Robilliard (organ), as well as with Olivier Baumont, Blandine Rannou, Kenneth Weiss, Michel Bouvard, Olivier Latry, and Olivier Trachier.

S'il est un exemple en France d'éditeur indépendant dynamique, c'est bien celui du label lorrain K.617. Depuis le début des années 90, celui-ci, sous la houlette d'Alain Pacquier, explore, défriche des terres musicales jusque-là inconnues de nos contemporains. Il faut dire que le répertoire exhumé est celui d'Amérique latine ; autrement dit, K.617 a fait ici œuvre de pionnier en révélant aux discophiles des merveilles sonores insoupçonnées. Comme en témoignent la réédition de La Purpura de la Rosa et des musiques extraites de la Mission San Francisco Xavier : des pièces issues du riche patrimoine baroque d'Amérique latine, où tout virevolte, où les rythmes s'entrechoquent, où les voix émeuvent par leur prégnance et la richesse de la palette expressive. Des (re)découvertes qui ne peuvent laisser insensible.

A group of teens stumble across the story of now dead serial killer Baby Blue and decide he'd be the perfect subject of a true crime vodcast. But when they start digging, they quickly discover that his murder spree never stopped. Now they are being targeted from beyond the grave.

A 3 CD set collecting highlights from the band's entire career. Progressive rock's first supergroup, Emerson Lake & Palmer fused together rock and classical music like no-one before. This 3CD set collects highlights from their entire career. ELP were no strangers to extended instrumental suites and longer running times. 'Take A Pebble' from their debut album ran for twelve and a half minutes, whilst the follow-up, 'Tarkus', featured a twenty-minute title track. Piano and keyboard workouts by Keith Emerson, often adapted from the classical realm, dazzle on these longer pieces. Their UK #2 hit single 'Fanfare For The Common Man' was inspired by an Aaron Copland work. Bassist Greg Lake would contribute shorter tracks, often ballads, that would become known via radio play: US hit 'Lucky Man', 'From The Beginning' and a single that is familiar to all, 'I Believe In Father Christmas'.
All are featured on 'Emerson Lake & Palmer - The Ultimate Collection'.

Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers. On "Love Me Like a Rock" and "Tenderness" (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on "Take Me to the Mardi Gras," Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly.

A clear, step-by-step approach to understanding music theory, ideal for both young learners and adult students.

3CD box set presented with enhanced booklet. Musical visionaries Keith Emerson and Greg Lake planned to re-form ELP in 1984, however drummer Carl Palmer was unavailable. Into the frame stepped the legendary Cozy Powell, best known for his work with Rainbow and Whitesnake. Included is the band's one and only studio release: 'Emerson Lake and Powell' featuring three bonus tracks, their live album 'Live in Concert' and a CD of rehearsals, 'The Sprocket Sessions', only previously released in the 90s as a bootleg. The collection includes sleeve notes by Jerry Ewing, editor of PROG Magazine, who takes a forensic look at the band's short but impactful history. The band's self-titled studio album delivers material familiar in style to ELP with long progressive rock tracks, mellow ballads, and a classical theme ('Mars, the Bringer of War' by Gustav Holst, a piece previously performed by Lake during his tenure in King Crimson). All recordings have been re-mastered by renowned engineer Andy Pearce. This collection has been curated with the blessing of the Emerson, Lake and Powell families. If you are a fan of ELP, you cannot afford to have this part of the Emerson and Lake history missing from your collection.

Master Classic and Volume lash application, retention, client care, lash mapping, fills, and business tips in one course