Midi Olympique Magazine - Février 2025
French | 68 pages | True PDF | 46 MB
French | 68 pages | True PDF | 46 MB
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The renowned violinist Tasmin Little returns to Chandos with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians. Clara Schumann, Dame Ethel Smyth and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth in particular were fond of metrical and motivic manipulation. Tasmin Little plays this music close to her heart with her usual warmth and dexterity.
Les fĂȘtes de Paphos (The Festivals of Paphos) is an opĂ©ra-ballet in three acts (or entrĂ©es) by the French composer Jean-Joseph CassanĂ©a de Mondonville. The work was described as a ballet hĂ©roĂŻque on the title page of the printed score. Each act had a different librettist. Les fĂȘtes de Paphos was first performed at the AcadĂ©mie royale de musique, Paris on 9 May 1758 and was a popular success. Mondonville recycled material from two of his previous operas for the first two acts, namely Erigone (1747) and VĂ©nus et Adonis (1752), both originally composed for Madame de Pompadour's Théùtre des Petits Cabinets. The title of the work is explained in the preface to the printed score. Paphos was a city in Cyprus sacred to Venus, the goddess of love. "Reunited on the island of Paphos, Venus, Bacchus and Cupid decide to enliven their leisure in such a pleasant location by celebrating their first loves, and this gives rise to the following three acts and the title Les fĂȘtes de Paphos."
Today, the five-string cello is treated as an exotic and rarely-played cousin of the standard cello. However, in the seventeenth and eighteenth centuries it was simply one of the many instruments used in the family of bass violins, and was particularly important for virtuosic sonatas and solos.